'This Freaking Tower!': Tech Saves Potty-mouthed Stars in Vertigo Thriller 'Fall'

"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
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'This Freaking Tower!': Tech Saves Potty-mouthed Stars in Vertigo Thriller 'Fall'

"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File

When you're dangling from a tower 2,000 feet above the desert floor by your fingertips, it may be difficult not to drop a couple of F-bombs -- even if you're a Hollywood actor shooting a PG-13 rated movie.

Fortunately, a new editing technology came to the rescue of the "potty-mouthed" stars of "Fall," out in US theaters Friday, which follows two young women who decide to scale an impossibly tall metal tower in the remote California desert.

This being a movie, the adventure doesn't go to plan, leaving Becky (Grace Caroline Currey) and Hunter (Virginia Gardner) stranded on a tiny platform where vertigo is just one of the terrifying challenges they must overcome.

"I'm talking about the most intense winds I've ever experienced," Currey told AFP, of the grueling shoot.

"Gini (Gardner) and I are just holding on to that pole, sitting there, swaying, looking at each other, and it's making sounds.

"We had a moment going, 'what did we get ourselves into? Also, are these our final hours? Are we gonna make it down?'"

"There was definitely some swearing in the environment and in the air."

Though the movie was not shot at the real B67 TV Tower, which is twice the height of the Eiffel Tower, the actors still had to perform on a terrifying set: a 60-foot tower perched atop a sheer cliff in the Mojave desert.

Using judicious angles to avoid showing the mountain, British director Scott Mann was able to retain a realistic feel for the Indy thriller at the tiny budget of $3 million.

But when major Hollywood studio Lionsgate agreed to distribute the film, there was one problem.

The actors were cursing throughout, using language likely to trigger a restricted "R" rating that could dampen box office receipts.

"Potty mouths Virginia and Grace, is what I'd say!" joked Mann, in an interview with AFP via Zoom.

"I do not blame Gini and Grace -- because let's be honest, off the top of this ridiculous structure, thousands of feet up, asking to improvise out scenes, it is entirely justified they would be saying that."

"Definitely my fault!" he admitted.

- 'Potty-mouth language' -
While a giant summer superhero movie might typically reshoot certain scenes, the budget on "Fall" did not allow for that, and filmmakers were reluctant to edit out dialog.

Instead they found a creative solution: a nascent technology, primarily invented for foreign-language dubbing, enabling them to seamlessly swap in more family-friendly audio.

It maps the actors' faces, learning their specific mouth movements, before manipulating these motions with 3D computer effects to sync with new dialog.

"What the technology allowed was, rather than having to rebuild the tower and go up the mountain again, just to go to a sound studio," said Mann, who co-founded a start-up working on the technology.

"We rewrote those little moments, just to work around some of that potty-mouth language, and then basically inject it back into the movie."

While the tool has been referred to as "deepfake," Mann said that label suggests more nefarious uses such as pornography, while in reality it is more "hands-off."

"It's an interesting use, and I think it was a good solution," he said.

- 'Wild' -
Despite being released in mid-August -- typically a period with low audiences, where many weaker films are unceremoniously dumped by studios -- "Fall" has received very positive reviews.

The Guardian said the micro-budget movie should embarrass other giant studios who throw "a hundred times more at blockbusters with a hundred times less of a thrill factor," while Vanity Fair dubbed it "an engrossing dog-days surprise."

For Currey, who did many of her own stunts including clinging onto a plummeting ladder, making the movie was "pretty wild, not like anything I've ever done before."

"And we didn't know if we were going to be R or PG-13," she added.

"As far as Gini and I knew, we could say whatever we wanted!"



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."