Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
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Beirut Arab International Book Fair Declares Resistance, Challenge

A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu
A man reads a book at the independent bookstore "Hong Kong Reader", in Hong Kong, China June 23, 2020. REUTERS/Tyrone Siu

The Beirut Arab International Book Fair has opened its doors on Thursday after a three-year hiatus. Although its 62nd and last edition took place in 2018, this didn’t help keep it out of the Lebanese disputes. Publishers were divided; some believed Beirut needs some hope and everyone should defy the current circumstances, while others thought the timing is not good and it would be better to wait until its annual date, in December. However, the Arab Cultural Club, the association behind the fair, decided to hold an event now, and another in December because ‘the long absence serves no one.’

For the first time, the Beirut Arab International Book Fair is missing prominent publishing houses including Dar Al Adab, Dar Al Saqi, the Arab Scientific Publishers, Dar Al Jadeed, Hachette Antoine, Dar Al Tanweer, and Al Mada Publisher. However, the absence of ‘whales’ could be beneficial for the small publishing houses, said Dr. Abdulhalim Hammoud, founder of Dar Zamakan, referring to the large, prominent publishers. Hammoud sees this fair as an opportunity the new publishing houses could use to meet the readers without competition. “Our house has five signing events and displays new books including one about Fairuz and another about Ziad Rahbani. Each one of the partaking publishers has six to ten signing events as well,” he said. “The fair could be seen as a failure because of the hard situation in the country. But we think differently. A three-year hiatus means piles of new titles, warehouses full of books printed before the crisis and the devaluation of the local currency, and sales for affordable prices. It's’ a great opportunity for publishers seeking to boost their sales. Our house partakes in the fair with four new novels, and we plan to sell the book for 100,000 LBP (around $5) while other houses are selling the book for 200,000 LBP (around $10)”.

Inspired by the hard situation the country is currently living in, this year’s edition is dubbed “Beirut of Resistance…Beirut never Falls.” However, Suleiman Bakhti, owner of Dar Nelson, describes it as the ‘fair of challenge’ and ‘exploration.’ “We lost contact with the reading audience. It’s been a long time; things have changed, and this concerns me as a person interested in cultural affairs. We are seeing withdrawals from the industry, while our mission is to create more interaction through books, theater, and music. This year, we don’t want people to buy, but they must come, meet us, and leave their burdens behind. Following the economic collapse, the Beirut blast, the pandemic, and all the disasters we lived over the past two years, all we really want is to see people standing on their feet again,” Bakhti explained.

The past editions of the Beirut Arab International Book Fair were held at the Seaside Arena, in the heart of Beirut, in a 10,000 square meter hall which was destroyed by the blast on August 4, 2020. The venue was partly renovated, so the fair will be held over a 4,000 square meter space this year. There is a promise that the entire hall will be renovated by the end of the year, and the next date of the exhibition.

Jihad Chebaro, the owner of the Arab Scientific Publishers that declined to partake in the fair, believes such an event cannot be held in the current circumstances. “The venue and the parking lots are not ready yet, and most publishers and the Syndicate of Publishers Union refused to participate, so we didn’t want to oppose this decision. We wanted the fair to happen on its annual date because we didn’t want a failed event, and we were ready to participate with affordable prices,” he told Asharq Al-Awsat.

Rasha al-Amir, the owner of Al Jadeed Publishing, who also refused to partake, wrote on Facebook: “Dar Al Jadeed, which partook in this fair since its establishment, decided to step back this year. We write on our website for free. We publish our works on Amazon for those who can buy books through this comfortable means. We believe book fairs have become a sort of showoff. This kind of demonstration is not among our priorities anymore.”

However, readers have another opinion. Many have applauded the decision to resume the Beirut Arab International Book Fair on social media.

For her part, Salwa Siniora Baassiri, head of the Arab Culture Club, said the organization of the exhibition today is “a cultural awakening call for the Lebanese capital which never gives up.” “People can create the suitable circumstances if they want to. It’s up to us to choose to surrender or to survive. If we have the will, we can definitely stand again,” she said.

“We must not leave books alone. This fair is ours; we can make it succeed or fail. With all my respect to those who refused to partake, I was hoping everyone could engage. We will be there, bearing the high costs. We are experiencing a new situation, but if we don’t hold this event, something will be missing. We want to survive, and culture is a key feature of life,” said Bakhti.

The fair faces many challenges this year, but the Arab Cultural Club and the partaking publishers are making huge efforts to make a successful event.

Schools won’t be partaking this time because of costly transportation. Many publishing houses suffered to find affordable shelves to display their books, and the organizers have been dealing with obstacles they never faced before.

Daily activities scheduled during the event will host many prominent artists and academics like Heba al-Kawas and Zahi Wehbi in a dialogue between poetry and music on March 4. The program also features a musical evening dubbed “On Route of Poetry from Tripoli to Beirut,” and a day to celebrate the Ukrainian culture. Algerian novelists Wasini al-Aaraj, Intissar al-Wazir, Sakr Abu Fakhr, Fawaz Traboulsi, Yahya Jaber, and Yousef Bazzi, are also among the attendees.

This edition sees the participation of 90 publishing houses from Lebanon, in addition to publishers from Iraq, Syria, and Egypt. Over 30 activities will be held on the sidelines of the bookfair including cultural seminars, music concerts, and signing events.

The Beirut Arab International Book Fair was the first of its kind in the Arab world. Organized by the Arab Cultural Club, it debuted in 1956, at the American University of Beirut. Then, it has become an annual cultural event that lures readers and publishers alike. The current edition will run until March 13.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.