Bad Bunny, Blackpink, Frank Ocean Headlining Historic Coachella

Puerto Rican rapper-actor Bad Bunny attends the Los Angeles premiere of "Bullet Train" at the Regency Village theater in Westwood, California, August 1, 2022. (AFP)
Puerto Rican rapper-actor Bad Bunny attends the Los Angeles premiere of "Bullet Train" at the Regency Village theater in Westwood, California, August 1, 2022. (AFP)
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Bad Bunny, Blackpink, Frank Ocean Headlining Historic Coachella

Puerto Rican rapper-actor Bad Bunny attends the Los Angeles premiere of "Bullet Train" at the Regency Village theater in Westwood, California, August 1, 2022. (AFP)
Puerto Rican rapper-actor Bad Bunny attends the Los Angeles premiere of "Bullet Train" at the Regency Village theater in Westwood, California, August 1, 2022. (AFP)

Hundreds of thousands of revelers were descending on California's Coachella Valley for the premier desert arts festival that kicks off Friday, which for the first time won't feature a white headliner.

Reggaeton titan Bad Bunny, K-pop superstars Blackpink and the influential but reclusive R&B artist Frank Ocean will top the 2023 edition of Coachella, the mammoth event that takes place over two three-day weekends and traditionally kicks off the year's summer concert circuit.

It's set to be a history-making weekend, with Bad Bunny -- the globe's most-streamed artist -- as the first Spanish-language and first Latin American act to headline.

And K-pop group Blackpink of South Korea is the first Asian act to receive a top billing at the festival.

Both acts debuted at Coachella in 2019 to great fanfare, teeing up an eventual headlining slot.

Ocean was originally booked as a top-billed act for the 2020 edition, which organizers postponed and eventually scrapped due to the Covid-19 pandemic.

The acclaimed R&B artist, who hasn't released an album since 2016's "Blonde," is anticipated to debut new work at this year's festival.

The headliners -- in particular Puerto Rico's Bad Bunny, who is by most measures the world's biggest contemporary artist -- are some of the buzziest in years, since Beyonce shut down the stage in 2018 with her revered "Homecoming" show.

But despite their undeniable star power there was some surprise among industry-watchers and fans that Bad Bunny or Blackpink nabbed the top slots.

That take is misguided according to Vanessa Diaz, a professor at Loyola Marymount University who teaches the course "Bad Bunny and Resistance in Puerto Rico."

"They're surprised because they don't view this as mainstream American culture," she said.

"People were in disbelief because this seems so not a representation of mainstream American popular music in the way that Coachella has represented that before."

'Public demand'

The weekend is set to host perhaps the most international lineup Coachella has ever booked, including Spanish phenomenon Rosalia, Iceland's Bjork and Nigeria's Burna Boy.

Belgium's Angele is slated to make her Coachella debut, as France's Christine and the Queens, who has been performing under the name Redcar, will also return after wowing audiences in 2019.

And the elusive electronic producer Jai Paul will play his first public performance ever.

Domi and JD Beck, the rising jazz duo comprised of a French keyboardist and American drummer, will also take the stage, months after they made a splash in Los Angeles as Grammy nominees.

Diljit Dosanjh will become the first Punjabi singer to perform at Coachella, as Pakistani singer, songwriter and composer Ali Sethi will also play a set.

For CedarBough Saeji, a professor of Korean and East Asian studies who specializes in K-pop, the festival lineup emphasizing the hottest acts from across the globe is long overdue.

"The American music industry, the American decision-makers, are not necessarily the biggest risk-takers," she told AFP. "They want to follow clear indication of public demand, as opposed to sticking their necks out."

English virtual band Gorillaz will also perform, as will New Wave pioneers Blondie and the American indie rock supergroup boygenius, which includes Phoebe Bridgers, Lucy Dacus and Julien Baker.

Beyond the supernova that is Bad Bunny, the weekend will once again see a strong showing from Latinos, including but not limited to Los Angeles native Becky G, rapper Eladio Carrion, Argentina's Los Fabulosos Cadillacs, and the Grammy-winning Kali Uchis.

Coachella will take place over two three-day weekends, from April 14-16 and 21-23.

And OG rock fans will get a special treat: Blink-182 announced just this week it will play a set Friday, the first time the pop punk group will perform with its original lineup in nearly a decade.



‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.