Review: Michael B. Jordan Delivers a Brawler in ‘Creed III’

This image released by MGM shows Michael B. Jordan as Adonis Creed in a scene from "Creed III." (MGM via AP)
This image released by MGM shows Michael B. Jordan as Adonis Creed in a scene from "Creed III." (MGM via AP)
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Review: Michael B. Jordan Delivers a Brawler in ‘Creed III’

This image released by MGM shows Michael B. Jordan as Adonis Creed in a scene from "Creed III." (MGM via AP)
This image released by MGM shows Michael B. Jordan as Adonis Creed in a scene from "Creed III." (MGM via AP)

It must be a daunting prospect to pick up a franchise on the third movie. Add in the pressure of following filmmakers like Ryan Coogler and Steven Caple Jr. in your directorial debut that you’re also starring in and it’s enough to make you wonder what on earth Michael B. Jordan was thinking.

But “Creed III,” in US theaters on Friday, is a new start for Adonis Creed. He’s finally out of the shadow of his father Apollo and Rocky Balboa, whose legacy loomed large over the first two films (Sylvester Stallone decided “Creed II” would be his last). With Rocky out of the way, and the younger Creed solidly in place as the best in the world, the franchise can breathe a little and grow.

Enter the Dame (not that kind of dame).

This one is in the form of Jonathan Majors, an old buddy from their teenage years in a group home in the early 2000s. Dame, or Damian Anderson, is a bit older than Creed. He’s the one who’s boxing in the underground matches at night. The young Creed (Thaddeus J. Mixon), a little awkward, a little too eager to please and a little too ready for trouble, is the one carrying water (and bags and gloves) and helping him strategize.

There is a palpable menace established early on with these two — an unequal power and age dynamic, sure, but also the implication that Dame (Spence Moore II) is more than willing to play dirty. He carries a gun. He fixes games. And he has a hold on young Adonis. The flashback ends with a violent altercation outside a convenience store. Dame goes away. Creed becomes Creed.

This flashback is important but does get the film off to a bit of a slow start, jumping forward chronologically to Creed’s last fight and then to his present-day retirement life — a luxurious and tranquil existence in the Hollywood Hills in a modernist mansion with his daughter Amara (Mila Davis Kent) and wife Bianca (Tessa Thompson), who has given up singing mostly to produce hit records.

Life is nice for the obscenely rich in LA: The clothes are expensive, the cars are price upon request, the house always spotless and the staff unseen (save for a chef in one scene). At the gym run by Duke (Wood Harris), he’s trying to mentor the next generation of champions.

Then Dame re-appears and the movie gets its urgency back. His old pal was locked up for 18 years after that incident and is freshly out of prison, wanting to pick up his life and his boxing aspirations where he left off. Creed is pleasant but guarded — for much of the film he acts like an aloof celebrity, hyper conscious of not letting anyone in too close and compartmentalizing the uglier aspects of his past. Still, he takes him out to lunch and offers to help him in any way he can. This is both the right thing to do and also a huge mistake.

“Creed III” is, among other things, about what happens when men don’t talk about their feelings (and ignore Duke’s advice).

At times, it also feels more like a thriller than a sports film as you watch Dame infiltrate Creed’s world. It’s always Creed’s idea, there’s always an invitation, but Dame’s sudden omnipresence starts to feel unavoidable and ominous. Dame has a bit of Eve Harrington in him, but also a very real, very relatable chip on his shoulder for the time he lost. In another movie, he could very well be the underdog we’re rooting for — some of the audience may be rooting for him even so.

Lurking behind everything is the madness that comes from not being able to do what you were born to do. It’s something athletes grapple with earlier than most other professionals. An injury at 23 could take you out when you’re just getting started and in this film Creed, Dame and Bianca are having similar existential crises — though Dame’s desperation is the driving force behind everything that happens.

Jordan and his filmmaking team craft two particularly stunning matches full of suspense, drama and slow motion sweat beads flying through the air. These are only lessened by the cheesy, unhelpful announcers spouting cliches and no actually helpful exposition or explanation outside the ring. And ultimately, it’s a promising debut for the 36-year-old, who shows here that he’ll never let his own star ego get in the way of a film: Majors steals the show, and Jordan is there to capture it.

There’s a comforting but predictable rhythm to a boxing franchise like Rocky and now Creed. The movies must keep justifying themselves, inventing new challenges that make them all feel different enough. But most essentially boil down to the same framework: You have to knock the champion down to a believable underdog again. While there is a case to be made for the final fight to, let’s just say, go a different way than it does, “Creed III” is still a knockout.



Oasis Fans Converge as Mega-tour Kicks Off in UK

Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP
Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP
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Oasis Fans Converge as Mega-tour Kicks Off in UK

Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP
Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP

Tens of thousands of ecstatic Oasis fans descend Friday on Cardiff as the legendary Britpop band kicks off a highly anticipated reunion tour nearly 16 years after last performing together.

The concert at the Principality Stadium in the Welsh capital will be the first of a 41-date run of gigs spanning the world, including in the United States, Japan, Australia and Brazil, AFP said.

Once-warring brothers Liam and Noel Gallagher, their bandmates and UK support acts will play in Cardiff on Friday and Saturday before five hometown gigs in Manchester starting on July 11.

Further sold-out British and Irish concerts will follow at London's Wembley Stadium, Edinburgh's Murrayfield Stadium and Dublin's Croke Park, before the international leg of their Oasis Live '25 tour.

"All that matters is how the people in that stadium feel," Liam Gallagher, 52, said on social media last week, as months of anticipation reach a climax.

Fans have been sharing their excitement at the first chance to see Oasis play live since 2009 -- or ever -- after it was long seen as a remote prospect following one of music's most acrimonious break-ups.

The band's 1990s gigs are the stuff of legend.

"The feeling is biblical!" fuel tanker driver Sean Campbell, 35, told AFP before attending Friday's gig.

"I've been waiting years for their return. I missed out on going years ago, so this is my first time seeing them live."

Ticket controversy

Oasis, famous for 1990s hits like "Live Forever" and "Wonderwall", announced its comeback tour last August, days before the 30th anniversary of their debut album, "Definitely Maybe".

The Manchester rockers split in 2009, with Noel saying he "simply could not go on working with Liam a day longer".

The Gallagher brothers had maintained a war of words about each other for more than a decade, performing individually over those years but never together.

The surprise announcement that they had finally put aside their feud to reunite sparked an online frenzy for tickets but outrage over sudden price hikes that saw Britain's competition watchdog threaten legal action.

Resale tickets costing thousands of pounds have surfaced, while fans have also been targeted by online scams.

Britain's Lloyds Bank estimated in April that victims had collectively lost more than £2 million ($2.7 million).

The tour is expected to be a boon for the struggling UK economy.

Fans could spend more than £1 billion combined on tickets and outgoings such as transportation and accommodation, Barclays bank estimated in May.

'Rough and ready'

Oasis will be supported in the UK by Richard Ashcroft, frontman of British rock band The Verve, as well as the Liverpool-formed band Cast.

The band has not released the setlist for their opening and other shows, with rampant speculation online over which classic tracks will feature and whether any new material will be performed.

There are also many rumors over the potential for special guests appearances.

Illuminated drones displayed Oasis's classic logo above the Cardiff stadium late Wednesday, in a one-night display adding to the buzz around the tour's kick-off.

Gates open Friday at 5:00 pm (1600 GMT), with the band due on stage just over three hours later after both support acts have played.

The performance will wrap up by 10:30 pm, organizers said.

The stadium, which has a capacity of 74,500 for concerts, is set to have its retractable roof closed for both nights, with an incredible atmosphere expected.

Oasis reportedly began jamming together months ago, before starting rehearsals in London more recently.

The band has reportedly welcomed several new members for the tour, including a keyboard player and drummer.

Writing in the tour program, Noel, 58, reflected on the band's enduring popularity, saying "a new generation recognizes how Oasis wasn't manufactured".

"It was chaotic, and flawed, and not technically brilliant. We were rough and ready guys from a rehearsal room, and people recognized it."