Actor Robert Blake, Star of ‘Baretta’ and ‘In Cold Blood,’ Dead at Age 89

In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)
In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)
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Actor Robert Blake, Star of ‘Baretta’ and ‘In Cold Blood,’ Dead at Age 89

In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)
In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)

Robert Blake, a child actor from the Depression-era "Our Gang" comedies who won adult stardom playing an undercover cop on the 1970s television series "Baretta" before fame was eclipsed by his murder trial in the 2001 killing of his wife, has died at age 89.

Blake, who also won acclaim for his role as a psychopathic killer in the 1967 film adaptation of Truman Capote's "In Cold Blood," died at his home in Los Angeles, surrounded by family members, according to a statement released to CBS, The Hollywood Reporter and other news agencies by his niece, Noreen Austin.

Blake was charged in 2002 with fatally shooting his spouse, Bonnie Lee Bakley, to gain custody of their young daughter, after trying to solicit others to kill his wife of less than a year.

He was acquitted at the end of a sensational three-month trial in which Bakley was portrayed as a star-struck career swindler who ran a mail-order lonely hearts business and entrapped the actor into marriage by getting pregnant.

A wrongful death lawsuit subsequently filed against Blake by her estate led to a civil court judgment that the actor was responsible for her slaying.

Blake contended his wife was a victim of her own checkered past, gunned down by an unknown assailant.

Born in Nutley, New Jersey, as Michael James Gubitosi, Blake got his start in show business as a youngster when he and two siblings joined his parents' song-and-dance vaudeville act, known as "The Three Little Hillbillies," before the family moved to California.

Blake was just 8 years old when he began appearing as Mickey in the "Our Gang" short film series, also known as "The Little Rascals," in 1939. He later played the character of Little Beaver, a Native American boy, in the "Red Ryder" Western series.

After outgrowing child roles and serving in the Army, Blake worked steadily in television and appeared in movies such as "Pork Chop Hill," "The Purple Gang" and "Town Without Pity."

He was short in stature but possessed a swaggering, tough-talking persona - on and off the screen. Blake's breakthrough came with a chilling portrayal of Perry Smith, one of two drifters who killed a family of four, in screenwriter-director Richard Brooks' movie version of Capote's fact-based bestselling novel, "In Cold Blood."

‘Don’t do the crime ...’

Blake followed with lead roles in the films "Electra Glide in Blue" and "Tell Them Willie Boy Is Here," but his biggest fame came playing unconventional big-city detective Tony Baretta from 1975 through 1978 on ABC.

His street-wise "Baretta" character was rough around the edges and often wore disguises to solve crimes. He kept a pet cockatoo named Fred and was known for such catch phrases as: "And you can take that to the bank," and "That's the name of that tune." The show's theme song centered on the line "Don't do the crime if you can't do the time."

The role earned Blake an Emmy in 1975 and another nomination in 1977.

He also garnered Emmy nominations for playing a real-life mass murderer in the 1993 television movie "Judgment Day: The John List Story" and the Teamsters union boss Jimmy Hoffa in "Blood Feud" in 1983.

Blake returned to television in 1986, creating the series "Hell Town" and starring in it as a priest who helps street kids. He quit after several episodes, later telling the Los Angeles Times that he was behaving erratically and having suicidal thoughts.

His last acting job was a role listed as "Mystery Man" in David Lynch' s 1997 film "Lost Highway," about a man who kills his wife.

Blake's acting work was overshadowed four years later by the Bakley murder, which remains unsolved. Bakley had been married nine times when she met Blake in 1999 and had supported herself by maintaining multiple identities and using magazine ads to persuade men to send her money, authorities said.

She also was reportedly obsessed with marrying a celebrity, and in 2000 gave birth to a girl. A paternity test showed that the father was Blake, not Christian Brando, son of actor Marlon Brando, who Bakley had been dating simultaneously.

Blake and Bakley had been married six months when they went to dinner at an Italian restaurant in Los Angeles' Studio City section on May 4, 2001. Afterward, she waited in their nearby car while he went back to the restaurant to retrieve a pistol he said he had mistakenly left in the eatery. Blake told police he returned to the car to find his wife bleeding from gunshots.

Investigators determined Blake's gun did not kill Bakley and the real murder weapon was found in a dumpster nearby.

Murder, no witnesses

Blake was arrested and charged with murder almost a year later and spent several months in jail before being granted bail. When he went on trial in 2005 prosecutors had no witnesses or solid evidence linking him to the killing and built their case on the premise that Blake wanted Bakley dead because he felt she had tricked him into marriage by getting pregnant.

Prosecutors argued that Blake had initially sought to gain custody of their daughter from a woman he despised and considered a bad influence, and had even tried kidnapping the child, before marrying Bakley in November 2000 to get her to drop child abduction charges against him.

The prosecution presented two former stuntmen who testified Blake tried to hire them to murder Bakley, but that Blake, who did not testify in the trial, committed the crime himself when the stuntmen turned him down.

Jurors ultimately found Blake not guilty of murder and a single count of asking one of the stuntmen to kill his wife. The jury deadlocked on a second count of solicitation of murder, and the judge dismissed that charge.

Oakley's children won a wrongful death suit against Blake in November 2005 and were awarded $30 million in damages, which led him to file for bankruptcy protection three months later. Blake lost his appeals to overturn the civil verdict but the damages were reduced to $15 million.

The outcome of the Blake trials was reminiscent of the mixed verdicts returned in the case of former football star O.J. Simpson, who was acquitted of murder charges in the 1994 stabbing deaths of his ex-wife and her friend, but was later found liable for their deaths in a civil trial.

Blake always maintained his innocence and over the years gave a few disjointed interviews that focused anger on the police involved in his case and how he had been left broke.

"I didn't know her well enough to know her," he told ANN in 2012. "I love her ... but we were not dramatically in love or things like that.

"Bonnie had people that she burned ... I think she was a con artist, yes. I think she came to Hollywood to con her way into show business."

Blake, who had four children, was married to actress Sonora Kerr for 22 years before their 1983 split. In 2017 he married old friend Pamela Hudak but the marriage ended in 2019.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.