Italian Conductor Muti to Visit Syrian Refugee Camp in Jordan

FILE - Italian conductor Riccardo Muti rehearses Verdi's "Un Ballo in Maschera (A masked Ball)" with the Chicago Symphony Orchestra in Chicago on Wednesday, June 22, 2022. (AP Photo/Nam Y. Huh, File)
FILE - Italian conductor Riccardo Muti rehearses Verdi's "Un Ballo in Maschera (A masked Ball)" with the Chicago Symphony Orchestra in Chicago on Wednesday, June 22, 2022. (AP Photo/Nam Y. Huh, File)
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Italian Conductor Muti to Visit Syrian Refugee Camp in Jordan

FILE - Italian conductor Riccardo Muti rehearses Verdi's "Un Ballo in Maschera (A masked Ball)" with the Chicago Symphony Orchestra in Chicago on Wednesday, June 22, 2022. (AP Photo/Nam Y. Huh, File)
FILE - Italian conductor Riccardo Muti rehearses Verdi's "Un Ballo in Maschera (A masked Ball)" with the Chicago Symphony Orchestra in Chicago on Wednesday, June 22, 2022. (AP Photo/Nam Y. Huh, File)

Italian conductor Riccardo Muti plans to visit Syrian musicians living in the vast Zaatari refugee camp in Jordan on the sidelines of his annual Roads of Friendship concert series that aims to use music to build bridges and help those affected by war.

Muti will conduct Italian and Jordanian musicians in concerts set in ancient Roman amphitheaters in Jerash, Jordan, on July 9 and the Pompeii archaeological site on July 11, for the 27th Roads of Friendship concert series, The Associated Press reported.

The concerts will pay homage to the “generosity of the Jordanian people” for taking in millions of Syrian refugees fleeing civil war in the neighboring country, the Ravenna festival announced Thursday.

While in Jordan, Muti plans to visit the Zaatari camp, a symbol of the long-running Syrian refugee situation and home to about 80,000 refugees nearly 11 years after it was set up near the Syrian border.

He and a delegation from the Ravenna Festival will meet with musicians among the Syrian diaspora, bringing with them musical instruments as gifts.

This year’s Roads of Friendship concert series will launch on July 7 in Ravenna, and feature the Luigi Cherubini Youth Orchestra founded by Muti, the Cremona Ancient Choir as well as Jordanian musicians.

The series was launched in 1997 in Sarajevo, just two years after the Bosnian civil war ended.



Prince Harry to Discover Outcome of UK Tabloids Case

FILE PHOTO: Britain's Prince Harry departs after attending court for his appeal against the rejection of his legal challenge to the British government's decision to take away his police protection when he is in Britain, outside the High Court in London, Britain, April 8, 2025. REUTERS/Maja Smiejkowska/File Photo
FILE PHOTO: Britain's Prince Harry departs after attending court for his appeal against the rejection of his legal challenge to the British government's decision to take away his police protection when he is in Britain, outside the High Court in London, Britain, April 8, 2025. REUTERS/Maja Smiejkowska/File Photo
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Prince Harry to Discover Outcome of UK Tabloids Case

FILE PHOTO: Britain's Prince Harry departs after attending court for his appeal against the rejection of his legal challenge to the British government's decision to take away his police protection when he is in Britain, outside the High Court in London, Britain, April 8, 2025. REUTERS/Maja Smiejkowska/File Photo
FILE PHOTO: Britain's Prince Harry departs after attending court for his appeal against the rejection of his legal challenge to the British government's decision to take away his police protection when he is in Britain, outside the High Court in London, Britain, April 8, 2025. REUTERS/Maja Smiejkowska/File Photo

Prince Harry was in Britain on Tuesday as a court was set to rule in his case against the Daily Mail's publisher for alleged unlawful information gathering.

A judge at London's High Court was due to publish a written decision at 2:00 pm (1300 GMT), following an 11-week trial earlier this year in Harry's claim against Associated Newspapers.

The prince gave emotional testimony during the proceedings, in which several high-profile figures, including pop star Elton John and actor Elizabeth Hurley, accused the tabloid publisher of invading their privacy.

Harry's lawyers have said the claimants are seeking "substantial" damages for their claims, which relate to articles dating from 1993 to 2018.

It is the third, and set to be final, case brought by the Duke of Sussex in his acrimonious legal battle with British tabloids, which has further strained relations with the royal family.

Harry, 41 - the youngest son of King Charles III - has also been involved in other legal spats, including over his police protection in Britain following his dramatic departure from frontline royal duties six years ago.

The prince, now living in California, arrived in Britain on Monday for a five-day visit expected to go ahead mostly without his wife and children after the family was refused police protection.

The trip, to mark the one-year countdown to next year's Invictus Games for wounded veterans, which Harry founded, was meant to be his first family trip back to the UK in four years.

But a source close to the Duke of Sussex told AFP that Harry's wife Meghan, son Archie and daughter Lilibet would not accompany him on the London leg of the trip after the family was refused security.

Arrangements for the rest of the trip were still under consideration, the source said, leaving it unclear whether the whole family would visit but stay outside the capital.

Contradictory statements about plans to stay at Buckingham Palace while in London added to the prince's headaches.

Just ahead of Harry's arrival, Buckingham Palace contradicted the duke's team to say that he would not be staying at the palace after missing a deadline to accept the accommodation offer.

Harry's spokesman said it was "disappointing" the offer to be hosted by his father had been "withdrawn at the last moment", in a statement sent to AFP.

- Security woes -

It was unclear whether the prince would meet his father during the trip. He is last understood to have met Charles, who is being treated for an undisclosed form of cancer, at the monarch's London residence Clarence House in September 2025.

Harry and Meghan left Britain for North America in 2020 amid a bitter feud with his family, which worsened as Harry published his tell-all memoir "Spare".

The prince has since said he wishes to reconcile with his father, but the confusion over where Harry was going to stay in London suggest relations remain difficult.

According to his spokesperson, Harry had to make "alternative security arrangements" for the trip after publicly funded protection was refused, contributing to the delay in accepting Buckingham Palace's accommodation offer.

"It is therefore unclear why, having formally accepted the accommodation offer, it has now been withdrawn at the last moment," the spokesman said.

Beyond logistical complications, the palace believed the legal judgement expected Tuesday had complicated matters as it could compromise the king's constitutional position, the PA news agency reported.

Last year, Harry said he felt unable to bring his family to Britain after losing a court case to have his security restored during visits home.

Harry has long blamed the media for the death of his mother Princess Diana, who was killed in a Paris car crash in 1997 while trying to shake off the paparazzi.

"He understands how that protection can fail and how catastrophic, therefore, those results can be," Simon Morgan, a former bodyguard for the royal family, told AFP on Monday.


A Journey Through 28 Letters: Riyadh Exhibition Traces Story of Arabic from Ancient Inscriptions to Modern Technology

The exhibition features authentic rock specimens engraved with examples of ancient scripts (Academy). 
The exhibition features authentic rock specimens engraved with examples of ancient scripts (Academy). 
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A Journey Through 28 Letters: Riyadh Exhibition Traces Story of Arabic from Ancient Inscriptions to Modern Technology

The exhibition features authentic rock specimens engraved with examples of ancient scripts (Academy). 
The exhibition features authentic rock specimens engraved with examples of ancient scripts (Academy). 

A historical and intellectual journey awaits visitors to “Arabic Language: Twenty-Eight Letters of Light,” an exhibition in Riyadh that tells the story of one of humanity’s oldest languages.

Through its galleries and interactive displays, the exhibition brings the story of the “language of ḍād” out of books and dictionaries into an innovative, technology-driven experience.

The exhibition has opened at the headquarters of the King Salman Global Academy for Arabic Language in Riyadh. Aimed at academics, researchers, teachers, students, and Arabic-language enthusiasts, it offers visitors a creative and contemporary way to explore the language.

Its interactive stations allow visitors to explore a range of linguistic topics, engage with modern educational platforms, and participate in specialized training sessions designed to enhance Arabic learners’ skills, improve teaching methods, and present Arabic as a dynamic language capable of keeping pace with advances in knowledge.

The exhibition also serves as a cultural landmark in Riyadh, reinforcing the status of Arabic while supporting the goals of Saudi Vision 2030 in the cultural, tourism, and heritage sectors. Technology-based exhibits trace the language’s history, authenticity, and standing among the world’s languages, highlighting its beauty, richness, and uniqueness.

One section explores the history of languages in the Arabian Peninsula, explaining how scholars have classified the world’s languages into major families and how different linguistic approaches have produced varying classifications. It outlines how many linguists place Arabic within the Hamito-Semitic language family, specifically among the Southwest Semitic languages, which include both Northern and Southern Arabic and the languages of the Arabian Peninsula.

Semitic languages share common characteristics in their sounds, vocabulary, morphology, and grammar. Many scholars believe Arabic is the closest surviving Semitic language to the ancient Proto-Semitic tongue. As spoken and written forms gradually diverged, writing systems emerged across the Arabian Peninsula, enabling people to record languages that differed from their spoken dialects.

Among the exhibits are authentic rock specimens bearing ancient inscriptions, including Thamudic and Nabataean scripts, preserved over centuries in rocks and valley walls as enduring evidence of the evolution of writing and language across Arabia.

Another section traces the evolution of writing itself. Early civilizations wrote on stone, copper, wood, clay tablets, tree materials, camel shoulder blades and ribs, and leather. The exhibition explains how the Sumerians introduced the sharpened stylus in the early fourth millennium BC, using pointed wooden implements to inscribe soft clay tablets that were later dried in the sun. The stylus’s wedge-shaped impression gave rise to what became known as cuneiform writing.

Writing instruments continued to evolve, with different pens developed for specialized purposes. During the Umayyad period, the calligraphers Khalid ibn Abi al-Hayyaj and Qutbah al-Muharrir gained prominence, while the Abbasid era saw the rise of Ibn Muqlah, regarded as the master of Arabic calligraphy, and his student Ibn al-Bawwab.

Over the centuries, Arab scholars developed detailed rules for holding and cutting pens and produced books devoted to writing instruments. Papermaking flourished during the Abbasid era, and Muslims were the first to introduce paper to Spain, paving the way for its spread across Europe.

The exhibition also serves as an advanced knowledge platform, presenting Arabic in its cultural and scientific contexts while showcasing Saudi Arabia’s efforts to support the language, develop Arabic-language education, strengthen its presence in academic and scientific circles, and promote it globally. Through its interactive environment, visitors gain a deeper appreciation of Arabic’s long history, its evolution through the centuries, and its contributions to thought, science, and the arts.

Ali Al-Ahmad, a doctoral researcher in philology, stressed that the exhibition succeeds in transforming the history and development of Arabic “from the dry theoretical setting of lecture halls and dissertations into a living, interactive space that engages the senses.”

“For us as researchers,” he said, “the exhibition offers a different experience by integrating modern technology to tell the remarkable story of our language. Visitors almost feel that Arabic is a living organism, constantly evolving and responding to the changes in its environment.”

Seeing the roots of words, patterns of derivation, and semantic development presented through visual and interactive technological platforms, he added, “compresses years of traditional learning. The exhibition bridges the gap between the digital generation and the authenticity of the Arabic script, offering tangible proof that Arabic is fully capable of leading today’s knowledge landscape, not merely keeping pace with it.”


When 'That Disease' Became Mine

A breast radiologist reviews ultrasound images and examination results. (Shutterstock)
A breast radiologist reviews ultrasound images and examination results. (Shutterstock)
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When 'That Disease' Became Mine

A breast radiologist reviews ultrasound images and examination results. (Shutterstock)
A breast radiologist reviews ultrasound images and examination results. (Shutterstock)

No one prepares you for that moment. For that phone call. For the instant you feel the life you have built, with care, patience, and love, beginning to collapse. “I’m sorry... we found cancer cells.” How? Why?

All I could see were the faces of my two daughters. Had I failed them? Would I still be here to watch them grow? Would I still get to be their mother? No one prepares you for the fear that follows those words.

How could this happen? No one in my family has ever had breast cancer. I never skipped my annual checkups. In fact, I had undergone my routine mammogram just one month earlier. It showed nothing. No warning signs. No reason to worry.

So how? How? How? Then time seemed to stop.

A procession of faces flashed before me: my husband, my parents, my siblings, my family, my friends, my colleagues. One question overwhelmed every other thought: How was I going to tell them?

And then came the hardest question of all. How was I going to tell my daughters?

In that moment, I felt I had somehow let everyone down.

My own body, one I had spent years caring for, had betrayed me. It had pulled me into unfamiliar territory, a place I never imagined I would have to enter. I exercise with almost obsessive discipline. I pay close attention to what I eat. I rarely get sick. Even COVID somehow passed me by. So how had this happened?

Once the initial shock began to fade, another part of me took over: the journalist. Instead of asking only, Why me? I began asking the questions I have spent my career asking.

What do the facts say?

What do the numbers tell us?

What are the treatment options?

What are the chances of recovery?

The answers surprised me. Nearly 90 percent of women diagnosed with breast cancer have no inherited genetic mutation linked to the disease and no family history of it. That reality challenges one of the most common assumptions many of us carry: that breast cancer is primarily hereditary. It also made me question the countless medical forms we fill out, where family history often feels like the defining measure of our risk.

I learned something else I wish someone had told me years ago: an annual mammogram may not detect a tumor in its earliest stages, while an MRI can sometimes reveal what other imaging cannot. I knew none of this. I wish I had.

By the grace of God, and because my cancer was caught early, I found myself facing a disease with a clear treatment plan and an excellent prognosis.

What I am going through is deeply personal, and something I would never wish on anyone. My first instinct was to keep it private. I thought that if I didn’t talk about it, perhaps I could pretend that the long road of treatment ahead wasn’t real. Perhaps silence would make it easier.

Instead, the opposite happened. The more I learned, the more I felt a responsibility to speak. I realized that staying silent would not change my reality. But it might deny another woman information that could change hers.

That is why I decided to write. Not because I am asking for sympathy. Not because I am seeking pity. I have been overwhelmed by the love, kindness, and support I have received, and I am deeply grateful for every message, every prayer, and every hand that has reached out to help me.

I am writing because I now understand that my story is not unusual. Thousands of women are living this same experience, quietly, and often alone.

Today, I find myself searching for women who have walked this path before me so I can learn from them. At the same time, I am choosing to make my own journey public in the hope that it may help someone else.

Perhaps another woman, somewhere far away, will read these words before finally scheduling the screening she has postponed for months. Perhaps she will ask for a second opinion. Perhaps she will insist on an MRI after a normal mammogram if something still doesn’t feel right.

Or perhaps she will simply find comfort in seeing me continue to write, continue to work, continue to appear on television, living my life while navigating treatment. I am not afraid of what lies ahead. Treatment will be difficult. There will be hard days. I know that.

But I also know this: I can endure pain. I will fight with everything I have, with my strength, my spirit, my body, and every ounce of determination I possess. I will fight for my daughters. For my husband. For my parents, my siblings, and my family. For my friends, who have become family in this life far from home.

I will fight. Perhaps it will defeat me. Perhaps I will defeat it. But I will never surrender.

To every woman who has fought, or is still fighting, this battle: I stand with you. I may grow tired. I may cry. I may have moments when I feel overwhelmed.

But I will never stop living. I will never stop loving. I will never stop finding joy. And I will never stop doing the work that gives my life purpose.

Breast cancer is now part of my story. But it will not be the ending of it. And I refuse to let it define who I am. I also hope to challenge a mindset that still exists in many of our communities: a fear so deep that people hesitate to even say the word *cancer* aloud, as though speaking its name somehow gives it power.

I believe the opposite is true. Naming it is the first step toward confronting it. Talking about it is the first step toward awareness. Awareness is the first step toward saving lives.

My name is Rana Abtar. I have breast cancer. It is part of my story. It is not my identity. And it will never define the life I choose to live. Because if this disease has entered my life, then I intend to confront it with the one thing it can never understand: A relentless love of life.