When Purple Reigned: A 1985 Prince Concert Finds a New Life

Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
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When Purple Reigned: A 1985 Prince Concert Finds a New Life

Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)
Prince performs at the Forum in Inglewood, Calif., on Feb. 18, 1985. (AP)

The first thing you hear is a familiar voice over the sound of thousands of screaming fans.

“Hello, Syracuse and the world. My name is Prince and I’ve come to play with you.”

The Purple One soon arrives, rising up through the stage — wearing an animal print jumpsuit with a ruffled white frock, a guitar slug across his back — as “Let’s Go Crazy” starts. “Dearly beloved, we are gathered here today...” he says.

It’s the electric beginning of a high-energy concert in upstate New York held more than three decades ago, reworked and re-released on video and audio capturing Prince & The Revolution at their peak.

“It was as amazing as I remember it was,” says Lisa Coleman, a Revolution member who was there that night singing and playing keys. Adds drummer Bobby Z: “The next generation needs to see this because this is what it was all about.”

The March 30, 1985, concert at the Carrier Dome in Syracuse, New York, included the songs “Delirious,” “1999,” “Little Red Corvette,” “Take Me Home,” “Let’s Pretend We’re Married,” “Computer Blue,” “When Doves Cry” and “I Would Die 4 U,” among others.

It closes with a sensual, knock-out “Purple Rain,” with Prince in a shimmering cloak delivering a solo that lasts several minutes and shows off an immensely talented guitarist.

“You can tell that he knows what he’s doing there — he is lighting up the world. He always played it like there was no tomorrow. But that one is especially moving,” says Bobby Z.

“Prince and The Revolution: Live” will be released June 3 in a variety of formats, including digital streaming platforms, a three-LP vinyl version, a two-CD version and a Blu-ray of the concert film.

There’s also a limited edition box set featuring three colored LPs, two CDs, the Blu-ray video, a 44-page book with never-before-seen photos of the Purple Rain Tour, and new liner notes penned by all five members of the Revolution.

“I was so proud of him and the band we put together and everything at that moment and the fact that it lives on and that this beautiful project is coming out is something special,” says Bobby Z, a Prince friend since they met in 1976. “That band is cooking like a freight train.”

Prince fans have another reason to be happy this summer: “Prince: The Immersive Experience” makes its worldwide debut on June 9 in Chicago. It offers visitors the chance to explore his wardrobe, music influences and hits.

The Syracuse concert came at the end of a 100-odd date tour and Prince and the band are by this time a tight and sleek machine, piggybacking off the wild success of the film “Purple Rain.”

“I do feel like it was a pearl amongst a really great necklace,” says Wendy Melvoin, a guitarist and singer in the Revolution. “The only difference was that it was being televised worldwide. And there was a bit more pressure on us to kind of up our game.”

Over the course of the performance, Prince makes several costume changes, jumps around the set’s scaffolding, strips down to just pants and necklaces, writhes suggestively in a bathtub and drives the crowd crazy with such lines as: “Do you want me?”

The gig was an early pay-per-view event and was nominated for a Grammy Award for best longform music video. The concert was later put out on VHS but the quality of the audio and visuals were poor.

“I’m really excited for a next generation of Prince fans to see what it was all about. He wasn’t, you know, just some average guy. This was a seriously talented, unbelievable dancer, singer, bandleader, showman, composer, musician. This was a one-in-a-billion individual,” says Bobby Z.

Melvoin says die-hard Prince fans may have already seen bootleg versions but hopes that the new album and film can inspire other artists.

“I think the people that I’d want to have see it are people that want to learn how to put on a really great show,” she says. “Other artists should see it.”

Melvoin and Coleman say they recently rewatched the two-hour concert and found themselves saying “wow!” periodically.

“We were sitting next to each other watching a big screen version of it, and we both had forgotten certain parts of it, and it was really quite something to behold,” says Melvoin. “I think one of the things that I said to Lisa was, ‘Jesus, we were really good!’”



Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”