Iraq Fashionistas Champion Climate-friendly Vintage Wear

Global fashion accounted for two percent of greenhouse gas emissions in 2019 and climate-conscious social media influencers are pushing for sustainable fashion. AHMAD AL-RUBAYE / AFP
Global fashion accounted for two percent of greenhouse gas emissions in 2019 and climate-conscious social media influencers are pushing for sustainable fashion. AHMAD AL-RUBAYE / AFP
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Iraq Fashionistas Champion Climate-friendly Vintage Wear

Global fashion accounted for two percent of greenhouse gas emissions in 2019 and climate-conscious social media influencers are pushing for sustainable fashion. AHMAD AL-RUBAYE / AFP
Global fashion accounted for two percent of greenhouse gas emissions in 2019 and climate-conscious social media influencers are pushing for sustainable fashion. AHMAD AL-RUBAYE / AFP

In a palm grove north of Baghdad, bemused Iraqi shepherds looked on as models paraded second-hand garments down an improvised catwalk, seeking to raise awareness of the fashion industry's environmental impact.

Haute couture has given way to upcycled outfits, sourced entirely from used clothes, as the models strut, pause and pivot on the runway, a sign of the growing popularity of chic, environmentally friendly vintage wear among young Iraqis, AFP said.

"We don't want overproduction of clothes, we have to reuse them," said Mohamed Qassem, 25, a hairdresser and organizer of the fashion show near Al-Hussainiya village.

The global fashion industry accounted for two percent of greenhouse gas emissions in 2019, according to the World Resources Institute.

Campaigners and a growing number of climate-conscious social media influencers have led a push toward sustainable fashion.

Many young people in climate-stressed Iraq, like Qassem, have become passionate about vintage clothing.

The palm grove event showcased fluorescent green puffer jackets, long black leather coats, ample double-breasted blazers, and modern takes on traditional costumes.

In many parts of Iraq, scarred by decades of conflict, peaceful rhythms are gradually returning to daily life and second-hand clothing offers aspiring fashionistas an affordable chance to express themselves.

Climate threats
As Baghdad's streets see more "fast-fashion" and imported brands, the outfits at the Al-Hussainiya event predominantly feature green elements, a nod to the show's environmental message.

Iraq, synonymous with date production, has seen its iconic date palms placed under stress by the effects of climate change and the years of conflict.

"The goal is not to focus only on clothes, but also abandoned orchards, palm trees that disappear every day," Qassem said.

The United Nations says oil-rich Iraq is one of the five countries most exposed to the impacts of climate change, already witnessing extreme summer heat, frequent droughts, desertification and regular dust storms, which will exacerbate as the planet heats.

The designs at the fashion show will not be put on sale. Organizers mainly hope the symbolic parade will raise awareness.

Ahmed Taher, a 22-year-old stylist who put together the sets for the show, said "second-hand pieces are clothes of excellent quality".

"When you wear them, you have the impression of wearing luxury clothes. It's different from what you find in stores."

A business student, Taher offers Baghdad's hipsters vintage clothes on Instagram -- where he has around 47,000 followers -- selling pieces for around $20.

"We want to wear unique clothes and not all look like each other," he said.

'Last a lifetime'
A student-turned-model for the day, Safaa Haidar, said she was attracted to vintage clothes as she could shop "according to my personality".

But in Iraq, where the UN estimates nearly one-third of the 42 million inhabitants live in poverty, many wear used clothing out of necessity.

In the winding alleys of central Baghdad's second-hand clothes market, stalls overflow every Friday with shirts, shoes and jeans, with shoppers checking sizes in front of the sellers.

Here a shirt can cost barely $2, while other pieces can sell for as much as $60 or even $200.

Mohamed Ali, a 20-year-old engineering student, came to buy shoes.

"It's not that we can't afford to buy new, but here we find better quality and unique pieces," he said.

Ali recounted his parents' stories from life in the 1990s, when Western sanctions against Iraq meant they would wear clothes, even "inside out, until they were worn out, because they could not afford" new ones.

Now, Ali and most of his friends shop for vintage clothes for their durability and style, he said.

Merchant Hassan Refaat, 22, sells imported second-hand clothes which find a new life in Iraqi wardrobes.

He also imports goods from Iraq's northern autonomous Kurdistan region, bordering major textile producer Türkiye.

"Second-hand clothes are of better quality than the new clothes available on the market," he said.

"Very often, they are branded pieces, and the brands last a lifetime."



Jeweler's Eye-popping Watch is Love Letter to Albania

The timepiece, worth roughly $1.4 million, is set to face off against the best watches from across the world at the Geneva Watchmaking Grand Prix in November. ADNAN BECI / AFP
The timepiece, worth roughly $1.4 million, is set to face off against the best watches from across the world at the Geneva Watchmaking Grand Prix in November. ADNAN BECI / AFP
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Jeweler's Eye-popping Watch is Love Letter to Albania

The timepiece, worth roughly $1.4 million, is set to face off against the best watches from across the world at the Geneva Watchmaking Grand Prix in November. ADNAN BECI / AFP
The timepiece, worth roughly $1.4 million, is set to face off against the best watches from across the world at the Geneva Watchmaking Grand Prix in November. ADNAN BECI / AFP

Albanian jeweler Pirro Ruco labored day and night for five years to capture the essence of his country in a spectacular luxury watch.
Now the timepiece, worth roughly $1.4 million, is set to face off against the best watches from across the world at the Geneva Watchmaking Grand Prix in November, AFP said.
Set under a sapphire dome, the hours are marked by 12 golden folk dancers -- each in different regional dress -- set on Murano glass, the minute and hour hands adorned with eagle talons in homage to Albania's national symbol.
Ruco's rollercoaster rise mirrors that of Albania, from poverty and isolation as the most closed communist regime in Europe, to rollicking capitalism.
Along the way the jeweler overcame jealousy, the secret police and being sent into internal exile to rise to the pinnacle of his profession.
It all began for Pirro -- as he is known in his homeland -- in 1985 when he was asked to make a medal in red and gold bearing the head of Enver Hoxha, the paranoid dictator who ruled the small Balkan nation with an iron fist for more than four decades.
"That saved me," he told AFP from his workshop tucked away in an alley in the capital Tirana.
The medals were awarded to the regime's most loyal supporters and later caught the eye of Hoxha's wife.
The turn of fortune saw thousands more produced and worn by communist cadres across Albania.
"All the congressional delegates had to wear it. I made a name for myself with it," he said. It also saved him from the textile mills where he had been sent because his family had been deemed "rebellious".
'Priceless'
All this, however, was nearly derailed by an anonymous letter sent to authorities accusing Pirro of working with foreign agents.
He was questioned by intelligence agents and his workshop raided.
Down but not out, he was able to bounce back after crafting a ring bearing the image of the late husband of a member of the communist politburo and in July 1990 won a prize for a piece featuring Albania's 15th-century national hero Skanderberg.
But the very next day history intervened. The regime began to crumble and the collapse of Albania's communist rule in 1991 was followed by years of violent tumult as the country transitioned to a free-market economy.
Amid the ups and downs, Pirro stayed busy designing pieces for officials and celebrities.
During a trip to Basel in Switzerland in 2016, something new caught his eye.
"I wanted to make a watch. It was my new dream," he told AFP.
For the next five years, Pirro said he focused on "doing something special, Albanian, and at the same time completely new and never before seen in the watch industry."
The new timepiece which he calls Primordial Passion was designed in collaboration with the Swiss watchmaker Agenhor.
"I never wanted to make jewelry, but art," the jeweler said.
"Sculptures, images of the country, pieces of culture... This watch is the culmination of all that, of this love for Albania," he added.
"It is more than just a watch. It combines the rich heritage of ancient Albanian culture with the notion of chronometry."
Pirro refuses to divulge the methods used to craft the watch, but remains hopeful the painstaking details will be recognized by the judges at the Grand Prix in Geneva.
Several collectors have already contacted him about buying the timepiece, he said, though it would be difficult to part with his creation.
"I set a price because I had to. But for me, it is priceless."