Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam
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Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam

The 7th edition of the Saudi Film Festival has kicked off on Friday and will run until July 7. The event is managed and organized by Ahmed Al Mulla.

The Saudi Film Festival is one of two cinema-related events in the Kingdom. The other is the Red Sea International Film Festival, and it's scheduled for November. The first is dedicated to Saudi cinema and aims at developing the movie industry, and enhancing the cultural activity in the country, by sponsoring all sorts of cinema-related activities, movies, forums, and books.

The festival is set to screen a large number of works including short, small, narrative, and non-narrative films, aiming at offering "opportunities for Saudi young talents interested in movie making, and celebrating them."

The jury is composed of five members: Saudi Ali Alkalthami (head of the jury), Egyptian actress Bushra, Tunisian director Kawthar bin Haniyeh, Jordanian producer Monzer al-Rayahneh, and American critic Deborah Young.

The festival also organizes a scriptwriting contest featuring 254 participants, 14 of them already reached the finals (six long film scenarios, and eight short films scenarios). The jury of this contest is composed of Saad al-Dossari (president), and members Mohammed al-Bashir, and Raja Sayer Al-Mutairi.

The festival celebrates two cinema stars, Maamoun Hassan (who was head of production at the British Film Institute for several years), and Bahraini director Bassam al-Thawadi.

The Saudi Film Festival was launched in 2008, but its second edition was held in 2015, followed by two successive editions in 2016 and 2017, and then it returned in a sophisticated edition in 2019. Last year, the event went virtual due to the coronavirus pandemic.

This year, the Saudi Film Festival is back with more momentum, purpose, and a team that insists on maintaining progress. It is held in the same location as the past years, at the King Abdulaziz Center for World Culture's Ithra Hall, Dammam. A large, beautifully designed venue surrounded by vast gardens, and housing a massive library, two screening halls, and a conference hall that could accommodate a wide audience.

The festival's manager, Ahmed Al Mulla has given special attention to the health measures imposed by the concerned authorities. In a conference he attended a few days ago, he discussed health concerns, and praised "the huge efforts the wise leadership and concerned authorities made to combat the pandemic, enabling the center to organize the event, and host a large audience with all the necessary health precautions."

This is not all. In an interview with Asharq Al-Awsat, Al Mulla answered six questions and revealed further details about the festival and the importance of this edition for the Saudi cinema.

• When you look at the past editions and the current one, how do you see the progress? And does it meet your aspirations?

The Saudi Film Festival has faced many challenges since its launch in 2008, especially the compulsive interruption that separated its first and second editions. The festival has faced many challenges, and the pandemic was the latest but not the last one. We didn't give up, and we redesigned its programs virtually. The digital edition was an adventure, but it achieved remarkable success and reach, which enhanced the plans of the current edition. This year, we managed to organize a live event with a huge audience and keep the virtual platform to ensure that the largest number of spectators watch the festival.

Yes, we dreamed of a wide prospect, we hoped to receive a merited appreciation, and called for support…and our dreams have become true. Our biggest goal was to make a Saudi film with an artistic value that highlights the aesthetics of the country, heritage, and history. In this edition, I feel I am closer to this dream, and I see it approaching for the first time.

• The festival is growing quickly. I attended the 5th edition, and I noticed great organization and planning that I didn't see in other Arab festivals. This makes me ask: What are your ambitions for the coming editions?

My ambition is to see the festival maintain the focus on its main goal: Competition and Saudi movies. I want it to include more diverse programs that inspire movie makers. This will help the movie industry keep growing with constant leaps, similar to those we saw since its debut. I hope the festival will always be a knowledge platform that inspires art and beauty.

• How did the festival benefit moviemakers in the Kingdom so far?

Moviemakers can speak better about the benefits they gained from the festival. For me, the ultimate gain is their gathering at the same place and time in an environment where they can exchange views, and enhance connections. Then there is motivation, decent competition, and development of tools through rich programs providing workshops, forums, books, and regular discussions.

• How did the festival come to light? And who was behind the idea and its implementation?

In 2006, I was a member of the literary club in the Eastern Province and its executive manager. I was also responsible for the events it organizes. Driven by my interest in cinema, I suggested organizing a weekly cinema night, and I chose the movies that were screened during it. The idea lured a great audience of young Saudis who formed a team of movie fans (some opposed the idea). After a lot of negotiations, the club and the Culture and Arts Association in Dammam agreed to organize the first festival. Those who participated in the organization were many, but I won't say names because I don't want to forget anyone.

• Did other Arab film festivals support Saudi films? And how?

Of course, they did. Before, within, and after the Saudi Film Festival, every Saudi movie that partakes in an Arab or international contest will bring many advantages for moviemakers and colleagues. It would contribute to developing the content, encourage others, mark a presence in other festivals, and leave a beautiful trace in the audience's imagination about the Saudi movie.

• A number of Saudi movies will be screened at the Red Sea International Film Festival. How do the Saudi Movie Festival, and moviemakers benefit from this participation?

The Red Sea International Film Festival is an important platform that plays a major role in Saudi Arabia's aspirations for the future because it seeks to fulfill Arab and international ambitions and motivate Saudi movie makers to exert more effort. The festival has already launched several support and development programs, along with its upcoming edition in November. I believe the integration between the two festivals is possible and is actually happening.



Spotify Down for Thousands of Users, Downdetector Shows

FILE PHOTO: Headphones are seen in front of a logo of online music streaming service Spotify, February 18, 2014 REUTERS/Christian Hartmann/File Photo
FILE PHOTO: Headphones are seen in front of a logo of online music streaming service Spotify, February 18, 2014 REUTERS/Christian Hartmann/File Photo
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Spotify Down for Thousands of Users, Downdetector Shows

FILE PHOTO: Headphones are seen in front of a logo of online music streaming service Spotify, February 18, 2014 REUTERS/Christian Hartmann/File Photo
FILE PHOTO: Headphones are seen in front of a logo of online music streaming service Spotify, February 18, 2014 REUTERS/Christian Hartmann/File Photo

Music streaming platform Spotify was down for thousands of users on Monday, according to Downdetector.com.

There were more than 30,000 reports of issues with the platform in the US as of 09:22 a.m. ET, according to Downdetector, which tracks outages by collating status reports from a number of sources, Reuters reported.

Outages were reported in Canada with more than 2,900 reports at 9:22 a.m. ET; UK had more than 8,800 app issues as of 9:22 a.m. ET.

Spotify did not immediately respond to a Reuters request for comment.

The actual number of affected users may differ from what's shown because these reports are user-submitted.


Netflix Says its Position on Deal with Warner Bros Discovery Unchanged

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
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Netflix Says its Position on Deal with Warner Bros Discovery Unchanged

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo

Netflix's decision to acquire assets from Warner Bros Discovery has not changed and the hostile bid from Paramount Skydance was "entirely expected", its co-CEOs Greg Peters and Ted Sarandos said in a letter to employees on Monday, Reuters reported.

The streaming giant is committed to theatrical releases of Warner Bros' movies, saying it is "an important part of their business and legacy".

"We haven't prioritized theatrical in the past because that wasn't our business at Netflix. When this deal closes, we will be in that business," the letter stated.

Netflix said its deal is "solid" and it is confident that it is great for consumers and can pass regulatory hurdles.


35 Countries to Compete in Next Year’s Eurovision After 5 Countries Announce Boycott over Israel 

Nemo of Switzerland celebrates holding the trophy after winning the Grand Final of the Eurovision Song Contest in Malmo, Sweden, Sunday, May 12, 2024. (AP)
Nemo of Switzerland celebrates holding the trophy after winning the Grand Final of the Eurovision Song Contest in Malmo, Sweden, Sunday, May 12, 2024. (AP)
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35 Countries to Compete in Next Year’s Eurovision After 5 Countries Announce Boycott over Israel 

Nemo of Switzerland celebrates holding the trophy after winning the Grand Final of the Eurovision Song Contest in Malmo, Sweden, Sunday, May 12, 2024. (AP)
Nemo of Switzerland celebrates holding the trophy after winning the Grand Final of the Eurovision Song Contest in Malmo, Sweden, Sunday, May 12, 2024. (AP)

Organizers of the Eurovision Song Contest on Monday announced a final list of 35 countries that will take part in the glitzy pop-music gala next year, after five countries said they would boycott due to discord over Israel’s participation.

Contest organizers announced the list for the 2026 finale, set to be held in Vienna in May, after five participants — Iceland, Ireland, the Netherlands, Slovenia and Spain — earlier this month announced plans to sit it out.

A total of 37 countries took part this year, when Austria's JJ won. Three countries — Bulgaria, Moldova and Romania — will return, after skipping the event for artistic or financial reasons in recent years.

The walkout by some of the contest's most stalwart and high-profile participants — Ireland shared the record of wins with Sweden — put political discord on center stage and has overshadowed the joyful, feel-good nature of the event.

Last week, the 2024 winner — singer Nemo of Switzerland. who won with the pop-operatic ode “The Code.”— announced plans to return the winner’s trophy because Israel is being allowed to compete.

Organizers this month decided to allow Israel to compete, despite protests about its conduct of the Israel-Hamas war in Gaza and allegations that Israel manipulated the vote in favor of its contestants.

The European Broadcasting Union, a group of public broadcasters from 56 countries that runs the glitzy annual event, had sought to dispel concerns about vote-rigging, but the reforms announced weren't enough to satisfy the holdouts.

The musical extravaganza draws more than 100 million viewers every year — one of the world's most-watched programs — but has been roiled by the war in Gaza for the past two years, stirring protests outside the venues and forcing organizers to clamp down on political flag-waving.

Experts say the boycott ahead of the event's 70th anniversary amounts to one of the biggest crises the contest has faced, at a time when many public broadcasters face funding pressures and social media has lured away some eyeballs.

Israeli officials have hailed the decision by most EBU member broadcasters who supported its right to participate and warned of a threat to freedom of expression by embroiling musicians in a political issue.