Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam
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Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam

The 7th edition of the Saudi Film Festival has kicked off on Friday and will run until July 7. The event is managed and organized by Ahmed Al Mulla.

The Saudi Film Festival is one of two cinema-related events in the Kingdom. The other is the Red Sea International Film Festival, and it's scheduled for November. The first is dedicated to Saudi cinema and aims at developing the movie industry, and enhancing the cultural activity in the country, by sponsoring all sorts of cinema-related activities, movies, forums, and books.

The festival is set to screen a large number of works including short, small, narrative, and non-narrative films, aiming at offering "opportunities for Saudi young talents interested in movie making, and celebrating them."

The jury is composed of five members: Saudi Ali Alkalthami (head of the jury), Egyptian actress Bushra, Tunisian director Kawthar bin Haniyeh, Jordanian producer Monzer al-Rayahneh, and American critic Deborah Young.

The festival also organizes a scriptwriting contest featuring 254 participants, 14 of them already reached the finals (six long film scenarios, and eight short films scenarios). The jury of this contest is composed of Saad al-Dossari (president), and members Mohammed al-Bashir, and Raja Sayer Al-Mutairi.

The festival celebrates two cinema stars, Maamoun Hassan (who was head of production at the British Film Institute for several years), and Bahraini director Bassam al-Thawadi.

The Saudi Film Festival was launched in 2008, but its second edition was held in 2015, followed by two successive editions in 2016 and 2017, and then it returned in a sophisticated edition in 2019. Last year, the event went virtual due to the coronavirus pandemic.

This year, the Saudi Film Festival is back with more momentum, purpose, and a team that insists on maintaining progress. It is held in the same location as the past years, at the King Abdulaziz Center for World Culture's Ithra Hall, Dammam. A large, beautifully designed venue surrounded by vast gardens, and housing a massive library, two screening halls, and a conference hall that could accommodate a wide audience.

The festival's manager, Ahmed Al Mulla has given special attention to the health measures imposed by the concerned authorities. In a conference he attended a few days ago, he discussed health concerns, and praised "the huge efforts the wise leadership and concerned authorities made to combat the pandemic, enabling the center to organize the event, and host a large audience with all the necessary health precautions."

This is not all. In an interview with Asharq Al-Awsat, Al Mulla answered six questions and revealed further details about the festival and the importance of this edition for the Saudi cinema.

• When you look at the past editions and the current one, how do you see the progress? And does it meet your aspirations?

The Saudi Film Festival has faced many challenges since its launch in 2008, especially the compulsive interruption that separated its first and second editions. The festival has faced many challenges, and the pandemic was the latest but not the last one. We didn't give up, and we redesigned its programs virtually. The digital edition was an adventure, but it achieved remarkable success and reach, which enhanced the plans of the current edition. This year, we managed to organize a live event with a huge audience and keep the virtual platform to ensure that the largest number of spectators watch the festival.

Yes, we dreamed of a wide prospect, we hoped to receive a merited appreciation, and called for support…and our dreams have become true. Our biggest goal was to make a Saudi film with an artistic value that highlights the aesthetics of the country, heritage, and history. In this edition, I feel I am closer to this dream, and I see it approaching for the first time.

• The festival is growing quickly. I attended the 5th edition, and I noticed great organization and planning that I didn't see in other Arab festivals. This makes me ask: What are your ambitions for the coming editions?

My ambition is to see the festival maintain the focus on its main goal: Competition and Saudi movies. I want it to include more diverse programs that inspire movie makers. This will help the movie industry keep growing with constant leaps, similar to those we saw since its debut. I hope the festival will always be a knowledge platform that inspires art and beauty.

• How did the festival benefit moviemakers in the Kingdom so far?

Moviemakers can speak better about the benefits they gained from the festival. For me, the ultimate gain is their gathering at the same place and time in an environment where they can exchange views, and enhance connections. Then there is motivation, decent competition, and development of tools through rich programs providing workshops, forums, books, and regular discussions.

• How did the festival come to light? And who was behind the idea and its implementation?

In 2006, I was a member of the literary club in the Eastern Province and its executive manager. I was also responsible for the events it organizes. Driven by my interest in cinema, I suggested organizing a weekly cinema night, and I chose the movies that were screened during it. The idea lured a great audience of young Saudis who formed a team of movie fans (some opposed the idea). After a lot of negotiations, the club and the Culture and Arts Association in Dammam agreed to organize the first festival. Those who participated in the organization were many, but I won't say names because I don't want to forget anyone.

• Did other Arab film festivals support Saudi films? And how?

Of course, they did. Before, within, and after the Saudi Film Festival, every Saudi movie that partakes in an Arab or international contest will bring many advantages for moviemakers and colleagues. It would contribute to developing the content, encourage others, mark a presence in other festivals, and leave a beautiful trace in the audience's imagination about the Saudi movie.

• A number of Saudi movies will be screened at the Red Sea International Film Festival. How do the Saudi Movie Festival, and moviemakers benefit from this participation?

The Red Sea International Film Festival is an important platform that plays a major role in Saudi Arabia's aspirations for the future because it seeks to fulfill Arab and international ambitions and motivate Saudi movie makers to exert more effort. The festival has already launched several support and development programs, along with its upcoming edition in November. I believe the integration between the two festivals is possible and is actually happening.



BTS Light Stick Prices Surge Ahead of Comeback Concert

A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)
A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)
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BTS Light Stick Prices Surge Ahead of Comeback Concert

A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)
A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)

Second-hand BTS light sticks were selling for up to six times the original price ahead of the K-pop megagroup's huge comeback concert this weekend, an online reseller showed Wednesday.

The world's biggest boy band reunites on Saturday for their first show in nearly four years, taking over central Seoul for a K-pop extravaganza beamed live around the globe.

K-pop fans are known for their concert light sticks, which have become symbols of devotion to their artists.

BTS's global fans, known as the ARMY, calls theirs the Army Bomb.

The original price of the latest official version is around 50,000 won ($33.67), but they are sold out.

Listings on Bunjang, a major platform for used goods, are priced at between 100,000 and 330,000 won per unit.

The concert on Saturday will see BTS take the stage on the doorstep of the famed Gyeongbokgung royal palace.

The area has also long been a site of political protests, including after former president Yoon Suk Yeol's failed 2024 martial law declaration, when K-pop fans took part with glowsticks -- a striking image that drew global attention.


Oscars TV Audience Shrinks 9% in US from Last Year

US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)
US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)
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Oscars TV Audience Shrinks 9% in US from Last Year

US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)
US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)

The Academy Awards telecast attracted 17.9 million US viewers, a 9% decrease from the previous year and the lowest since 2022, according to Nielsen data released by broadcaster ABC on Tuesday.

The figure for Sunday's show reflected viewing ‌on ABC ‌and on the streaming service ‌Hulu. ⁠Both are owned ⁠by Walt Disney.

Hollywood handed the best picture prize to darkly comic thriller "One Battle After Another" during the more than three-hour-long ceremony. Comedian Conan ⁠O'Brien hosted for the ‌second year ‌in a row.

Viewership for awards shows has ‌been declining for years as TV ‌audiences have shifted to streaming and social media.

ABC said social impressions for the Oscars increased 42% this ‌year over 2025 to more than 184 million.

The ⁠highest-rated ⁠Academy Awards telecast aired in 1998, when megahit "Titanic" swept the honors. More than 57 million people tuned in that year.

In 2021 during the COVID-19 pandemic, Oscar ratings hit their low point with 10.5 million viewers. The Oscars ceremony will be moving from ABC to YouTube in 2029.


‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
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‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)

Canadian filmmaker Denis ‌Villeneuve revealed he nearly took a break before completing "Dune: Part Three," the conclusion to his epic science-fiction trilogy, but changed his mind after he saw how audiences embraced the first two films.

“I felt an appetite for the third movie that I was not expecting,” said Villeneuve on Monday in Los Angeles at a preview event for the movie's trailer, which was released to the public on Tuesday.

The film, distributed by Warner Bros, arrives in theaters on December 18. It is based on "Dune Messiah," the second book in the "Dune" series of ‌novels written ‌by Frank Herbert, about the battle for control ‌of ⁠the fictional planet ⁠of Arrakis, a harsh desert locale that contains a valuable spice that can extend life.

The new trailer shows the main character, Paul Atreides, played by Timothée Chalamet, and Chani, played by Zendaya, years after the first two films as they ponder their future as parents. The first two films, released in 2021 and 2024, grossed a combined $1.1 billion ⁠worldwide and received numerous accolades, including several Academy ‌Awards.

Villeneuve describes the third film as ‌a departure from the first two, as Paul Atreides must also reckon ‌with the consequences of the power and influence that he holds.

The ‌director recalled how he kept waking up at night with visions of the final chapter. “I was supposed to do another movie in the meantime but the image kept coming back. And I said, ‘All right, let’s do ‌it.’”

In a surprise, Villeneuve brought out several cast members at the event, including Zendaya, Robert Pattinson, Anya Taylor-Joy ⁠and Javier ⁠Bardem.

Zendaya reflected on how she spent her entire 20s working on the "Dune" films. "They have such a special place in my heart," the Euphoria actor said.

Pattinson, known for his appearances in "The Batman" and the "Twilight" series of films, joins the cast as the antagonist, Scytale. “I absolutely adored these movies - I saw them multiple times in theaters,” he said.

“He’s a very unusual character in the book,” the actor added. “You can’t really tell whose side he’s on. He’s not a conventional bad guy - he might even be a good guy. Who knows?”

Villeneuve noted the final movie will take fans to new planets on sets that they have yet to see.