American Jazz Piano Great Ahmad Jamal Dead at 92

In this file photo taken on August 04, 2016 US jazz pianist and composer, Ahmad Jamal (born Frederick Russell Jones) performs during a concert in the Marciac Jazz Festival in Marciac. (AFP)
In this file photo taken on August 04, 2016 US jazz pianist and composer, Ahmad Jamal (born Frederick Russell Jones) performs during a concert in the Marciac Jazz Festival in Marciac. (AFP)
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American Jazz Piano Great Ahmad Jamal Dead at 92

In this file photo taken on August 04, 2016 US jazz pianist and composer, Ahmad Jamal (born Frederick Russell Jones) performs during a concert in the Marciac Jazz Festival in Marciac. (AFP)
In this file photo taken on August 04, 2016 US jazz pianist and composer, Ahmad Jamal (born Frederick Russell Jones) performs during a concert in the Marciac Jazz Festival in Marciac. (AFP)

Ahmad Jamal, a towering and influential US pianist, composer and band leader whose career spanned more than seven decades and helped transform jazz, pop and hip-hop, has died at age 92.

Jamal released about 80 albums, building friendships and influence with greats such as Miles Davis, and was sampled by rappers including Nas, helping to lure a larger pop audience to jazz.

He won myriad awards over the course of his career, including France's prestigious Ordre des Arts and des Lettres in 2007 and a Grammy Lifetime Achievement Award in 2017.

Born Frederick Russell Jones in a humble suburb of Pittsburgh in 1930, he first sat down at a piano when he was three years old and began studying music seriously when he was seven.

He converted to Islam and changed his name when he was 20, though he avoided the more political side of the era's Black Power movement, putting his focus on a "search for peace".

The jazz scene he entered in the 1950s was often characterised by a hectic, explosive style.

By contrast, Jamal's playing was spartan and reserved, surprising his audience with long empty stretches, sudden breaks and romantic flourishes.

It took a while for people to catch on.

"His musical concept was one of the great innovations of the time, even if its spare, audacious originality was lost on many listeners," the New Yorker wrote last year.

But many were paying close attention.

Though they never collaborated, Davis often paid homage to Jamal. In his autobiography, Davis wrote: "(Jamal) knocked me out with his concept of space, his lightness of touch, his understatement, and the way he phrased notes and chords and passages."

He worked in a trio -- most notably with bassist Israel Crosby and drummer Vernel Fournier with whom he recorded his breakthrough album, 1958's "Ahmad Jamal at the Pershing: But Not for Me", which stayed on the Billboard magazine charts for more than 100 weeks, becoming one of the best-selling instrumental records of its time.

'Alternative universe'

US music critic Ted Gioia wrote that Jamal "opened up an alternative universe of sound, freer and less constrained than what we had heard before. The rules of improvised music were different after he appeared on the scene."

"The Awakening" from 1970 developed the sound -- "a fine example of Jamal's stately and understated elegance" in the words of Pitchfork -- but it also had a long afterlife, influencing hip-hop artists in the coming decades, sampled most famously by Nas on his 1990s hit "The World is Yours".

Jamal never stopped experimenting, bringing in explosive percussionist Manolo Badrena in the 1990s and still recording critically lauded work into his late 80s.

"I live an exciting life, and when you live an interesting life, you keep discovering," Jamal told AFP during a visit to France in 2012.

"Musicians blossom and build themselves. Some basic things are still there in my music, the melodic sense for example, but the density of sound has changed with age, and the rhythmic part has become more elaborate," he added.

His death, reportedly from prostrate cancer, was confirmed to US media by his family.



With the Box Office Down, James Gunn Predicts Summer of ‘Superman’ to the Rescue 

Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
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With the Box Office Down, James Gunn Predicts Summer of ‘Superman’ to the Rescue 

Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)

The 2025 box office has been hit with a deficit. Can the James Gunn-dubbed “summer of ‘Superman’” save it?

Warner Bros. showed off a diverse and starry slate of its upcoming films on Tuesday — but the night was carried on the shoulders of Clark Kent.

“I really do believe in this movie. And I do believe that there is a lack of human kindness, or at least a degradation of human kindness,” Gunn said. “This is a movie that celebrates kindness and human love.”

At the annual CinemaCon convention and trade show in Las Vegas, Gunn — the director and writer of the first film in the new iteration of the connected DC Universe — also brought out its stars, who gushed over their experience making the film.

“It’s a great honor to play a role that exists so clearly in the public consciousness, to the point where everyone I think, even if you haven’t seen a film or read a comic, you sort of know what the Superman symbol means and you know what it stands for,” said David Corenswet, adding that he hopes to “illuminate something new about the character, or even just bring the beloved character to a new audience.”

Corenswet was joined onstage by Rachel Brosnahan, who plays Lois Lane, and Nicholas Hoult, who plays Lex Luther.

“James makes a family out of every set,” Brosnahan said. “The set is full of people who want to be there, who love making these movies. And it’s such a joy to come to work every day. As many of you have probably heard from other people, it’s not always like that.”

Gunn was announced to direct the film in 2023 shortly after he and Peter Safran became co-chairmen and co-CEOs of DC Studios.

“We appreciate and share your passion for this art form,” Safran told a room full of theater owners. “It’s the fulcrum of our ambitious DC Studios slate and it’s what inspired James to shoot all over the world and push filmmaking technology to its limits, to propel moviegoers out of their homes into your theaters.”

The film will be released theatrically in July amid a summer of superhero titles, including “The Fantastic Four: First Steps” and “Thunderbolts(asterisk).”

In addition to “Superman,” Warner Bros. teased some of its April releases on the convention’s main stage, like Ryan Coogler’s “Sinners” and “A Minecraft Movie,” but they also looked further down the road for 2025.

In a nod to cinephiles, the studio kicked off its presentation by bringing out the stars of Paul Thomas Anderson’s “One Battle After Another,” including Leonardo DiCaprio and Regina Hall. The film is set to hit theaters in September.

“I’ve been wanting to work with Paul for over, gosh, almost 20 years now. He’s one of the most unique talents of our time,” DiCaprio said. “With this film, he’s tapped into something politically and culturally that is brewing beneath our psyche. But at the same time, it’s an incredibly epic movie and has such scope and scale.”

Director Joseph Kosinski and producer Jerry Bruckheimer also treated the audience to an extended sneak peak of “F1,” Brad Pitt’s Formula One racing drama premiering in June.

In addition to Hollywood studios and stars boasting their theatrical menus which they believe will lure audiences to cinemas, the annual convention is also a time to discuss current industry debates, like how long movies should stay in theaters and the extent to which studios should get into production with streaming companies.