Why Are There So Many Good TV Shows to Watch Right Now?

Pedro Pascal arrives at a screening of "The Mandalorian," during PaleyFest, Friday, March 31, 2023, at the Dolby Theatre in Los Angeles. (AP)
Pedro Pascal arrives at a screening of "The Mandalorian," during PaleyFest, Friday, March 31, 2023, at the Dolby Theatre in Los Angeles. (AP)
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Why Are There So Many Good TV Shows to Watch Right Now?

Pedro Pascal arrives at a screening of "The Mandalorian," during PaleyFest, Friday, March 31, 2023, at the Dolby Theatre in Los Angeles. (AP)
Pedro Pascal arrives at a screening of "The Mandalorian," during PaleyFest, Friday, March 31, 2023, at the Dolby Theatre in Los Angeles. (AP)

Picture May 17, 2001. In the final seconds of the season seven finale of "Friends," Jennifer Aniston’s Rachel reveals she's pregnant — but who's the father? This was a classic May sweeps cliffhanger, luring viewers and reaping advertising dollars for NBC.

Most shows used to kick off in the fall, air big episodes in November and February, and go out with a bang in May. Baby announcements, marriage proposals and sudden deaths were just a few of the popular plot twists used in spring season finales to hook viewers and build anticipation for the fall season.

Network television still largely follows that model, but the streamers and premium cable competitors of the new guard tend to operate with different goals. Rather than angling for ratings, those companies are releasing new seasons of popular TV shows — "Ted Lasso," "Succession," "The Mandalorian," "The Last of Us," and "Yellowjackets" — with an eye to Primetime Emmy Award recognition.

Everyone wants to be fresh in the minds of voters, said Joyce Eng, a senior editor of the Hollywood awards-centric website Gold Derby.

"A lot of networks, streamers and campaigners will capitalize on recency bias," she said.

For a TV series to be eligible for a Primetime Emmy, it must air between June 1 and May 31 of the following year. Six episodes of a returning season need to air by May 31 to qualify for a series category. The cast and crew then cross their fingers for nominations, which this year will be announced July 12, followed by the Emmy telecast on September 18, when the awards are handed out.

Limited series have to air all their episodes by May 31 in order to be eligible for nomination. In March, Amazon Prime's highly anticipated " Daisy Jones & The Six " dropped its 10 episodes in four batches.

It can be a scramble for shows to finish by the end of May: "Ted Lasso" on Apple TV+ drops its final episode of season three, and maybe the entire series, on May 31. The fifth and final season of "The Marvelous Mrs. Maisel" returns on Amazon on April 14 and swiftly wraps by May 26.

If a returning series does not release six episodes of its season by the May 31 deadline, the remaining "hanging" episodes can be nominated in categories that only require a single episode to enter, such as guest actor.

Season three of "The Handmaid’s Tale" premiered June 5, 2019 — which was too late for Emmy eligibility that year. Rather than sit the year out though, "they found a loophole," Eng said. They submitted three episodes that had aired in 2018 during the previous season for individual achievement categories, and earned 11 nominations.

When it comes to scheduling, network and streamer executives maintain tight control over the release-date calendar.

"They choose when we go," said Rob Eric, chief creative officer and executive producer of Scout Productions. This year, he has four series premiering right before the deadline.

"We can make suggestions, but really they’re in charge of how that rollout looks," he said of the platforms.

Release dates are not always entirely about potential accolades.

"Sometimes a series is released because it's timely and speaks to what’s happening in the world," said Tony Phelan, who created "A Small Light" with Joan Rater. The NatGeo series tells the story of Miep Gies, who helped hide Anne Frank and her family.

"It's in direct response to what’s happening in the world, specifically in America in terms of division and the rise in nationalism and antisemitism," Phelan said of the show.

Still, to end the show in time for award eligibility, "A Small Light" will release two episodes each week on National Geographic, premiering May 1 and ending May 31.

"How did that happen?" Phelan asked in mock surprise of the reason behind the show's timeline.

It should be noted that shows released in late summer and fall can still garner attention from awards committees — just a little later. Netflix dropped all nine episodes of "Squid Game" in September 2021 — and it was still nominated for last year's Emmy Awards, including best drama series. Lee Jung-jae also won best actor in a drama series, making history as the first person to win in the drama category for a non-English speaking role.

The critically acclaimed and popular series "The Bear" debuted its first season last June, but it was too late for the 2022 Emmy Awards. By premiering in the summer though, the Hulu show shined and wasn't drowned out by competitors. And the Emmy Awards aren't everything: Star Jeremy Allen White cleaned up at the Golden Globes, where he won best actor in a musical or comedy series.

"There are just so many shows, so many streaming services, and people don’t have the time," Eng said. "From the studio and network standpoint, maybe you should pull something like ‘The Bear’ and drop it in the summer and build that momentum because that was a word-of-mouth hit."

Still, some award shows reign supreme.

Eric Korsh, the president of Scout Productions, distilled the value of award recognition: The Emmys, he said, "are about defining the best in television."



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.