Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
TT

Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu

The Beirut Arab International Book Fair has opened its doors on Thursday after a three-year hiatus. Although its 62nd and last edition took place in 2018, this didn’t help keep it out of the Lebanese disputes. Publishers were divided; some believed Beirut needs some hope and everyone should defy the current circumstances, while others thought the timing is not good and it would be better to wait until its annual date, in December. However, the Arab Cultural Club, the association behind the fair, decided to hold an event now, and another in December because ‘the long absence serves no one.’

For the first time, the Beirut Arab International Book Fair is missing prominent publishing houses including Dar Al Adab, Dar Al Saqi, the Arab Scientific Publishers, Dar Al Jadeed, Hachette Antoine, Dar Al Tanweer, and Al Mada Publisher. However, the absence of ‘whales’ could be beneficial for the small publishing houses, said Dr. Abdulhalim Hammoud, founder of Dar Zamakan, referring to the large, prominent publishers. Hammoud sees this fair as an opportunity the new publishing houses could use to meet the readers without competition. “Our house has five signing events and displays new books including one about Fairuz and another about Ziad Rahbani. Each one of the partaking publishers has six to ten signing events as well,” he said. “The fair could be seen as a failure because of the hard situation in the country. But we think differently. A three-year hiatus means piles of new titles, warehouses full of books printed before the crisis and the devaluation of the local currency, and sales for affordable prices. It's’ a great opportunity for publishers seeking to boost their sales. Our house partakes in the fair with four new novels, and we plan to sell the book for 100,000 LBP (around $5) while other houses are selling the book for 200,000 LBP (around $10)”.

Inspired by the hard situation the country is currently living in, this year’s edition is dubbed “Beirut of Resistance…Beirut never Falls.” However, Suleiman Bakhti, owner of Dar Nelson, describes it as the ‘fair of challenge’ and ‘exploration.’ “We lost contact with the reading audience. It’s been a long time; things have changed, and this concerns me as a person interested in cultural affairs. We are seeing withdrawals from the industry, while our mission is to create more interaction through books, theater, and music. This year, we don’t want people to buy, but they must come, meet us, and leave their burdens behind. Following the economic collapse, the Beirut blast, the pandemic, and all the disasters we lived over the past two years, all we really want is to see people standing on their feet again,” Bakhti explained.

The past editions of the Beirut Arab International Book Fair were held at the Seaside Arena, in the heart of Beirut, in a 10,000 square meter hall which was destroyed by the blast on August 4, 2020. The venue was partly renovated, so the fair will be held over a 4,000 square meter space this year. There is a promise that the entire hall will be renovated by the end of the year, and the next date of the exhibition.

Jihad Chebaro, the owner of the Arab Scientific Publishers that declined to partake in the fair, believes such an event cannot be held in the current circumstances. “The venue and the parking lots are not ready yet, and most publishers and the Syndicate of Publishers Union refused to participate, so we didn’t want to oppose this decision. We wanted the fair to happen on its annual date because we didn’t want a failed event, and we were ready to participate with affordable prices,” he told Asharq Al-Awsat.

Rasha al-Amir, the owner of Al Jadeed Publishing, who also refused to partake, wrote on Facebook: “Dar Al Jadeed, which partook in this fair since its establishment, decided to step back this year. We write on our website for free. We publish our works on Amazon for those who can buy books through this comfortable means. We believe book fairs have become a sort of showoff. This kind of demonstration is not among our priorities anymore.”

However, readers have another opinion. Many have applauded the decision to resume the Beirut Arab International Book Fair on social media.

For her part, Salwa Siniora Baassiri, head of the Arab Culture Club, said the organization of the exhibition today is “a cultural awakening call for the Lebanese capital which never gives up.” “People can create the suitable circumstances if they want to. It’s up to us to choose to surrender or to survive. If we have the will, we can definitely stand again,” she said.

“We must not leave books alone. This fair is ours; we can make it succeed or fail. With all my respect to those who refused to partake, I was hoping everyone could engage. We will be there, bearing the high costs. We are experiencing a new situation, but if we don’t hold this event, something will be missing. We want to survive, and culture is a key feature of life,” said Bakhti.

The fair faces many challenges this year, but the Arab Cultural Club and the partaking publishers are making huge efforts to make a successful event.

Schools won’t be partaking this time because of costly transportation. Many publishing houses suffered to find affordable shelves to display their books, and the organizers have been dealing with obstacles they never faced before.

Daily activities scheduled during the event will host many prominent artists and academics like Heba al-Kawas and Zahi Wehbi in a dialogue between poetry and music on March 4. The program also features a musical evening dubbed “On Route of Poetry from Tripoli to Beirut,” and a day to celebrate the Ukrainian culture. Algerian novelists Wasini al-Aaraj, Intissar al-Wazir, Sakr Abu Fakhr, Fawaz Traboulsi, Yahya Jaber, and Yousef Bazzi, are also among the attendees.

This edition sees the participation of 90 publishing houses from Lebanon, in addition to publishers from Iraq, Syria, and Egypt. Over 30 activities will be held on the sidelines of the bookfair including cultural seminars, music concerts, and signing events.

The Beirut Arab International Book Fair was the first of its kind in the Arab world. Organized by the Arab Cultural Club, it debuted in 1956, at the American University of Beirut. Then, it has become an annual cultural event that lures readers and publishers alike. The current edition will run until March 13.



Louvre Workers Announce Strike Over Work Conditions and Security After $102M Heist

A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)
A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)
TT

Louvre Workers Announce Strike Over Work Conditions and Security After $102M Heist

A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)
A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)

Workers at the Louvre Museum voted Monday for strikes to protest their work conditions, a ticket-price hike for non-European visitors and security weaknesses that a brazen daylight theft of France’s Crown Jewels highlighted in October.

In a letter announcing the strike action starting next Monday, which was addressed to France's culture minister and seen by The Associated Press, the CGT, CFDT and Sud unions asserted that “visiting the Louvre has become a real obstacle course” for the millions of people who come to admire its huge collections of art and artifacts.

The museum is in “crisis,” with insufficient resources and “increasingly deteriorated working conditions," said the unions’ strike notice to Culture Minister Rachida Dati.

“The theft of 19 October 2025 highlighted shortcomings in priorities that had long been reported,” the unions alleged.

The robbery gang made off with loot worth an estimated 88 million euros ($102 million). The museum director subsequently acknowledged a ″terrible failure" in security. The thieves took less than eight minutes to force their way into the museum and leave, using a freight lift to reach one of the building’s windows, angle grinders to cut into jewelry display cases, and motorbikes to make their escape.

The haul hasn’t been recovered. It includes a diamond-and-emerald necklace Napoleon gave to Empress Marie-Louise, jewels tied to two 19th century queens, Marie-Amélie and Hortense, and Empress Eugénie’s pearl-and-diamond tiara.

Upkeep of the museum's vast and historic buildings, which were a former palace for French royals, also hasn't kept pace with its success as one of France's leading attractions.

A water leak on Nov. 26 damaged several hundred publications stored in the museum's library of works specializing in Egyptian antiquities. The damaged works included revues and documents from the 19th and 20th century, the museum said. The opening of a valve triggered the leak in a network of water pipes that are due to be replaced next year, the museum said.

Last month, the Louvre also announced the temporary closure of some employees’ offices and one public gallery because of weakened floor beams.

In their strike notice, the unions said that antiquated facilities and insufficient staffing are impacting the visitor experience, forcing the closure of some displays. They demanded that resources be focused on building improvements and safeguarding the museum, its collections, visitors and employees.

“We are in a run-down museum which has shown its security weaknesses,” Christian Galani, a CGT union official representing Louvre workers, said in an AP interview. He said the strike-action vote by employees on Monday morning was unanimous and that the planned rolling strikes risked forcing the museum's closure.

“We need a change of gear,” he said.


Diriyah Art Futures Hosts Second Open Studio of Mazra’ah Media Arts Residency

The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA
The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA
TT

Diriyah Art Futures Hosts Second Open Studio of Mazra’ah Media Arts Residency

The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA
The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA

Diriyah Art Futures, the first specialized center for New Media Arts in the Middle East and North Africa, hosted the second edition of the Open Studio for the Mazra’ah Media Arts Residency at its headquarters in Diriyah.

The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture, SPA reported.

The event was attended by Diriyah Art Futures Director Dr. Haytham Nawar and the center’s Education Director Tegan Bristow.
Visitors were given the opportunity to view the projects that artists and researchers are developing for the Fall–Winter 2025 season, engage directly with resident artists such as Diane Cescutti, Juan Covelli, and Calin Segal, and learn about their creative work and research at the center.

Participating researchers in the program, entrepreneur Dr. Areej Al-Wabil and researcher Rahel Aima, delivered a presentation to attendees. Their presentations reflected the experimental and diverse nature of the Mazra’ah program, which encourages artists to work across multiple techniques and media.

The program provides selected participants with access to state-of-the-art production tools within a dedicated studio, fostering collaboration and the exchange of knowledge within the global artistic community.

The Open Studio represents an important milestone in Diriyah Art Futures’ efforts to play an active role in the global dialogue on New Media and Digital Arts. Resident artists will continue developing their projects until December 2025, with future public showcases planned.

The center also provides opportunities for artists and researchers to take part in its public events, educational programs, and artistic and scientific residencies, thereby enriching the Kingdom’s art scene and strengthening its position as a global destination for New Media and Digital Arts, while highlighting local talents in the fields of art, science, and technology. This reflects the Ministry of Culture’s commitment to preserving national heritage and supporting artistic practices that shape the future of the arts and humanities.


Literature Commission Prepares to Launch Jeddah Book Fair 2025

Literature Commission Prepares to Launch Jeddah Book Fair 2025
TT

Literature Commission Prepares to Launch Jeddah Book Fair 2025

Literature Commission Prepares to Launch Jeddah Book Fair 2025

The Literature, Publishing and Translation Commission is preparing to organize the Jeddah Book Fair 2025, scheduled to take place from December 11 to 20 at the Jeddah Superdome.

The fair will see the participation of more than 1,000 local and international publishing houses and agencies representing 24 countries, distributed across 400 exhibition booths, SPA reported.

The event will host a distinguished group of writers, thinkers and intellectuals from within the Kingdom and abroad, offering visitors a rich and diverse cultural program over ten days that spans literary, intellectual and scientific fields.

CEO of the commission Dr. Abdullatif bin Abdulaziz Alwasel said that the Jeddah Book Fair is a prominent cultural event reflecting the rapid growth of the literature, publishing and translation sector, supported by the continuous backing of the wise leadership.

He emphasized that the fair is among the most important cultural platforms contributing to the objectives of Vision 2030 by promoting creative industries and intellectual engagement.

Dr. Alwasel added that the exhibition will feature an extensive cultural program comprising more than 170 events, including lectures, seminars and workshops. It will also include a dedicated children’s area designed to cater to different age groups, offering literary, cultural and recreational activities, as well as competitions aimed at inspiring children and adolescents, nurturing their love of reading and exploration and developing their talents.