Longest-Serving Bookseller Among 25,000 Czech Virus Victims

Bookseller Jaromir Vytopil, left, appoints the youngest schoolchildren to the order of readers at a library in Pelhrimov, Czech Republic, Thursday, Feb. 7, 2020.  (AP Photo/Miroslav Krsek)
Bookseller Jaromir Vytopil, left, appoints the youngest schoolchildren to the order of readers at a library in Pelhrimov, Czech Republic, Thursday, Feb. 7, 2020. (AP Photo/Miroslav Krsek)
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Longest-Serving Bookseller Among 25,000 Czech Virus Victims

Bookseller Jaromir Vytopil, left, appoints the youngest schoolchildren to the order of readers at a library in Pelhrimov, Czech Republic, Thursday, Feb. 7, 2020.  (AP Photo/Miroslav Krsek)
Bookseller Jaromir Vytopil, left, appoints the youngest schoolchildren to the order of readers at a library in Pelhrimov, Czech Republic, Thursday, Feb. 7, 2020. (AP Photo/Miroslav Krsek)

A year after the Czech Republic recorded its first death from the coronavirus, the central European nation paused to remember all the citizens who lost their lives in the pandemic. By the end of the day, the number had surpassed 25,000.

Bells tolled across the country at noon last Monday to mark the anniversary of when the pandemic's first Czech casualty, a 95-year-old man, died in a Prague hospital. On March 22, 2020 and for some days to come, the Czech Republic reported daily COVID-19 deaths in the single digits. Few imagined then that the nation of of 10.7 million eventually would have one of the world's highest per capita death tolls.

But it's not just grim statistics that have torn the fabric of Czech life. There's always a personal story behind each life lost. And the deaths of some people affected entire communities.

Jaromir Vytopil's was one of them. Without him, the town of Pelhrimov won’t be the same.

As the country's longest-serving bookseller, Vytopil had served the town's readers for almost six decades. They came to his eponymous shop to buy books, maps and music, or just to have a chat with him when they passed by. Books and customers literally were his life: He got into the trade at age 15, studied at a special school for booksellers and worked in six different towns before settling in Pelhrimov in 1963.

He died at the age of 83 on Nov. 9, another grim day during the month that until Saturday was the Czech Republic's deadliest of the pandemic, Marie Vytopilova, says both of them likely caught the virus in the bookstore.

“We didn’t expect that to happen,” she said of her husband's death. “He was still full of life.”

The Czech Republic was spared the worst of the pandemic in the spring only to see its health care system near collapse in the fall and again in January and March after the coalition government led by Prime Minister Andrej Babis repeatedly let down pandemic guards despite warnings by experts.

According to Johns Hopkins University, the Czech Republic has the world's second-highest mortality rate after the microstate of San Marino.

Activists painted thousands of white crosses on the cobblestones of Prague’s Old Town Square this week for all of the people who died. They blamed the government for an inadequate response to the pandemic. One of the crosses honored Vytopil.

As the news of Vytopil's death spread in November, people placed flowers and lit candles in front of the bookstore, turning it into an impromptu memorial. About 600 mourners expressed their sorrow on the store's Facebook page.

“A legend has gone, the only citizen everybody knew in Pelhrimov," resident Petr Kostka commented.

“People like him form the heart of the town,” Milan Pavlicek added.

Vytopil used to leave his family's home in a nearby village on his scooter at 7 a.m. On the way, he stopped to have a coffee and to read newspapers. Then, he was ready to greet his customers.

“What was shining from him was an appetite for life and an effort to give people what he knew well, and that was the books," Marie Vytopilova recalled. "He used to read a lot, really a lot, and over the course of the years, you accumulate knowledge.”

US poet Lawrence Ferlinghetti, who died last month at age 101, was among the bookseller's favorite authors along with Czech writers Josef Skvorecky and Bohumil Hrabal. But he praised the people who visited his store for their choices and if needed, offered recommendations.

“Many times, I laughed and called him a walking encyclopedia,” his wife said.

Vytopil’s mission as a bibliophile extended beyond his shop. He advised Pelhrimov’s public library on what titles to acquire, helped organize readings and book signings with authors, and once a year dressed up as a king to welcome children into the order of readers during a ceremony in which they received library cards, director Iva Rajdlova said.

“He was young at heart,” Rajdlova said. “He was interested in everything, and it was so nice to talk to him about anything, not just about books. He was interested in people and anything that was going on. Simply, he was a very good man.”

Promoting books and literacy, however, could be a dangerous pursuit during the communist era of Vytopil’s country. Private ownership of bookstores was prohibited. After the 1968 Soviet-led invasion of Czechoslovakia that crushed liberal reforms known as the Prague Spring, the hardline regime banned numerous authors and ordered bookstores to purge their works from store shelves.

“My dad hid all the banned books he could, so when we attended high school, we were reading his favorite, Skvorecky, and also (Milan) Kundera and other banned writers,” Vytopil’s son Jan said.

Martin Vana, who visited Vytopil’s bookstore for the first time in 1978, said he wasn't surprised by local reaction to his death. Vana, who works for the regional public radio station, approached Vytopil about 13 years ago to ask him to present new books on the air. For about 10 years, he had a popular show mixing the books and stories from his life.

“He was such a distinctive personality. We didn’t go to a bookstore, but instead we went to Vytopil’s," Vana said. "In the course of his years in business, his name became synonymous with bookseller."
After the 1989 anti-communist Velvet Revolution, Vytopil finally could open his own family bookstore, which he and his wife did on July 1, 1991.

“He did exactly what he liked and did it right, no matter what it was,” his wife said. “When we started, I remember his enthusiasm for the business. It was him who was carrying the weight of it.”
Despite his age, he didn’t plan to retire, according to son.

“The bookstore was all his life,” he said. “He used to say he only wanted to be carried out of it. That wish turned true, in a way.”

The family announced in January they were putting the bookstore up for sale because they realized they didn't want to run it “without our dad, husband and its soul" any more.
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Wolf Near Athens Removed after Suspected Attacks

An ambulance leaves Corinth General Hospital, in Greece, Friday, Oct. 9, 2026. (AP Photo/Vasilis Psomas)
An ambulance leaves Corinth General Hospital, in Greece, Friday, Oct. 9, 2026. (AP Photo/Vasilis Psomas)
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Wolf Near Athens Removed after Suspected Attacks

An ambulance leaves Corinth General Hospital, in Greece, Friday, Oct. 9, 2026. (AP Photo/Vasilis Psomas)
An ambulance leaves Corinth General Hospital, in Greece, Friday, Oct. 9, 2026. (AP Photo/Vasilis Psomas)

Greek conservation groups have caught and removed a male wolf suspected of links to attacks on joggers in Mount Parnitha near Athens in recent months, officials said late on Thursday.

The move was authorized by the environment ministry after the animal allegedly attacked and slightly injured a jogger in a forested area of the rural town of Kryoneri, northeast of the capital, on September 24, the Callisto group said, according to AFP.

"After a lengthy chase during the night of October 5 to 6, 2026, the male wolf that had alarmed the residents of the Kryoneri, Varybobi and Olympic Village settlements in recent months due to his frequent appearances within the urban fabric was successfully and safely tranquilized," the group said.

The wolf had been fitted with a tracking collar in July and returned to the woods but it continued to return to urban areas near Mount Parnitha, mainly to prey on stray cats, Callisto said.

"(It) continued to display bold behavior, even following citizens at close range," the group said.

The wolf allegedly attacked a jogger in February and again in September.

It was taken to a wolf sanctuary operated by the Arcturos wildlife organization in northern Greece.

Wolves are protected in Greece under the Bern Convention, to the consternation of many farmers who claim their numbers have swelled in recent years.

The population stands at 2,075 individuals, mainly in the north of the country, according to a recent study by Callisto.

In mid-August, a female wolf suspected of having attacked and injured a four-year-old child near Thessaloniki was also captured.

She was found to be missing a leg and was in poor health.

In September 2025, another wolf reportedly attacked and injured a five-year-old girl near a seaside resort in Chalkidiki, northern Greece.

On its website, Callisto explained that wolves inhabited remote areas far from people when suitable wild prey is abundant there. But when that natural habitat is destroyed, they move closer to areas where they could find food.

In Greece, "populations of wild ungulates that could naturally sustain wolves-such as roe deer and wild boar-remain relatively sparse...

"As a result, wolves in Greece currently depend to a significant extent on livestock, refuse dumps, animal carcasses originating from slaughterhouses and livestock farms, and other human-associated food sources," it explained.


After 20 Years, Sofia Coppola’s ‘Marie Antoinette’ Movie Has Come Home to Versailles

Filming Kirsten Dunst as Marie Antoinette on set (imdb)
Filming Kirsten Dunst as Marie Antoinette on set (imdb)
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After 20 Years, Sofia Coppola’s ‘Marie Antoinette’ Movie Has Come Home to Versailles

Filming Kirsten Dunst as Marie Antoinette on set (imdb)
Filming Kirsten Dunst as Marie Antoinette on set (imdb)

Paris: Laura Cappelle

In 2006, the American director’s whimsical, candy-colored “Marie Antoinette” divided audiences with its Manolo Blahnik shoes and contemporary soundtrack. Yet the film has since become a classic, and Versailles is honoring its 20th anniversary with an exhibition at the Petit Trianon, the small chateau on the royal estate given to the queen for her private use in the 1770s, where part of “Marie Antoinette” was filmed.

Curated by Hélène Delalex and Laurent Salomé and running through Jan. 24, the show brings back Milena Canonero’s Oscar-winning costumes alongside props, sketches and photographs. In Marie Antoinette’s private rooms, mannequins recreate some of the movie’s frames.

And Coppola is revisiting “Marie Antoinette” onscreen, too. As she made the film 20 years ago, someone was watching closely: her mother, Eleanor, who shot almost 100 hours of behind-the-scenes footage with the goal of making a documentary.

Eleanor Coppola died in 2024 without completing the project, but her daughter has completed it for her. The movie “Making Marie Antoinette,” a time capsule of the film and of a young director finding her way, will be released in US theaters on Oct. 23.

In a recent video interview, Coppola, 55, talked about stepping back into Versailles, fighting for the film’s female perspective and watching hip-hop cut-ups of “Marie Antoinette” on TikTok. These are edited excerpts from the conversation.

Were you surprised when Versailles reached out to you about this exhibition?

Yes, I was really surprised — it was like being offered the Petit Trianon to put our posters up. It was surreal to be there again, in the real home of Marie Antoinette, with the costumes from our version.

I thought it was cool that the curators were interested in the preparation materials and research, so I was excited to open up the boxes that I had in my storage at my family home in Napa Valley. Anne Seibel, the art director, also saved a lot of things, and Milena Canonero, our great costume designer, tracked down different pieces and put the accessories together to bring it all back. We even recreated some of the lighting that was used in the film.

What do you remember about how you felt while making it?

It was really stressful and overwhelming, because I’d never taken on anything of that scale. There were just so many people there in order to pull it off, so many extras and crew. I think I had that sort of youthful naïveté — I don’t think I would take on something like that now.

But I had a really clear vision in my head, and I was really trying to do a different kind of period movie. The ones that I had grown up with were very big tableaux, based on paintings. I always felt like you were looking back at history, and I wanted this to feel like you’re jumping back in time and you’re alive with the characters. When I visited the real private rooms of Marie Antoinette, I was struck by the fact that the fabric was this bright turquoise color. At that time, you never saw that in period films: It was always muted, dusty earth tones.

The depiction of ennui and aimlessness connects it to some of your other films. What did you draw on to bring it to life?

I was trying to imagine what Marie Antoinette’s emotional life was like, and I could see parallels in LA at the time when I was writing the script in the early 2000s. I saw women shopping when they didn’t have anything else to do, to fill their time. It was my version of what I could imagine that might be like.

Were you taken aback by the controversy over the anachronisms in the movie when it came out?

It was disappointing that some people were really offended by it. To me, it’s hard to imagine that the modern music was so offensive to people, and it’s done a lot now. I knew that it was a little bit obnoxious and rebellious for an American to make that story, but you don’t ever really know how things are going to be received.

You lived in France for a few years after “Marie Antoinette.” What is your relationship nowadays to the country?

My husband [Thomas Mars, of the band Phoenix] is actually from Versailles. Their home was right down the street from the Petit Trianon. They moved away in more recent years, but we had holidays there, which was wild. My daughter Romy was born in Paris, and I feel really grateful that I still get to spend time there. I grew up with French New Wave films, and I’ve always felt supported by French culture.

The film’s reputation seems to have changed considerably since its release. Do you feel that?

Definitely. I feel like it has a whole new audience of young people. My daughters show me these edits to hip-hop songs on TikTok, which I love. It’s been a fun surprise, because usually your movies aren’t talked about afterward. A lot of mothers and daughters say that they watch it together, or men come up to me and say that that was their gay coming-out.

The film has a strong female gaze, and that registers differently today. Did you have to fight for that perspective when you made it?

My mom shot almost 100 hours of documentary footage on set. I helped edit it recently, and there’s a lot of me pushing for the female point of view of the story. That was really important to me, and it was interesting to see that men on the crew did not understand this idea or were resisting it. It just didn’t exist in filmmaking at that time. Nowadays, the guys I work with are much more open.

The documentary you edited based on your mother’s footage, “Making Marie Antoinette,” will be out in the US in October. Why did it take so long to come back to it?

Only a very small amount was used for a DVD bonus at the time, and we went on with our lives — I was having kids and I forgot about it. Then during the pandemic, my family was all together at home in Napa. My mom got the footage out to look at it, and I had never seen it before. It was amazing for me to see like all the details that she caught, all of the craftsmanship: the costumes, the wigs, the flowers.

And she really wanted to do something with it. She passed away two years ago now, but at the end of her life, it was really important to her that we got this film done. I promised her that I would. I’ve worked a lot this last year with an editor and a friend of my mom’s, trying to think of how she would want it made — even though it’s hard for me to have perspective, because I’m in it, and it’s embarrassing to see my young self.

Why?

I am not as assured of asserting myself. I’m kind of finding my way as a young director. And I thought maybe that would be interesting for other young people interested in film, to see that there is a process of how you evolve as a creative person.

It’s also me seeing through my mother’s eyes, her watching her daughter work. It was very emotional to work on, and I felt like it was a gift that she left for me.

The New York times


Mongolia Urges No School Outings after Fatal Bear Attack

A brown bear and her cub play on the road in the outskirts of Sinaia, 140 km north of Bucharest, June 15, 2009. REUTERS/Radu Sigheti/File
A brown bear and her cub play on the road in the outskirts of Sinaia, 140 km north of Bucharest, June 15, 2009. REUTERS/Radu Sigheti/File
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Mongolia Urges No School Outings after Fatal Bear Attack

A brown bear and her cub play on the road in the outskirts of Sinaia, 140 km north of Bucharest, June 15, 2009. REUTERS/Radu Sigheti/File
A brown bear and her cub play on the road in the outskirts of Sinaia, 140 km north of Bucharest, June 15, 2009. REUTERS/Radu Sigheti/File

Mongolia warned schools and kindergartens on Friday to avoid outings to forested and mountainous areas after a fatal bear attack and a sharp rise in sightings of the animals.

So far this year, 754 bear sightings have been recorded across the vast and thinly populated country, 80 percent of which involved cubs or female bears accompanied by cubs, authorities said.

In the capital Ulaanbaatar alone, 24 confirmed sightings have been reported, compared with just two in 2018 and one in 2019.

"Due to bear sightings near populated areas, schools and kindergartens are advised not to organize group autumn trips or outings," the Ministry of Education said in a statement.

"Children should not be allowed to go into forested or mountainous areas alone, and outdoor excursions should be avoided in high-risk areas where bears have been sighted," it added.

The announcement comes after a bear killed a man and seriously maimed a woman this week in their home on the outskirts of Ulaanbaatar, according to AFP.

The man, in his 40s, and a woman in her 50s were attacked on Wednesday night in their home in the Bayanzurkh district, according to the city's environment department chief Munkhbayar M.

A team of 35 rangers, police and thermal imaging drones were deployed to locate and kill the bear.

"The bear was located and neutralized at a site not far from where the fatal incident occurred," an official from the Ministry of Environment and Climate Change told a news conference on Friday.

"Preliminary findings indicate that the bear was a male, approximately six years old and in its prime," said ministry secretary Batbayar Shurenchuluun.

The government has authorized bear hunting in specifically designated areas and launched an investigation to determine what has caused the rise in sightings.

A bear that was hunted and examined in the eastern province of Khentii was found to have no food in its stomach, officials told reporters on Thursday.

As a result, authorities banned in September the harvesting of nuts and berries from mountainous areas for this year.

Japan has also recorded a sharp rise in bear sightings and attacks on humans in recent years, including in the outskirts of towns and cities.

The causes are complex and include variations in food available -- something potentially linked to climate change -- as well as rural depopulation, experts say.