In a First since 1961, the Oscars Carpet Will Not Be Red

Crew members roll out the carpet outside the Dolby Theatre on Wednesday, March 8, 2023, in Los Angeles in preparation for Sunday's 95th Academy Awards. (AP)
Crew members roll out the carpet outside the Dolby Theatre on Wednesday, March 8, 2023, in Los Angeles in preparation for Sunday's 95th Academy Awards. (AP)
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In a First since 1961, the Oscars Carpet Will Not Be Red

Crew members roll out the carpet outside the Dolby Theatre on Wednesday, March 8, 2023, in Los Angeles in preparation for Sunday's 95th Academy Awards. (AP)
Crew members roll out the carpet outside the Dolby Theatre on Wednesday, March 8, 2023, in Los Angeles in preparation for Sunday's 95th Academy Awards. (AP)

Many things about the Academy Awards have changed over the years, but for the past six decades there has been at least one constant: The red carpet. The hues have varied over the years, but it has always been some shade of red. Until this year.

On Wednesday outside the Dolby Theatre in Hollywood, workers unspooled a champagne-colored carpet as Jimmy Kimmel, who is hosting the 95th Oscars on Sunday, presided over the occasion.

“I think the decision to go with a champagne carpet over a red carpet shows how confident we are that no blood will be shed,” Kimmel said.

The decision to change the color came from creative consultants Lisa Love, a longtime Vogue contributor, and Raúl Àvila, the creative director for the glamourous Met Gala in New York.

This year the carpet will be covered, in part to protect the stars and cameras from the weather, but also to help turn the arrivals into an evening event. For Love, there has always been a disconnect between the elegant black tie dress code and the fact that it’s mid-afternoon when people arrive to be photographed in the daylight. With a covered carpet, they could change that.

“We turned a day event into night,” Love told The Associated Press. “It’s evening, even though it’s still 3:00.”

The Oscars red carpet dates back to 1961, the 33rd Academy Awards held at the Santa Monica Civic Auditorium, when Billy Wilder’s “The Apartment” won best picture, Burt Lancaster and Elizabeth Taylor won the lead acting prizes, and there was still a “juvenile award,” which went to Hayley Mills for “Pollyanna.”

It was the first televised ceremony, broadcast on ABC and hosted by Bob Hope. The general public wouldn’t see the red carpet in all its glory on television until 1966, when the Oscars were first broadcast in color.

There wasn’t any debate over the change, Love said. They just knew they had the freedom to break from tradition. They tried some other colors too, but they seemed too dark with the covered tent. “We chose this beautiful sienna, saffron color that evokes the sunset, because this is the sunset before the golden hour,” Love said.

Instead, they went lighter, and Academy CEO Bill Kramer approved.

They weren’t especially worried about upsetting Oscars traditionalists either.

“Somebody’s always got a way to find something wrong with something,” Love said. “This is just a lightness and hopefully people like it. It doesn’t mean that it’s always going to be a champagne-colored carpet.”

As for what we should call it? Love said “champagne” and “sand” are apt descriptions, but that there’s no reason to not default to “red carpet” either. It’s more metonym for the glamorous arrivals than a literal description of what everyone is walking on.

The 95th Oscars “red carpet” opens Sunday at 3:30 p.m. Eastern. The ceremony is set to begin at 8 p.m. and will be broadcast live on ABC.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.