Cambodia Celebrates Return of ‘Priceless’ Stolen Artifacts

This handout photo taken and released by Cambodia's Government Cabinet on March 17, 2023 shows Cambodia's Prime Minister Hun Sen (L) and Cambodia's Ministry of Culture and Fine Art Phoeurng Sackona (2L) looking at jewelry during a ceremony held to unveil a collection of stolen Angkorian artifacts at the Peace Palace in Phnom Penh. (Kok KY / Cambodia's Government Cabinet / AFP)
This handout photo taken and released by Cambodia's Government Cabinet on March 17, 2023 shows Cambodia's Prime Minister Hun Sen (L) and Cambodia's Ministry of Culture and Fine Art Phoeurng Sackona (2L) looking at jewelry during a ceremony held to unveil a collection of stolen Angkorian artifacts at the Peace Palace in Phnom Penh. (Kok KY / Cambodia's Government Cabinet / AFP)
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Cambodia Celebrates Return of ‘Priceless’ Stolen Artifacts

This handout photo taken and released by Cambodia's Government Cabinet on March 17, 2023 shows Cambodia's Prime Minister Hun Sen (L) and Cambodia's Ministry of Culture and Fine Art Phoeurng Sackona (2L) looking at jewelry during a ceremony held to unveil a collection of stolen Angkorian artifacts at the Peace Palace in Phnom Penh. (Kok KY / Cambodia's Government Cabinet / AFP)
This handout photo taken and released by Cambodia's Government Cabinet on March 17, 2023 shows Cambodia's Prime Minister Hun Sen (L) and Cambodia's Ministry of Culture and Fine Art Phoeurng Sackona (2L) looking at jewelry during a ceremony held to unveil a collection of stolen Angkorian artifacts at the Peace Palace in Phnom Penh. (Kok KY / Cambodia's Government Cabinet / AFP)

Centuries-old cultural artifacts that had been illegally smuggled out from Cambodia were welcomed home Friday at a celebration led by Prime Minister Hun Sen, who offered thanks for their return and appealed for further efforts to retrieve such stolen treasures.

Many, if not all, of the items displayed at the government’s offices Friday had been looted from Cambodia during periods of war and instability, including in the 1970s when the country was under the brutal rule of the communist Khmer Rouge. Through unscrupulous art dealers, they made their way into the hands of private collectors and museums around the world.

A statement from the Ministry of Culture and Fine Arts described the returned artifacts as embodying the “priceless cultural heritage and the souls of generations of Khmer ancestors.”

The statement credited the items’ return to “tremendous cooperation and support” from public and private institutions, national and international experts, and close relations with other countries through bilateral, multi-lateral and international institutions, including UNESCO, the UN Cultural Agency.

It also singled out cooperation between the Cambodian and US governments. Many of the items returned so far have come from the United States.

The returned items included important Hindu and Buddhist statues, as well as ancient jewelry from the once-mighty empire of Angkor.

In February, a spectacular collection of jewelry was returned to Cambodia from the estate of antiquities collector and dealer Douglas Latchford, who was accused of buying and selling looted artifacts. The 77 pieces of jewelry included crowns, necklaces, bracelets, belts, earrings and amulets. US prosecutors in 2019 indicted him on charges related to alleged trafficking in stolen and looted Cambodian antiquities. Latchford, who died in 2020, had denied any involvement in smuggling.

In remarks to an invited audience that included US Ambassador W. Patrick Murphy, Hun Sen said that some Cambodian sculptures are still missing and held in foreign countries, and he appealed for their return in the spirit of goodwill. He said his government is determined to use all means at its disposal to secure those stolen artifacts, including negotiations and legal action.

“The United States joins Cambodians in celebrating the return of looted artifacts back to their rightful home in the Kingdom,” said a statement from the US Embassy.

“(asterisk)For 20 years the United States has worked to protect, preserve, and honor Cambodia’s rich cultural heritage with local partners, American academic institutions, and nonprofit organizations," it said. “Through a long-standing US-Cambodia cultural property agreement, the United States has facilitated the return of over 100 priceless antiquities.”



Monsters and Memes: Labubu Dolls Ride China Soft-power Wave

Labubu dolls on display at the Pop Land theme park in Beijing. Pedro PARDO / AFP
Labubu dolls on display at the Pop Land theme park in Beijing. Pedro PARDO / AFP
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Monsters and Memes: Labubu Dolls Ride China Soft-power Wave

Labubu dolls on display at the Pop Land theme park in Beijing. Pedro PARDO / AFP
Labubu dolls on display at the Pop Land theme park in Beijing. Pedro PARDO / AFP

Small, fuzzy and baring sharp teeth, Chinese toymaker Pop Mart's Labubu monster dolls have taken over the world, drawing excited crowds at international stores and adorning the handbags of celebrities such as Rihanna and Cher.

Beijing-based Pop Mart is part of a rising tide of Chinese cultural exports gaining traction abroad, furry ambassadors of a "cool" China even in places associated more with negative public opinion of Beijing such as Europe and North America, said AFP.

Labubus, which typically sell for around $40, are released in limited quantities and sold in "blind boxes", meaning buyers don't know the exact model they will receive.

The dolls are "a bit quirky and ugly and very inclusive, so people can relate", interior designer Lucy Shitova told AFP at a Pop Mart store in London, where in-person sales of Labubus have been suspended over fears that fans could turn violent in their quest for the toys.

"Now everything goes viral... because of social media. And yes, it's cool. It's different."

While neighboring East Asian countries South Korea and Japan are globally recognized for their high-end fashion, cinema and pop songs, China's heavily censored film and music industry have struggled to attract international audiences, and the country's best-known clothing exporter is fast-fashion website Shein.

There have been few success stories of Chinese companies selling upmarket goods under their own brands, faced with stereotypes of cheap and low-quality products.

"It has been hard for the world's consumers to perceive China as a brand-creating nation," the University of Maryland's Fan Yang told AFP.

Pop Mart has bucked the trend, spawning copycats dubbed by social media users as "lafufus" and detailed YouTube videos on how to verify a doll's authenticity.

Brands such as designer womenswear label Shushu/Tong, Shanghai-based Marchen and Beijing-based handbag maker Songmont have also gained recognition abroad over the past few years.

"It might just be a matter of time before even more Chinese brands become globally recognizable," Yang said.

TikTok effect

Through viral exports like Labubu, China is "undergoing a soft-power shift where its products and image are increasingly cool among young Westerners," said Allison Malmsten, an analyst at China-based Daxue Consulting.

Malmsten said she believed social media could boost China's global image "similar to that of Japan in the 80s to 2010s with Pokemon and Nintendo".

Video app TikTok -- designed by China's ByteDance -- paved the way for Labubu's ascent when it became the first Chinese-branded product to be indispensable for young people internationally.

Joshua Kurlantzick from the Council on Foreign Relations (CFR) told AFP that "TikTok probably played a role in changing consumers' minds about China".

TikTok, which is officially blocked within China but still accessible with VPN software, has over one billion users, including what the company says is nearly half of the US population.

The app has become a focus of national security fears in the United States, with a proposed ban seeing American TikTok users flock to another Chinese app, Rednote, where they were welcomed as digital "refugees".

A conduit for Chinese social media memes and fashion trends, TikTok hosts over 1.7 million videos about Labubu.

Labubumania

Cultural exports can "improve the image of China as a place that has companies that can produce globally attractive goods or services", CFR's Kurlantzick told AFP.

"I don't know how much, if at all, this impacts images of China's state or government," he said, pointing to how South Korea's undeniable soft power has not translated into similar levels of political might.

While plush toys alone might not translate into actual power, the United States' chaotic global image under the Trump presidency could benefit perceptions of China, the University of Maryland's Yang said.

"The connection many make between the seeming decline of US soft power and the potential rise in China's global image may reflect how deeply intertwined the two countries are in the minds of people whose lives are impacted by both simultaneously," she told AFP.

At the very least, Labubu's charms appear to be promoting interest in China among the younger generation.

"It's like a virus. Everyone just wants it," Kazakhstani mother-of-three Anelya Batalova told AFP at Pop Mart's theme park in Beijing.