Signs of Intra-Sunni Crisis in Iraq’s Western Provinces

Iraqi demonstrators stand outside the parliament building in the Green Zone in the capital, Baghdad (AFP)
Iraqi demonstrators stand outside the parliament building in the Green Zone in the capital, Baghdad (AFP)
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Signs of Intra-Sunni Crisis in Iraq’s Western Provinces

Iraqi demonstrators stand outside the parliament building in the Green Zone in the capital, Baghdad (AFP)
Iraqi demonstrators stand outside the parliament building in the Green Zone in the capital, Baghdad (AFP)

Amid internal disputes between Shiite forces, represented by the Sadrist Movement and the Coordination Framework, and disagreements between the Kurdistan Democratic Party and the Patriotic Union of Kurdistan, a new intra-Sunni crisis is looming in Iraq’s western provinces.

While the Shiites are fighting over the eligibility of any of the two majority forces to form a new government, the crisis between the two Kurdish parties revolves around the right of either of them to take over the presidency. But the matter for the western regions of Iraq with a Sunni majority seems different this time, even if it involves the monopoly of Sunni representation.

The Sunni Arabs chose the leader of the Takadum Party, Muhammad al-Halbousi, as head of parliament. He was re-elected with a large majority of 200 votes. In order to resolve the issue of Sunni representation, Halbousi made an alliance with the leader of the Azm Movement, businessman Khamis al-Khanjar. The two formed the Sovereignty Alliance, with 65 deputies in the Iraqi parliament.

Subsequently, a number of deputies from the Azm Alliance broke away due to their differences with Halbousi, forming a political group called the Azm Alliance, led by MP Muthanna al-Samarrai.

In the context of the political alliances that followed the early elections in late 2021, the Sunni Sovereignty Alliance led by Muhammad al-Halbousi and Khamis al-Khanjar became part of the “Saving the Homeland” coalition, formed by the leader of the Sadrist movement Muqtada al-Sadr and which included the Kurdistan Democratic Party led by Massoud Barzani.

On the other hand, the Azm Alliance joined the Coordination Framework and the Patriotic Union of Kurdistan.

However, this alliance was unable to pass its candidate for the presidency to pave the way for the formation of the government, while the Coordination Framework, along with their Kurdish and Sunni allies, formed the vetoing third that forced al-Sadr to withdraw his deputies from Parliament.

In this context, the Sunni representation or its monopoly by one party comes back to the fore. Well-informed sources told Asharq Al-Awsat that preparations were underway to hold a gathering in the province that would include about a thousand political and clan figures, to announce a new political group in Anbar.

“The leadership of this alliance is yet to be determined… but the most prominent figures who attended the preliminary meeting are Qassem Al-Fahdawi, the former Minister of Electricity, Suhaib Al-Rawi, the former Governor of Anbar, Salman Al-Jumaili and Nuri Al-Dulaimi, the former ministers of planning, the leader of the Al-Hal (Solution) Party Jamal Al-Karbouli and the head of the National Project, Jamal Al-Dhari,” the sources said.

In this regard, Sunni politician Yazan al-Jubouri told Asharq Al-Awsat that the formation of such a gathering was a natural consequence of the political reality in the liberated western provinces.

He noted that it was not normal for the Sunni representation to be limited to two camps, either al-Halbousi or the Sunni framework.

“The upcoming elections will likely witness the emergence of a fourth, civilian Sunni front, in addition to the return of the Iraqi Islamic Party,” he remarked.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".