U2 Creating New Experience with Sphere Las Vegas Concerts

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
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U2 Creating New Experience with Sphere Las Vegas Concerts

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)
Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. (AP)

U2 is familiar with rocking out in major sporting arenas and stadiums, but the legendary band will soon hit the stage to create a new immersive concert experience inside a high-tech, globe-shaped venue in Las Vegas.

Live Nation and Sphere Entertainment announced Monday the dates for U2’s upcoming “U2:UV Achtung Baby Live At Sphere” shows starting Sept. 29. The rock band’s special five-night run of shows will be held until Oct. 8 at The Venetian’s Sphere with a state-of-the-art audio and visual system designed for each concertgoer.

“This is a venue designed for entertainment, not sports,” said U2 guitarist The Edge in a recent interview. He first learned about the cutting-edge venue after lead singer Bono sent him a link about the concept. He said the screen is 20 times bigger than the one during the band’s Joshua Tree tour in 2019 — the last time U2 performed live in a concert setting.

“Sports is a simple formula. You want to see the action,” he continued. “But no one really sits down when they’re designing one of these sports arenas and thinks about sound. That’s way, way down on their list of priorities. But in this venue, it’s one of the first things they thought about.”

The massive spherical venue will have 17,500 seats with a scalable capacity of nearly 20,000 guests. Along with high resolution LED screens that wrap halfway around the audience, the venue is also equipped with thousands of speakers that will deliver a “crystal-clear” multi-layered audio system for every seat inside.

As a musician, The Edge said the venue’s concept is an “amazing thought” in helping performers like U2 capture the full essence of their sound. He said their shows will offer an opportunity to “literally transport people to some other space and time” and open a variety of “creative possibilities.”

“What we’re able to do — because of the design and the fidelity of the sound — is introduce not just the best sounding rock ‘n’ roll band of all time in an indoor venue,” he said. “But also, radical intimacy where you can actually deliver a vocal or a simple music arrangement that’s really delicate. The people will be able to hear perfectly. Whereas if you’re trying that in an arena or a stadium, it would just be impossible.”

During the band’s rehearsals, The Edge has already seen a significant difference from the sphere venue compared to an arena or stadium — which normally “imposes on your sound.” He said their music preparations haven’t changed much, but they are starting to try to understand how to use the immersive sound as a creative tool.

The Edge believes the band’s performances at Sphere could be a “quantum leap forward” in terms of the sensory impacts of a live concert.

“It’s technology that has never been available,” he said. “We can literally in sonic terms, but also in visual terms, have our audience not kind of be looking at the show, but be in the middle of the show and in the middle of the sound. It’s sound all around you. … I’m already starting to think about the mixes and our songs and think about how this spatial audio could come into its own in terms of just where we place different parts of our sound.”

The Edge said U2 is pumped to return to the stage for the first time in four years, especially after the pandemic. The band’s upcoming show will mark the first time performing without drummer Larry Mullen Jr., who is recovery from back surgery. In Mullen's absence, Bram van den Berg will fill in as drummer.

“We’re so excited,” he said. “We’ve been on lockdown. I’ve been in the recording studio for the last 18 months doing the acoustic collection, ‘Songs of Surrender.’ I can’t wait to get out there and be a part of something huge like this.”



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."