'Eternals' Leads Box Office Over 'Clifford the Big Red Dog'

A guest purchases a ticket in front of a box office at AMC movie theater in Lincoln Square, in New York city, US. Reuters file photo
A guest purchases a ticket in front of a box office at AMC movie theater in Lincoln Square, in New York city, US. Reuters file photo
TT
20

'Eternals' Leads Box Office Over 'Clifford the Big Red Dog'

A guest purchases a ticket in front of a box office at AMC movie theater in Lincoln Square, in New York city, US. Reuters file photo
A guest purchases a ticket in front of a box office at AMC movie theater in Lincoln Square, in New York city, US. Reuters file photo

Marvel's comic book epic "Eternals" is once again dominating over domestic box office charts, Reuters reported.

In its second weekend of release, the superhero adventure has collected a leading $27.5 million from 4,090 North American theaters. Through Sunday, "Eternals" crossed the $100 million mark in the US and Canada, with box office receipts at $118 million. Though it wouldn't be a particularly notable benchmark in pre-COVID times, only a handful of films have surpassed $100 million in 2021.

"Eternals" declined 61% from its $71 million debut, a drop that falls somewhere in between Marvel's other pandemic releases, "Shang-Chi and the Legend of the Ten Rings" (which declined 52% in its sophomore outing) and "Black Widow" (which declined 67% in its sophomore outing). "Shang-Chi," like "Eternals," is playing only in theaters while "Black Widow" premiered on Disney Plus (for $30 on top of monthly subscription fees) on the same day it opened in cinemas.

Compared to recent entries in the Marvel Cinematic Universe, "Eternals" hasn't gotten the best reviews. It is the only installment to receive a "rotten" rating on review aggregation site Rotten Tomatoes, and it's one of the few to land a CinemaScore grade lower than "A" from audiences. Those factors didn't affect Sony's comic book sequel "Venom: Let There Be Carnage," which has similar audience score and critic sentiment. However, moviegoers have come to develop much higher expectations (and standards) for Disney's MCU, a franchise that is critically and commercially in a league of its own.

Speaking of "Venom," the second feature film that centers on Tom Hardy's alien symbiote became the second COVID-era release to surpass $200 million at the domestic box office. After nearly two months in theaters, the movie placed at No. 5 with $3.7 million from 2,538 venues, propelling revenues to $202 million.

"Shang-Chi," which is the highest-grossing film of 2021 with $224 million to date, is the only other film to cross $200 million this year.

In second place on domestic box office charts, Paramount's family friendly adventure "Clifford the Big Red Dog" pulled in $16.4 million from 3,700 locations between Friday and Sunday.

The film, which is available simultaneously on the streaming service Paramount Plus, got a jump on the weekend by opening in theaters on Wednesday, has generated $22 million in its first five days of release.

"Clifford" had a decent start considering its hybrid release, though analysts believe it would have made even more money by having an exclusive theatrical window before moving to digital platforms.

However, family crowds have been slow to return to cinemas because young children have only recently been able to get vaccinated against COVID-19, so Paramount wanted to couch ticket sales while boosting its nascent streaming service in the process.

"The streaming option is not helping these movies," says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. "Without it, their value would be greater on each and every platform." Still, he says, "this is a very solid opening in the face of difficult family moviegoing conditions."

"Dune," the sci-fi spectacle from Warner Bros. and Legendary, placed third with $5.5 million from 3,282 screens. To date, the movie has grossed $93 million while playing concurrently on HBO Max.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
TT
20

‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.