Director Tawfik Al-Zaidi Tells Asharq Al-Awsat: ‘Noura’ Resembles AlUla in its Connection with Human, Art

Saudi film director Tawfik Al-Zaidi.
Saudi film director Tawfik Al-Zaidi.
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Director Tawfik Al-Zaidi Tells Asharq Al-Awsat: ‘Noura’ Resembles AlUla in its Connection with Human, Art

Saudi film director Tawfik Al-Zaidi.
Saudi film director Tawfik Al-Zaidi.

Saudi film director Tawfik Al-Zaidi expected the revenues of the Saudi cinema to hit one billion Saudi riyals by the end of 2022, after it exceeded 900 million riyals in November, highlighting the vital role Saudi Arabia has played in the cinema industry since 2018.

During an interview with Asharq Al-Awsat, Al-Zaidi said Saudi Arabia has become a filmmaking-friendly environment, noting that the kingdom has got into the cinema industry with cinema theaters and specialized festivals like Jeddah’s Red Sea Film Festival, which was a game changer.

Al-Zaidi, who directed, wrote, and made his film “Noura” in a small town in AlUla city, said he chose AlUla as a geographic background for his feature film because he sees that the movie and AlUla, which represents an esteemed human heritage, are similar in their connection to humans and art.

Starred by Yacob al-Farhan, Maria Bahrawi, and Abdullah al-Sadhan, “Noura” tells the story of Nader, an artist who gave up painting and moved to western Saudi Arabia where he became a children teacher; and Noura, a young woman who lives with her little brother, Nayef, an independent life, away from male caretakers after the death of their father. In the movie, Noura discovers that Nader is an artist, then an artistic connection emerges between the two, which revives Nader’s inspiration and makes him introduce Noura to a world of possibilities outside her small town.

Tawfik Al-Zaidi believes that cinema is rewriting reality by creating a world and living in it. He chose filmmaking driven by his passion for visual storytelling and narration, and because he sees the visual language of films as a universal, human language and a key to understanding the meanings and messages proposed by the director. Al-Zaidi started his career when he was 12, filming his peers playing football in his neighborhood with his own camera. Despite his early skills at the time, he didn’t realize that he was taking his first steps in the cinema industry.

Tawfik al-Zaidi started directing his own short movies in 2006, and he’s considered an influencing and pioneering member of the new cinema wave in the kingdom. His short film, “The Perfect Crime”, won the Best Montage Award at the Jeddah Film Festival 2007, and his film, “The Silence”, won the Gulf Award for Short Films at the Muscat International Film Festival 2009. The movie was screened in over 20 countries, and was selected by a US organization to be displayed in their private library.

In 2014, he wrote and directed “Four Colors” with the support of Emirati company Two Four 54, and the film was screened at the Dubai International Film Festival. In 2015, he wrote and directed “The Other”, a film funded by Misk foundation. Starred by Syrian actor Mohammed al-Qass, and Saudi actor Meshaal al-Mutairi, the film won the Best Short Film Award in the Riyadh Film Festival 2016.



Jurassic Art: Fossils Transformed Into Artwork at Amsterdam Museum

Typical Amsterdam houses sit next to a canal in Amsterdam, Netherlands, March 19, 2026. (Reuters)
Typical Amsterdam houses sit next to a canal in Amsterdam, Netherlands, March 19, 2026. (Reuters)
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Jurassic Art: Fossils Transformed Into Artwork at Amsterdam Museum

Typical Amsterdam houses sit next to a canal in Amsterdam, Netherlands, March 19, 2026. (Reuters)
Typical Amsterdam houses sit next to a canal in Amsterdam, Netherlands, March 19, 2026. (Reuters)

Hanging by a thin metal strap, a 67-million-year-old triceratops skull twirls above a coral sculpture, the centerpiece of a new exhibition aiming to make art out of prehistoric fossils.

The "Relics" show at Amsterdam's Art Zoo will display nine works by creative duo Jaap Sinke and Ferry van Tongeren that combine science and art.

The aim was to highlight the aesthetic side of the fossils, usually presented in an educational way in natural history museums, van Tongeren told AFP.

The artists tried to give the fossils "a more monumental form" with "more stature," the 59-year-old told AFP in an interview.

The exhibition also features the bones of a basilosaurus, which roamed the seas up to 40 million years ago, but arranged as a sculpture rather than a traditional skeleton reconstruction.

Natural history museums have a valuable scientific and educational value "but lack a captivating element," said van Tongeren. "And that was the starting point for everything we did."

The artists worked with Zoic, an Italian palaeontology company that processes fossils and reconstructs dinosaur skeletons.

Creating the exhibits required "an extraordinary combination of knowledge and different processes," Iacopo Briano, 42, curator of the exhibition and palaeontology expert at Zoic, told AFP.

First comes the "puzzle" of unearthing and reconstructing the bones from a fossil discovery.

Then the fragile bones need to be transported so the artists could start their own work -- a 10-year process in the case of this exhibit.

This prehistoric show, whose oldest exhibit is a dinosaur vertebra about 150 million years old, opens to the public on Friday and runs until November 2026.


Greenpeace Warns of Potential ‘Catastrophic’ Chernobyl Collapse

Representatives of Greenpeace and media stand in front of the sarcophagus covering the destroyed fourth reactor under the New Safe Confinement (NSC), at the Chernobyl Nuclear Power Plant on April 9, 2026. (AFP)
Representatives of Greenpeace and media stand in front of the sarcophagus covering the destroyed fourth reactor under the New Safe Confinement (NSC), at the Chernobyl Nuclear Power Plant on April 9, 2026. (AFP)
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Greenpeace Warns of Potential ‘Catastrophic’ Chernobyl Collapse

Representatives of Greenpeace and media stand in front of the sarcophagus covering the destroyed fourth reactor under the New Safe Confinement (NSC), at the Chernobyl Nuclear Power Plant on April 9, 2026. (AFP)
Representatives of Greenpeace and media stand in front of the sarcophagus covering the destroyed fourth reactor under the New Safe Confinement (NSC), at the Chernobyl Nuclear Power Plant on April 9, 2026. (AFP)

An uncontrolled collapse of the internal radiation shell at the defunct Chernobyl nuclear power station in Ukraine could increase the risk of radioactivity release in the environment, Greenpeace warned on Tuesday.

In 1986, while Ukraine was part of the Soviet Union, a reactor at Chernobyl exploded, sending clouds of radiation across much of Europe and forcing tens of thousands of people to evacuate.

The remnants of the plant are covered by an inner steel-and-concrete radiation shell -- known as the sarcophagus and built hastily after the disaster -- and a modern, high-tech outer shell, called the New Safe Confinement (NSC) structure.

Kyiv has accused Russia of repeatedly targeting the site since Moscow launched its full-scale invasion in 2022, including of a strike last year that pierced the outer shell.

In a report released Tuesday, days before the 40th anniversary of the Chernobyl disaster, Greenpeace warned that despite some repair works, the confinement function of the NSC "could not be fully restored".

"This increases the risk of radioactivity release in the environment, especially in the case of a collapse" of the internal shelter, Greenpeace said.

"That would be catastrophic because... there's four tons of dust, highly radioactive dust, fuel pellets, enormous amounts of radioactivity inside the sarcophagus," Shaun Burnie, a senior nuclear specialist for Greenpeace Ukraine, told AFP earlier this month.

"And because the New Safe Confinement cannot be repaired at the moment, it cannot function as it was designed, there's a possibility of radioactive releases," Burnie added.

Greenpeace said deconstruction of unstable elements of the internal shell was necessary to prevent their uncontrolled collapse.

But any works at the site were impeded by the war raging on as "there's missiles from the Russians still being fired across Chernobyl," Burnie said.

"Here we are 40 years on, and Russia is still conducting effectively a nuclear war against the people of Ukraine and Europe."

Plant director Sergiy Tarakanov said the situation around the site was "very dangerous".

"If a rocket will drop, not directly into the safe confinement, but just in 200 meters, it will create an external impact like an earthquake," increasing the risk of the inner shell collapsing.

"And what actually 1986 accident showed to us... that the radioactive particles, they do not recognize borders," Tarakanov added.

Last month, France said that the Chernobyl protective dome would require almost 500 million euros of repairs after the Russian strike in 2025.


Prince Harry and Meghan Arrive in Australia to a Muted Welcome

 Prince Harry and Meghan Markle, the Duke and Duchess of Sussex, arrive at the Australian National Veterans Arts Museum (Anvam) in Southbank, Melbourne, Australia, Tuesday, April 14, 2026. (Jonathan Brady/Pool Photo via AP)
Prince Harry and Meghan Markle, the Duke and Duchess of Sussex, arrive at the Australian National Veterans Arts Museum (Anvam) in Southbank, Melbourne, Australia, Tuesday, April 14, 2026. (Jonathan Brady/Pool Photo via AP)
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Prince Harry and Meghan Arrive in Australia to a Muted Welcome

 Prince Harry and Meghan Markle, the Duke and Duchess of Sussex, arrive at the Australian National Veterans Arts Museum (Anvam) in Southbank, Melbourne, Australia, Tuesday, April 14, 2026. (Jonathan Brady/Pool Photo via AP)
Prince Harry and Meghan Markle, the Duke and Duchess of Sussex, arrive at the Australian National Veterans Arts Museum (Anvam) in Southbank, Melbourne, Australia, Tuesday, April 14, 2026. (Jonathan Brady/Pool Photo via AP)

Britain's Prince Harry and wife Meghan landed in Australia on Tuesday for a four-day visit with engagements covering sport, mental health and veterans' affairs.

The Duke and Duchess of Sussex began their trip at the Royal Children’s Hospital in Melbourne, where they took part in an activity in the hospital's therapeutic garden spaces.

"It was a genuinely meaningful visit for our staff and for the young people receiving care," said Dr. Peter Steer, the hospital's CEO.

Harry, ‌wearing a navy ‌suit and white shirt, spoke to children and posed ‌for ⁠photographs with patients ⁠in the foyer of the hospital, calling one of the handmade signs welcoming the couple "beautiful".

Meghan, who wore a matching A$1,250 ($885) navy dress by Sydney-based designer Karen Gee, later helped serve food at a women's domestic violence shelter in the city.

The Sussexes stepped down as working members of the British royal family and moved to the US in 2020, citing a desire to be financially independent and ⁠to escape what they characterized as media intrusion into ‌their private lives.

They last visited Australia in ‌2018 while still working royals, announcing Meghan's first pregnancy hours after arriving in Sydney.

Their latest visit has captured public attention in Australia, where ‌Britain's King Charles is the head of state, though a sizeable minority supports becoming a republic. But there was little sign of the ecstatic reception that greeted them on the 2018 trip. Television networks aired footage that they said showed the couple arriving ‌in Melbourne on a commercial flight from Los Angeles, before being taken from the tarmac in a vehicle convoy.

The ⁠couple's travel is ⁠being privately funded, though local media reported some policing costs associated with the visit would be paid by Australian taxpayers, sparking a protest petition signed by more than 45,000 people.

The couple will travel to the capital, Canberra, on Wednesday to meet military veterans, attend a mental health summit in Melbourne on Thursday and round off the joint leg of their trip with sailing and rugby events in Sydney on Friday.

In contrast to their previous visit, the Sussexes will also undertake commercial activities while in Australia, with Meghan remaining in the country to host a wellness retreat at a luxury beachside hotel in Sydney over the weekend.

Tickets for the event, which includes yoga, manifestation and sound healing, start at A$2,699 ($1,912) per person.