Indonesia Drive-in Concert Delivers Live Music as Coronavirus Rages

People watch a drive-in concert by local pop band Kahitna, at a parking area of the Jakarta International Expo, amid the coronavirus outbreak in Jakarta, Indonesia, August 29, 2020. (Reuters)
People watch a drive-in concert by local pop band Kahitna, at a parking area of the Jakarta International Expo, amid the coronavirus outbreak in Jakarta, Indonesia, August 29, 2020. (Reuters)
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Indonesia Drive-in Concert Delivers Live Music as Coronavirus Rages

People watch a drive-in concert by local pop band Kahitna, at a parking area of the Jakarta International Expo, amid the coronavirus outbreak in Jakarta, Indonesia, August 29, 2020. (Reuters)
People watch a drive-in concert by local pop band Kahitna, at a parking area of the Jakarta International Expo, amid the coronavirus outbreak in Jakarta, Indonesia, August 29, 2020. (Reuters)

As night fell in the Indonesian capital, pop ensemble Kahitna took to the stage for a drive-in concert nearly two hours long that attracted eager listeners in rows of hundreds of parked cars.

The eight performers played yearning, sentimental tunes, capitalizing on patrons' nostalgia for the group's 1990s heyday, with listeners honking and flashing their lights as the band launched into its hit tune, "Cerita Cinta" or "Love Story".

That was a reminder of the good times before the coronavirus pandemic brought the music industry to a juddering halt, said Chaeruddin Syah, one of the concert organizers.

"Our economy has declined for four to five months, we have not worked at all and have not made any money," Syah told Reuters.

"We hope this concert can provide solutions and inspiration to the entertainment industry."

Indonesia, which is grappling with a surge in virus infections, racked up its biggest daily increase in cases for a third straight day on Saturday. The Southeast Asian nation has tallied about 170,000 infections and 7,261 deaths.

The organizers of Saturday's event said they had prioritized safety, asking listeners to provide negative test results and wear masks.

The concert, which will be followed by another on Sunday, drew a crowd of about 900 people in 300 cars, all of whom had to stay in their vehicles.

Each car tuned into an FM radio channel to hear the concert. Each was sprayed with disinfectant on arrival, and received a carbon dioxide detector to alert occupants to open their windows if levels of the dangerous gas rose too high.

"This concert is an extraordinary initiative," said one listener, a 45-year-old who gave her name only as Emilia.

"This is really good, especially when we don't know when the pandemic will end."

A city of 10 million, Jakarta has recently recorded the highest daily increase in infections among Indonesian regions, and maintains curbs on public transport and businesses, although this week its governor said cinemas would re-open soon.

The adverse impact of the virus had forced musicians and their crews to adapt, said Adib Hidayat, who tracks music trends for the Indonesian industry.

"If the (drive-in) concept could have a strict protocol and a tight discipline from the audience, it could be one of the new breakthroughs," he told Reuters.



Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
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Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)

When Billy Idol first entered American consciousness in the early '80s, leather-clad and bleached hair in tow, he not only brought a punk rock sound to the mainstream. The Englishman brought a new attitude, a new, rebellious way of being.

In the time since, songs like “White Wedding,” “Rebel Yell” and “Eyes Without a Face” have become instant classics — for those who've worn a spiky jacket and those who've only imagined what it might be like.

Now, over four decades later, he's got the wisdom to reflect. It's led to a new documentary about his life, “Billy Idol Should Be Dead,” which will premiere at the Tribeca Film Festival — and a new album, the polished punk-pop of “Dream Into It.”

“It was a gradual process, really,” he said of the 11-year span between albums. “It wasn’t so much that we didn’t want to make an album, it was more like we were building up to doing this.”

Idol discussed with The Associated Press this week his new album and forthcoming documentary, his past struggles with addiction, his first-ever Rock & Roll Hall of Fame nomination and more.

Remarks have been edited for clarity and brevity.

AP: You've described “Dream Into It” as autobiographical. I thought your last album, 2014's “Kings & Queens of the Underground,” pulled from your life as well.

IDOL: Being this age, in particular, 69, when you look back, you can really see your whole life, how it plays out. And maybe it’s also having grandchildren. My children are having children.

You sort of reach this vantage point where you can really look back and see all the sort of different eras of my life. And you can sing about it. And I think I didn’t go deep enough with the songs I did on “Kings and Queens.” I thought lyrically I could go deeper. That’s one of those regrets I had about the last album. So I really went for it, and I went for more imagery, (on ‘Dream Into It,’ in the) way of talking about my life. I’m not spelling it out exactly.

AP: There are a lot of rock ‘n’ roll women on the album. Joan Jett, Avril Lavigne and The Kills' Alison Mosshart are all featured.

IDOL: (Mosshart's) voice is just incredible. And of course, Joan Jett, I’ve known since 1978 after a Germs/Dead Kennedys concert. We hung out in Los Angeles. I was on a Generation X promotion tour for the first album. And then Avril, I mean, I’ve just been watching her career forever and she’s fantastic. So, it was just great.

AP: The documentary has an evocative title, “Billy Idol Should Be Dead.” It sounds like it may dive into your past struggles with addiction.

IDOL: There was a point in my life when I was living like every day, like, “Live every day as if it’s your last.” One day, you’re going to be right.

In the '70s, in England, you know, young people, we had this feeling that we were being completely ignored. You were even being told that you had no future. And so, we just didn’t think beyond the day-to-day existence. It was probably only when I really started having children and stuff like that, I really starting to realize I (should) try start to give up drugs and things.

I’ve always flirted with death, in a way. Even riding motorcycles, you’re staring at the concrete. It’s right there, you can come off that thing and get horribly messed up. And I’ve done it. It’s horrible. You find out how human you are, how vulnerable. There’s lots of things about my life that, yeah, I did kind of call death at times. Not really mean to, but you just were living like that.

Imagine if it was today. If I was doing what I was back then today, I would be dead because I would have run into fentanyl.

AP: You're nominated for the Rock & Roll Hall of Fame for the first time. Do you think your younger punk rock self would be excited?

IDOL: I do sort of think about Bo Diddley and Chuck Berry and Little Richard. “And what? Are you going to be in something with those guys?” You know, Buddy Holly. These are some of the seminal people who turned on the people that turned me on, you know? Somewhere down the road, it led to punk rock.

Also, my motorcycle has been in the Rock & Roll of Fame for like five years. So I might as well be in it, too.