New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'

New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'
TT

New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'

New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'

Dar Al Mada Publishing released a new study on the “One Thousand and One Nights” novel by Dr. Mohsen Mahdi.

According to the publishing house, the story of the book does not actually span over 1,001 nights, and the transcribers were behind stretching the original story.

Researcher Mohsen Mahdi started his investigation on the book years ago, and studied the stories narrated in it without the additions of the transcribers.

The most famed editions of the novel are: The Bulaq print, the Moroccan popular print, the Father Salhani print published by the Catholic printing house, the Rushdie Saleh print – Dar Al Shaab in Beirut, and the Breslau print, which was investigated by Abdul Saheb al-Aqabi and published in the Iraqi “Popular Heritage” magazine in the 1980s.

The researcher investigated the nights using a scientific approach based on the oldest handwritten copy of the book (the version kept at the national library of Paris), the copy of the Vatican Library, and the copy of the John Rylands Research Institute and Library, Manchester.

The investigator wrote an introduction that discusses debunking the old printed versions of the book: The first Kolkata print; the Breslau print; the Bulaq print; and the second Kolkata print. The book also includes the findings of the investigation, and the handwritten versions of the story and their origins (the mother copy, the Damascene branch, and the Egyptian branch).

It also tackles the used language, its general characteristics, dictation, and punctuation. The writer found that the “One Thousand and One Nights” has several original handwritten editions linked by a tree comprising two main branches, the Damascene and the Egyptian.

In his investigation, Mahdi also reported that the book has a mother version that does not exist anymore and that all the following copies were derived from it. He also noted that the mother version was composed in the Mamluk Sultanate in the second half of the 7th century of Hegira (second half of the 13th century AD), and was preceded by another older mother version that was written in the 3rd century of Hegira.

Mohsen Mahdi concluded that the original version of this book didn’t make it to 1,001 night, but only to around 300 nights and stories, in addition to the frame story, suggesting that the transcribers added the additional nights for profit.



Cultural Activities of King Abdulaziz Camel Festival Conclude with Over 320 Competitive Rounds

The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
TT

Cultural Activities of King Abdulaziz Camel Festival Conclude with Over 320 Competitive Rounds

The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo
The ninth edition of the King Abdulaziz Camel Festival - SPA/File Photo

The ninth edition of the King Abdulaziz Camel Festival concluded on Thursday with the Al-Fahl Al-Muntij competitions for the “Shaal,” “Safar,” and “Wadah” categories, marking the end of an exceptional event held under the theme “Pride of Its People.”

The festival aimed to elevate camels as a cornerstone of Saudi Arabia’s rich heritage and as a source of both local and global pride and interest.
Spanning more than 30 days, the festival featured over 320 competitive rounds, including Mazayen, Hajij, Tabaa, and camel races.

The event showcased a variety of camel types, such as Majahim, Wadah, Shaqah, Hamr, Safar, Shaal, Asayel, Sawahel, and hybrid camels, according to SPA.
Dedicated categories were organized for both individual and group competitions, drawing extensive participation from camel owners across the Gulf region, the Arab world, and beyond. Notably, the festival featured the Princess Nourah’s Round, exclusively for women, highlighting their contributions to camel heritage.
The final day was a cultural celebration, with diverse activities for attendees. The cultural tent hosted various programs, including Hanna Lahaa performances, camel owners’ celebrations, and vibrant camel processions entering the Rimat gates to be showcased before judging panels. Presentations on algorithm-based judging stages captivated audiences, culminating in the announcement of results, which drew enthusiastic reactions from the crowd.