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Elvis Wedding Crackdown Leaves Las Vegas All Shook Up

An Elvis impersonator sings in February 2020 during a ceremony at the Graceland Wedding Chapel in Las Vegas, which has offered Elvis-themed weddings since 1977 MARIO TAMA GETTY IMAGES NORTH AMERICA/AFP/File
An Elvis impersonator sings in February 2020 during a ceremony at the Graceland Wedding Chapel in Las Vegas, which has offered Elvis-themed weddings since 1977 MARIO TAMA GETTY IMAGES NORTH AMERICA/AFP/File
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Elvis Wedding Crackdown Leaves Las Vegas All Shook Up

An Elvis impersonator sings in February 2020 during a ceremony at the Graceland Wedding Chapel in Las Vegas, which has offered Elvis-themed weddings since 1977 MARIO TAMA GETTY IMAGES NORTH AMERICA/AFP/File
An Elvis impersonator sings in February 2020 during a ceremony at the Graceland Wedding Chapel in Las Vegas, which has offered Elvis-themed weddings since 1977 MARIO TAMA GETTY IMAGES NORTH AMERICA/AFP/File

Every year thousands of visitors to Las Vegas can't help falling in love -- at least long enough to get married by an Elvis impersonator.

But the company that controls the rights to the King's likeness has sparked outrage in Sin City by cracking down wedding chapels offering Elvis-themed nuptials.

Authentic Brands Group, which bought a controlling stake in Elvis Presley's estate in 2013, last month sent cease-and-desist letters to companies offering the kitschy weddings.

The move triggered angry responses from Elvis impersonators, chapel owners, and even the mayor of Las Vegas, who called for a little more open conversation -- and less legal action -- from the group.

"Elvis Presley long called Las Vegas his home and his name has become synonymous with Las Vegas weddings," Jason Whaley, president of the Las Vegas Wedding Chamber of Commerce, told AFP.

"The Vegas Wedding Chamber shares a concern that many of our chapels and impersonators livelihoods are being targeted, especially as many are still trying to recover financially from the hurdles we all endured with Covid shutdowns."

ABG on Thursday apologized for its initial approach, saying it was committed to protecting Presley's legacy.

"We are sorry that recent communication with a small number of Las Vegas based chapels caused confusion and concern. That was never our intention," the company said in a statement to AFP.

"We are working with the chapels to ensure that the usage of Elvis' name, image and likeness are in keeping with his legacy."

It added: "From tribute artists and impersonators to chapels and fan clubs, each and every one of these groups help to keep Elvis relevant for new generations of fans."

But a day earlier, the Las Vegas Review-Journal reported that ABG was now offering chapels financial "partnerships," including annual licensing deals to continue business as usual.

"That is their solution, to pay $20,000 a year to do what we've been doing for the past nine years," said Kayla Collins, co-owner of the Las Vegas Elvis Wedding Chapel.

"This was not on the table a few days ago. Frankly, I think this thing going to the public has changed their minds."

- 'Elvis Pink Caddy' -
The move comes weeks before the release of Baz Luhrmann's new big-screen biopic "Elvis" -- a large-scale Warner Bros production expected to boost interest in the singer.

Elvis-themed weddings have been a lucrative business in Las Vegas since the 1970s.

Packages today run as high as $1,600 for the Elvis Pink Caddy Luxury Model Wedding Package, which offers couples the chance to be driven up the aisle of the Viva Las Vegas Wedding Chapel by Elvis in a 1964 pink Cadillac convertible.

Weddings are a $2.5 billion industry in Las Vegas, according to the Wedding Chamber of Commerce.

But while Elvis musical tribute acts are freely allowed under Nevada law, businesses using Presley's likeness simply to attract publicity and customers are not protected.

Harry Shahoian, one of dozens of Elvis impersonators in the city, who officiates at the Graceland Wedding Chapel in Las Vegas, told the Review-Journal that people just "love to be married by Elvis."

"I did the whole day Sunday, 22 ceremonies. I've done more than 30 in one day, 100 in a week, all of those Elvis-themed."

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Entertainment

Think You Know 'Jaws'? Test Your Knowledge with this Trivia Ahead of the Movie's 50th Anniversary

This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)
This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)
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Think You Know 'Jaws'? Test Your Knowledge with this Trivia Ahead of the Movie's 50th Anniversary

This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)
This image released by Peacock shows Roy Scheider in a scene from "Jaws." (Peacock/Universal Pictures via AP)

Friday marks the 50th anniversary of “Jaws.” It remains one of the most beloved and rewatched movies of all time. But how good is your knowledge of the some of lore surrounding Steven Spielberg's 1975 masterpiece?

Read on and see how much you know about “Jaws.”

What was the nickname given to the shark? Spielberg named his mechanical shark “Bruce,” after his attorney, Bruce Ramer.

Where did the title come from? When author Peter Benchley’s 1974 book was going to print, he needed to choose a title. He has juggled various titles — “Leviathan Rising,” “Silent Fall” — before, at the last minute, choosing “Jaws.”

What did it mean? Benchley, himself, wasn’t sure, he told his editor, but it was short.

What's the origin of the iconic movie poster? The image of the rising shark came from the cover of the novel’s paperback edition, illustrated by Roger Kastel. For his painting, Kastel went to the American Museum of Natural History to photograph a great white shark from a diorama that was laying on an easel.

What was the inspiration for Amity? Though Spielberg shot “Jaws” on Martha’s Vineyard, off Cape Cod, it was the neighboring island, Nantucket, that inspired Benchley’s novel. He has spent time fishing there with his father. In the book, the fictional Amity is on the south shore of Long Island.

Who was first attached to direct “Jaws”? Dick Richards was initially in line to direct the film, but producer Richard D. Zanuck said he lost the job after, in a meeting, repeatedly referring to the shark as a whale.

How old was Spielberg when he began the project? 26.

Who sought but was turned down the role of Brody? Charlton Heston wanted to play the Amity Island police chief, but Spielberg instead cast Roy Scheider.
What’s the name of Quint’s boat? The Orca. Not coincidentally, two years after the massive success of “Jaws,” a 1977 ripoff about a killer whale was released titled “Orca.”

What led to the shark often malfunctioning? Salt water. The shark, built by special effects artist Bob Mattey, would get corroded by the salt water of the Atlantic Ocean, leaving it unusable for times – particularly early in the filmmaking. Spielberg pivoted and instead doesn’t show the shark until well into the film, an approach that ultimately led to a far more suspenseful film.

Spielberg once estimated that Bruce’s mechanical delays added $175 million to the movie’s box office.

How long into “Jaws” does the shark fully appear on screen? It’s not until one hour and 21 minutes into the movie that we really see the shark.

Was the movie’s most iconic line scripted? No, Schieder adlibbed “You’re gonna need a bigger boat.” Screenwriter Carl Gottlieb, though, has said the line had been percolating on set. The size of the barge carrying equipment and craft services was often slighted by the crew who felt producers weren’t spending enough. Gottlieb told The Hollywood Reporter in 2016: “It became a catchphrase for any time anything went wrong – if lunch was late or the swells were rocking the camera, someone would say, ‘You’re gonna need a bigger boat.’”

What disaster was Quint a survivor of? The sinking of the USS Indianapolis, the US Navy cruiser torpedoed by a Japanese submarine during World War II.

Quint’s lengthy and memorably speech in the film wasn’t in the novel but was, according to Spielberg, penned by the uncredited screenwriter John Milius.

Spielberg wanted a backstory to why Quint hated sharks so much. Though debate has continued over the years over who wrote the monologue, everyone has agreed Shaw synthesized it, and deserves most of the credit for the scene’s power.

Does Spielberg appear in “Jaws?” The director isn’t seen in the film but his voice is heard. During the finale of the film when Quint is readying the harpoon, it’s Spielberg’s voice on the radio. He says: “This is Amity point light-station to Orca. Orca, come in.” Spielberg shows up in a couple other ways, too. A clarinetist in high school, he plays briefly on Williams’ score. And Brody’s dogs were Spielberg’s cocker spaniels, Elmer and Zalman. (For his part, Benchley makes a cameo as a TV reporter during the July 4th beach scene.)

How far over schedule did “Jaws” run? The production was scheduled for 55 days but took 159 days to complete. The budget also nearly tripled, to $9 million, plus $3 million more in post-production. Though “Jaws” become the prototype summer movie, it was originally expected to open around Christmastime the year before.

What was “Jaws” rated? Though it caused some controversy, the Motion Picture Association of America gave “Jaws” a “PG” rating. At the time, there was no PG-13 rating. (That only began in 1984, with “Indiana Jones and the Temple of Doom,” after a handful of other Spielberg productions, including “Raiders of the Lost Ark” and “Gremlins” led to the new category.) Jack Valenti, then-president of the MPAA, defended the rating by arguing that “‘Jaws’ involved nature’s violence, rather than man’s violence against man,” Valenti said. “This is the same kind of violence as in ‘Hansel and Gretel.’ Children might imitate other kinds of violence, but not the kind seen in ‘Jaws.’”

The movie’s poster carried the warning: “MAY BE TOO INTENSE FOR YOUNGER CHILDREN.”

What did “Jaws” lose best picture to at the Academy Awards? “Jaws” was nominated for four Oscars and won three: best sound, best editing and best score for John Williams. The competition for best picture, though, was fierce.

The nominees, alongside “Jaws,” where “Dog Day Afternoon,” “Barry Lyndon,” “One Flew Over the Cuckoo’s Nest” and “Nashville.” The winner was “One Flew Over the Cuckoo’s Nest.”