Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
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Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu

The Beirut Arab International Book Fair has opened its doors on Thursday after a three-year hiatus. Although its 62nd and last edition took place in 2018, this didn’t help keep it out of the Lebanese disputes. Publishers were divided; some believed Beirut needs some hope and everyone should defy the current circumstances, while others thought the timing is not good and it would be better to wait until its annual date, in December. However, the Arab Cultural Club, the association behind the fair, decided to hold an event now, and another in December because ‘the long absence serves no one.’

For the first time, the Beirut Arab International Book Fair is missing prominent publishing houses including Dar Al Adab, Dar Al Saqi, the Arab Scientific Publishers, Dar Al Jadeed, Hachette Antoine, Dar Al Tanweer, and Al Mada Publisher. However, the absence of ‘whales’ could be beneficial for the small publishing houses, said Dr. Abdulhalim Hammoud, founder of Dar Zamakan, referring to the large, prominent publishers. Hammoud sees this fair as an opportunity the new publishing houses could use to meet the readers without competition. “Our house has five signing events and displays new books including one about Fairuz and another about Ziad Rahbani. Each one of the partaking publishers has six to ten signing events as well,” he said. “The fair could be seen as a failure because of the hard situation in the country. But we think differently. A three-year hiatus means piles of new titles, warehouses full of books printed before the crisis and the devaluation of the local currency, and sales for affordable prices. It's’ a great opportunity for publishers seeking to boost their sales. Our house partakes in the fair with four new novels, and we plan to sell the book for 100,000 LBP (around $5) while other houses are selling the book for 200,000 LBP (around $10)”.

Inspired by the hard situation the country is currently living in, this year’s edition is dubbed “Beirut of Resistance…Beirut never Falls.” However, Suleiman Bakhti, owner of Dar Nelson, describes it as the ‘fair of challenge’ and ‘exploration.’ “We lost contact with the reading audience. It’s been a long time; things have changed, and this concerns me as a person interested in cultural affairs. We are seeing withdrawals from the industry, while our mission is to create more interaction through books, theater, and music. This year, we don’t want people to buy, but they must come, meet us, and leave their burdens behind. Following the economic collapse, the Beirut blast, the pandemic, and all the disasters we lived over the past two years, all we really want is to see people standing on their feet again,” Bakhti explained.

The past editions of the Beirut Arab International Book Fair were held at the Seaside Arena, in the heart of Beirut, in a 10,000 square meter hall which was destroyed by the blast on August 4, 2020. The venue was partly renovated, so the fair will be held over a 4,000 square meter space this year. There is a promise that the entire hall will be renovated by the end of the year, and the next date of the exhibition.

Jihad Chebaro, the owner of the Arab Scientific Publishers that declined to partake in the fair, believes such an event cannot be held in the current circumstances. “The venue and the parking lots are not ready yet, and most publishers and the Syndicate of Publishers Union refused to participate, so we didn’t want to oppose this decision. We wanted the fair to happen on its annual date because we didn’t want a failed event, and we were ready to participate with affordable prices,” he told Asharq Al-Awsat.

Rasha al-Amir, the owner of Al Jadeed Publishing, who also refused to partake, wrote on Facebook: “Dar Al Jadeed, which partook in this fair since its establishment, decided to step back this year. We write on our website for free. We publish our works on Amazon for those who can buy books through this comfortable means. We believe book fairs have become a sort of showoff. This kind of demonstration is not among our priorities anymore.”

However, readers have another opinion. Many have applauded the decision to resume the Beirut Arab International Book Fair on social media.

For her part, Salwa Siniora Baassiri, head of the Arab Culture Club, said the organization of the exhibition today is “a cultural awakening call for the Lebanese capital which never gives up.” “People can create the suitable circumstances if they want to. It’s up to us to choose to surrender or to survive. If we have the will, we can definitely stand again,” she said.

“We must not leave books alone. This fair is ours; we can make it succeed or fail. With all my respect to those who refused to partake, I was hoping everyone could engage. We will be there, bearing the high costs. We are experiencing a new situation, but if we don’t hold this event, something will be missing. We want to survive, and culture is a key feature of life,” said Bakhti.

The fair faces many challenges this year, but the Arab Cultural Club and the partaking publishers are making huge efforts to make a successful event.

Schools won’t be partaking this time because of costly transportation. Many publishing houses suffered to find affordable shelves to display their books, and the organizers have been dealing with obstacles they never faced before.

Daily activities scheduled during the event will host many prominent artists and academics like Heba al-Kawas and Zahi Wehbi in a dialogue between poetry and music on March 4. The program also features a musical evening dubbed “On Route of Poetry from Tripoli to Beirut,” and a day to celebrate the Ukrainian culture. Algerian novelists Wasini al-Aaraj, Intissar al-Wazir, Sakr Abu Fakhr, Fawaz Traboulsi, Yahya Jaber, and Yousef Bazzi, are also among the attendees.

This edition sees the participation of 90 publishing houses from Lebanon, in addition to publishers from Iraq, Syria, and Egypt. Over 30 activities will be held on the sidelines of the bookfair including cultural seminars, music concerts, and signing events.

The Beirut Arab International Book Fair was the first of its kind in the Arab world. Organized by the Arab Cultural Club, it debuted in 1956, at the American University of Beirut. Then, it has become an annual cultural event that lures readers and publishers alike. The current edition will run until March 13.



Saudi Ambassador Inaugurates Cultural Mission Headquarters in Cairo

Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)
Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)
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Saudi Ambassador Inaugurates Cultural Mission Headquarters in Cairo

Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)
Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)

Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri has opened the Saudi Cultural Mission’s headquarters in Cairo, the Saudi Press Agency reported Thursday.

Al-Husseini toured the headquarters and was briefed on the mission’s operations, services, and programs that support students and strengthen cultural and academic ties between Saudi Arabia and Egypt, SPA said.


Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles

Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles
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Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles

Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles

The Red Sea Fund, a program of the Red Sea Film Foundation, has announced 30 selected projects across its first two funding cycles of 2026, drawn from 916 submissions and continuing its year-round commitment to supporting distinctive filmmakers and stories from Saudi Arabia, the Arab world, Africa and Asia.

Cycle 1, dedicated to projects in post-production, received 220 submissions, the highest number for a post-production cycle since the inception of the fund, and one of its most competitive to date, with 13 projects ultimately selected, SPA reported.

Cycle 2, dedicated to projects in production, received 696 submissions, with 17 projects ultimately selected, spanning feature fiction, feature documentary and short fiction.

Five Saudi projects feature among the Cycle 2 selections: Remind Me to Forget by Lama Jamjoom, Green Corpse by Khaled Zidan, Maria’s Mansion by Raed Alsemari, Bait Bahar by Yaser Hammad and Microwave by Mishary Almazyaad.

Several of the Cycle 1 post-production titles have already premiered internationally. Ben’imana won the Caméra d’Or at the 2026 Cannes Film Festival, where it screened in Un Certain Regard alongside Strawberries. At the Toronto International Film Festival, Angh won the Platform Award, world premiering alongside Four Seasons in Java. Other films also screened in Venice and at the Locarno Film Festival.

CEO of the Red Sea Film Foundation Faisal Baltyuor said: “These two cycles reflect exactly what the Red Sea Fund is here to do: identify bold, distinctive projects and support filmmakers at critical stages of their journey. The international momentum already building around several Cycle 1 titles is a strong testament to the caliber of the work, and we are excited to see the Cycle 2 projects continue that journey."


AlUla Artist Residency Showcases Creative Excellence at International Design Awards

The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)
The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)
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AlUla Artist Residency Showcases Creative Excellence at International Design Awards

The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)
The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)

The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award, organized by the Institut du Monde Arabe in Paris, the Saudi Press Agency said on Sunday.

Saudi architect and artist Aseel Alamoudi won the Emerging Talent Award for her project "Playformation: The Curve and The Dot," inspired by AlUla's rock formations and natural curves.

The Contemporary Craftsmanship Award was presented to Altin Studio, founded by Yasmine Sfar and Mehdi Kebaier, for their sculptural work "Our AlUla Trilogy" (2025), comprising three pieces titled "Wadi,Waha," and "Yusr." The pieces were crafted from palm wood and plant fibers. The project combines traditional crafts with contemporary design, drawing inspiration from AlUla's landscape and natural materials while evoking the palm cultures of Saudi Arabia and Tunisia.

The international awards won by the participants reflect the initiative's expanding reach and its creative output's growing presence on the global stage, as part of the cultural and artistic momentum taking place in AlUla through its diverse residency programs, exhibitions, events, and festivals.