Jeff Probst a Constant for ‘Survivor’ as It Nears 44th Game

This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
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Jeff Probst a Constant for ‘Survivor’ as It Nears 44th Game

This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)

There was a time Jeff Probst could not imagine doing what he will on Wednesday, being on hand as host for the start of a 44th season of “Survivor.”

That’s not simply because of the transitory nature of television, where a 44th season of anything is a rarity, even a program that created a sensation when it first aired on CBS in the summer of 2000.

In those early days, there was a restlessness about Probst. He’d studied screenwriting, acted and wrote and directed a well-received indie film in 2001. He tried a short-lived talk show. He admits “I had a chip on my shoulder about being called a ‘host.’”

Yet as series creator Mark Burnett began stepping away, Probst added “producer” to his title and has since ascended to the level of “showrunner” — industry lingo that means he’s in charge of everything.

At age 61, he’s all in, an evangelist for “Survivor.”

“I have never been so excited to be part of the show,” he told The Associated Press in a recent interview. “I hope it’s apparent. I hope it’s clear that I’m really into ‘Survivor.’”

It remains a marvelously-designed game, one that tests survival skills in a forbidding — if lovely — environment along with the social and scheming skills to remain standing at the end to collect the $1 million prize. Even if one cast is a drag, “one of the show’s greatest strengths is that every season hits a reset button,” said Dalton Ross, executive editor at large at Entertainment Weekly and a veteran chronicler of the show.

So it can, um, survive a scandal like a player being kicked off in 2019 after being accused of inappropriately touching young women or tweaks that don’t work, like the “fire tokens” that were introduced and abandoned after one season.

Other new ideas, like a hidden immunity idol or the “David vs Goliath” season that Probst really loved, freshen the show as it adheres to a basic structure.

Producers were also ordered by CBS to increase diversity, which Probst said has added to the show’s richness. The 18 castaways for the new season include five Black contestants, three Latinos and an Asian American.

“People that don’t watch ‘Survivor,’ I think they may mistake it for some sort of survivalist’s show or they label it with this idea that it’s just a reality show,” Probst said. “When, really, ‘Survivor’ is one of the biggest adventures you can ever go on, either as a player or a viewer.”

As Probst became more involved in how the show was put together, there was a clear difference in how he did his job onscreen, Ross said.

“Jeff started to put more opinion and personality into his hosting,” he said. “Up to that point, it was more of a master of ceremonies role. You realized he could be the eyes and ears of the audience and can speak for the audience. It was one of the most important changes he made as a host. It made him an element in the game that the players had to contend with.”

“Survivor” has settled on Fiji as a permanent set after bouncing around for several years to different locations. The jungle is a character in itself. High-definition photography and drones makes things more visually appealing than ever, Ross said.

Probst demurs when asked his opinion of the best player ever, and admits some of the seasons start to run together. He’d lose a “Survivor” trivia contest, he said.

“I will see an early cut of an episode, and I can’t remember who was voted out, even though I was the one at Tribal Council who snuffed out their torch,” he said.

And, yes, he’s excited about the new season, calling it one of the most entertaining groups of players the show has put together in a while.

“It’s intoxicating,” he said. “I honestly believe one of the reasons we’re still on the air is that it’s compelling. If people watch the first episode of ‘Survivor’ 44,’ I don’t know how you’re not going to watch the second episode. You’re going to be hooked.”

Starting Wednesday, Probst will host a podcast with show producer Brittany Crapper and fan Jay Wolff that will air after the conclusion of each episode. “On Fire with Jeff Probst” will an insider’s look at how the show is put together, he said.

CBS doesn’t want to spoil the magic, but deepen the relationship with fans, he said.

With broadcast television struggling for viewers, “Survivor” is a dependable performer for CBS and is one of those rare family shows that people of all ages can enjoy. The show seems destined to be around for awhile and hard to imagine without the man who’s “not just the face of ‘Survivor’ but the pulse of ‘Survivor’ as well,” Ross said.

Asked if he would want to stay with the show as long as it’s on the air, Probst at first calls the question impossible.

Then he quickly answers.

“At this point, yes,” he said. “Really, yes. Because I’ve built my life around ‘Survivor’ and I’ve fashioned all of my creative ideas through ‘Survivor.’ Every single conversation, book I read, podcast I listen to, every single thing ... will get filtered through my ‘Survivor’ filter.”



South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."