When Purple Reigned: A 1985 Prince Concert Finds a New Life

Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
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When Purple Reigned: A 1985 Prince Concert Finds a New Life

Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)

The first thing you hear is a familiar voice over the sound of thousands of screaming fans.

“Hello, Syracuse and the world. My name is Prince and I’ve come to play with you.”

The Purple One soon arrives, rising up through the stage — wearing an animal print jumpsuit with a ruffled white frock, a guitar slug across his back — as “Let’s Go Crazy” starts. “Dearly beloved, we are gathered here today...” he says.

It’s the electric beginning of a high-energy concert in upstate New York held more than three decades ago, reworked and re-released on video and audio capturing Prince & The Revolution at their peak.

“It was as amazing as I remember it was,” says Lisa Coleman, a Revolution member who was there that night singing and playing keys. Adds drummer Bobby Z: “The next generation needs to see this because this is what it was all about.”

The March 30, 1985, concert at the Carrier Dome in Syracuse, New York, included the songs “Delirious,” “1999,” “Little Red Corvette,” “Take Me Home,” “Let’s Pretend We’re Married,” “Computer Blue,” “When Doves Cry” and “I Would Die 4 U,” among others.

It closes with a sensual, knock-out “Purple Rain,” with Prince in a shimmering cloak delivering a solo that lasts several minutes and shows off an immensely talented guitarist.

“You can tell that he knows what he’s doing there — he is lighting up the world. He always played it like there was no tomorrow. But that one is especially moving,” says Bobby Z.

“Prince and The Revolution: Live” will be released June 3 in a variety of formats, including digital streaming platforms, a three-LP vinyl version, a two-CD version and a Blu-ray of the concert film.

There’s also a limited edition box set featuring three colored LPs, two CDs, the Blu-ray video, a 44-page book with never-before-seen photos of the Purple Rain Tour, and new liner notes penned by all five members of the Revolution.

“I was so proud of him and the band we put together and everything at that moment and the fact that it lives on and that this beautiful project is coming out is something special,” says Bobby Z, a Prince friend since they met in 1976. “That band is cooking like a freight train.”

Prince fans have another reason to be happy this summer: “Prince: The Immersive Experience” makes its worldwide debut on June 9 in Chicago. It offers visitors the chance to explore his wardrobe, music influences and hits.

The Syracuse concert came at the end of a 100-odd date tour and Prince and the band are by this time a tight and sleek machine, piggybacking off the wild success of the film “Purple Rain.”

“I do feel like it was a pearl amongst a really great necklace,” says Wendy Melvoin, a guitarist and singer in the Revolution. “The only difference was that it was being televised worldwide. And there was a bit more pressure on us to kind of up our game.”

Over the course of the performance, Prince makes several costume changes, jumps around the set’s scaffolding, strips down to just pants and necklaces, writhes suggestively in a bathtub and drives the crowd crazy with such lines as: “Do you want me?”

The gig was an early pay-per-view event and was nominated for a Grammy Award for best longform music video. The concert was later put out on VHS but the quality of the audio and visuals were poor.

“I’m really excited for a next generation of Prince fans to see what it was all about. He wasn’t, you know, just some average guy. This was a seriously talented, unbelievable dancer, singer, bandleader, showman, composer, musician. This was a one-in-a-billion individual,” says Bobby Z.

Melvoin says die-hard Prince fans may have already seen bootleg versions but hopes that the new album and film can inspire other artists.

“I think the people that I’d want to have see it are people that want to learn how to put on a really great show,” she says. “Other artists should see it.”

Melvoin and Coleman say they recently rewatched the two-hour concert and found themselves saying “wow!” periodically.

“We were sitting next to each other watching a big screen version of it, and we both had forgotten certain parts of it, and it was really quite something to behold,” says Melvoin. “I think one of the things that I said to Lisa was, ‘Jesus, we were really good!’”



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".