Oscar Host Jimmy Kimmel Hails Movie-Going Rebound, Cracks Wise about ‘The Slap'

Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
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Oscar Host Jimmy Kimmel Hails Movie-Going Rebound, Cracks Wise about ‘The Slap'

Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)

Comedian Jimmy Kimmel, hosting the Oscars for a third time, led a back-to-basics show on Sunday that celebrated a moviegoing rebound from the COVID-19 pandemic while avoiding - and making light of - the kind of ugly outburst that marred the 2022 telecast.

Kimmel opened the 95th Academy Awards with a monologue that jokingly admonished the stars filling the Dolby Theatre to behave, a year after Will Smith slapped Chris Rock on stage but was allowed to remain in the venue to accept the award for best actor minutes later.

"We know this is a special night for you," Kimmel told the crowd of Hollywood luminaries. "We want you to have fun, we want you to feel safe, and, most important, we want me to feel safe."

Kimmel, who was cheekily promoted ahead of Sunday's telecast as an "unflappable and unslappable" Oscars host, then went on to give a mock recitation of "strict policies in place" to prevent a repeat of last year's incident.

"If anyone in this theater commits an act of violence at any point during this show, you will be awarded the Oscar for best actor and permitted to give a 19-minute speech," he deadpanned to hearty but somewhat awkward laughter.

"If anything unpredictable or violent happens during the ceremony, just sit there and do what you did last year, nothing," Kimmel added. "Maybe even give the assailant a hug."

As punishment for his behavior, Smith was later banned from attending the ceremony for 10 years.

Later on, when introducing presenters for the documentary feature award, Kimmel reminded viewers Rock was presenting the award for that category when a joke he made about Smith's wife, Jada Pinkett Smith, prompted Smith's assault.

The unprecedented altercation during a live awards show so unnerved the Academy of Motion Picture Arts and Sciences that the group created a special "crisis team" designed to respond to any such mishaps. There were none.

Otherwise, Kimmel presided over a telecast dedicated largely to hailing the return of film fans to theaters, following a long estrangement from the multiplex that many in the industry worried might never be broken once streaming services took hold during the pandemic.

Movie that ‘saved the movies’

The theme was bolstered by the fact that several of the evening's nominated films were also among 2022's biggest box office hits, including "Top Gun: Maverick," "Avatar: The Way of Water," "Elvis," and "Everything Everywhere All at Once," the last of which won seven Oscars, including best picture. It was a departure from many years in which relatively little-seen, but critically acclaimed, films have dominated the Academy Awards.

Kimmel seized on the power of popular films in his own grand entrance on Sunday, appearing to parachute to the Oscar stage following a real-life Hollywood flyover by two US fighter jets shown at the very top of the telecast in an obvious nod to "Top Gun," which the host later saluted as "the movie that saved the movies."

The late-night ABC television comedian repeatedly mocked the Oscars' notorious history of exceeding its designated three-hour running time, joking at one point that the hour of sleep Americans lost on Sunday as the US reverted to daylight saving time was added into the Academy Awards telecast.

Among highlights of producers' bid to reinvigorate the show's roots as a forum for big-moment musical numbers, the telecast featured recording stars Lady Gaga and Rihanna singing two of the best original song nominees - "Hold My Hand" from "Top Gun" and "Lift Me Up" from "Black Panther: Wakanda Forever." The cast of the Indian superhero-like spectacle "RRR" performed that movie's winning best song "Naatu Naatu" with a rousing dance number.

The telecast was notable for a number of sight gags that drew major laughs - including two appearances by an unknown performer in costume making a faux impersonation of the furry title character from the popular wildlife thriller "Cocaine Bear."

Earlier, an actual donkey wearing an "emotional support" vest was led on stage by Kimmel and introduced to the audience as Jenny, the mini-donkey from the best picture contender "The Banshees of Inisherin."

The ABC telecast ran about 3-1/2 hours, prompting Kimmel to joke in the show's closing seconds, "Sorry we ran a little long" and telling viewers to stay tuned for the network's "Good Morning America" program, "already in progress."

Kimmel previously hosted in 2017, the year of the "Moonlight" best-picture mixup, and in 2018, the first Oscars of the #MeToo era.

In a final gag of the night, he stepped up to a sign that read: "Number of Oscar shows without incident," and replaced a placard marked "0" with a "1."



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.