Maluma on Historic Medillín Show, Fulfilling Lifelong Dream

Colombian singer Maluma reacts to seeing his Madame Tussauds wax figure during the unveiling in Medellín, Colombia, 25 April 2022. (EPA)
Colombian singer Maluma reacts to seeing his Madame Tussauds wax figure during the unveiling in Medellín, Colombia, 25 April 2022. (EPA)
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Maluma on Historic Medillín Show, Fulfilling Lifelong Dream

Colombian singer Maluma reacts to seeing his Madame Tussauds wax figure during the unveiling in Medellín, Colombia, 25 April 2022. (EPA)
Colombian singer Maluma reacts to seeing his Madame Tussauds wax figure during the unveiling in Medellín, Colombia, 25 April 2022. (EPA)

Fresh from the special unveiling of his Madame Tussauds wax figure in Medellín, Colombia, Maluma is ready to give the largest concert ever held at the Atanasio Girardot Soccer Stadium in his hometown.

Tickets for Saturday’s show, titled "Medallo en el Mapa," are officially sold out. His management confirmed that 54,000 people will accompany the Latin star while he fulfills one of his biggest dreams.

"I’m very excited because I’ve always dreamed of this, really, since I started my career," Maluma told The Associated Press in an interview from Medellín. "It fills me with adrenaline, it fills me with nerves, because being up there and seeing my family, seeing my friends that I grew up with, seeing my people ... I think it is the dream of any artist to perform in their city."

He added enthusiastically: "We have to show the world that you can be a prophet in your own land."

The stadium, with a maximum capacity of almost 45,000 people, has already received two big stars from Medellín: J Balvin and Karol G. But Maluma points out that his will be the largest concert ever held in the venue thanks to its 360 degree concept, with the stage in the middle and the audience filling not only the stands but the grass.

He’s planning guests "of the highest caliber, my dream artists," but is keeping their names secret for now.

For the singer, putting on a show like "Medallo en el Mapa” is a way to diminish the drug-trafficking stereotypes of his city. Pablo Escobar died in 1993, less than two months before Maluma was born.

"Things have changed a lot since I started my career, because whenever I went abroad, people always spoke very negatively when they talked about Medellín: they talked about drug trafficking, violence, they said (Colombia) was a country that you couldn’t visit, a dangerous country," he said, noting that over the years many fellow citizens have stood out not only in music, but also in sports and business.

"I am part of that herd that has a different vision and a different perspective and that has worked hard for that," Maluma said. "That is what I want to do with ‘Medallo en el Mapa’, I want to show the whole world that Medellín is not violence, that Medellin is not drug trafficking, that Pablo Escobar died many years ago."

He also fulfilled another dream on Monday afternoon, when he attended the special unveiling of his wax figure from the Madame Tussauds Orlando at the Museum of Modern Art in Medellín, where the statue was flown at the singer’s request.

"I know that there are many people here who don't have the possibility to travel to Orlando or New York or Los Angeles and go to a museum and see a sculpture of this caliber, so to be able to bring it from the United States to Colombia, to be able to give that gift to my city ... it’s the most special thing for me, to be honest," said the singer, remembering that once he himself visited a branch of the popular wax museum and photographed himself next to the replicas of his idols. "Now my figure is going to be next to all these artists that I have followed."

Maluma's wax figure can be seen for free this week at the Museum of Modern Art before it is transferred to the Girardot stadium for the concert. It will then return to Madame Tussauds Orlando in Florida, where it will go on exhibition in May.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".