Oscar Host Jimmy Kimmel Hails Movie-Going Rebound, Cracks Wise about ‘The Slap'

Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
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Oscar Host Jimmy Kimmel Hails Movie-Going Rebound, Cracks Wise about ‘The Slap'

Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)

Comedian Jimmy Kimmel, hosting the Oscars for a third time, led a back-to-basics show on Sunday that celebrated a moviegoing rebound from the COVID-19 pandemic while avoiding - and making light of - the kind of ugly outburst that marred the 2022 telecast.

Kimmel opened the 95th Academy Awards with a monologue that jokingly admonished the stars filling the Dolby Theatre to behave, a year after Will Smith slapped Chris Rock on stage but was allowed to remain in the venue to accept the award for best actor minutes later.

"We know this is a special night for you," Kimmel told the crowd of Hollywood luminaries. "We want you to have fun, we want you to feel safe, and, most important, we want me to feel safe."

Kimmel, who was cheekily promoted ahead of Sunday's telecast as an "unflappable and unslappable" Oscars host, then went on to give a mock recitation of "strict policies in place" to prevent a repeat of last year's incident.

"If anyone in this theater commits an act of violence at any point during this show, you will be awarded the Oscar for best actor and permitted to give a 19-minute speech," he deadpanned to hearty but somewhat awkward laughter.

"If anything unpredictable or violent happens during the ceremony, just sit there and do what you did last year, nothing," Kimmel added. "Maybe even give the assailant a hug."

As punishment for his behavior, Smith was later banned from attending the ceremony for 10 years.

Later on, when introducing presenters for the documentary feature award, Kimmel reminded viewers Rock was presenting the award for that category when a joke he made about Smith's wife, Jada Pinkett Smith, prompted Smith's assault.

The unprecedented altercation during a live awards show so unnerved the Academy of Motion Picture Arts and Sciences that the group created a special "crisis team" designed to respond to any such mishaps. There were none.

Otherwise, Kimmel presided over a telecast dedicated largely to hailing the return of film fans to theaters, following a long estrangement from the multiplex that many in the industry worried might never be broken once streaming services took hold during the pandemic.

Movie that ‘saved the movies’

The theme was bolstered by the fact that several of the evening's nominated films were also among 2022's biggest box office hits, including "Top Gun: Maverick," "Avatar: The Way of Water," "Elvis," and "Everything Everywhere All at Once," the last of which won seven Oscars, including best picture. It was a departure from many years in which relatively little-seen, but critically acclaimed, films have dominated the Academy Awards.

Kimmel seized on the power of popular films in his own grand entrance on Sunday, appearing to parachute to the Oscar stage following a real-life Hollywood flyover by two US fighter jets shown at the very top of the telecast in an obvious nod to "Top Gun," which the host later saluted as "the movie that saved the movies."

The late-night ABC television comedian repeatedly mocked the Oscars' notorious history of exceeding its designated three-hour running time, joking at one point that the hour of sleep Americans lost on Sunday as the US reverted to daylight saving time was added into the Academy Awards telecast.

Among highlights of producers' bid to reinvigorate the show's roots as a forum for big-moment musical numbers, the telecast featured recording stars Lady Gaga and Rihanna singing two of the best original song nominees - "Hold My Hand" from "Top Gun" and "Lift Me Up" from "Black Panther: Wakanda Forever." The cast of the Indian superhero-like spectacle "RRR" performed that movie's winning best song "Naatu Naatu" with a rousing dance number.

The telecast was notable for a number of sight gags that drew major laughs - including two appearances by an unknown performer in costume making a faux impersonation of the furry title character from the popular wildlife thriller "Cocaine Bear."

Earlier, an actual donkey wearing an "emotional support" vest was led on stage by Kimmel and introduced to the audience as Jenny, the mini-donkey from the best picture contender "The Banshees of Inisherin."

The ABC telecast ran about 3-1/2 hours, prompting Kimmel to joke in the show's closing seconds, "Sorry we ran a little long" and telling viewers to stay tuned for the network's "Good Morning America" program, "already in progress."

Kimmel previously hosted in 2017, the year of the "Moonlight" best-picture mixup, and in 2018, the first Oscars of the #MeToo era.

In a final gag of the night, he stepped up to a sign that read: "Number of Oscar shows without incident," and replaced a placard marked "0" with a "1."



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.