Rabat Hosts Arabic Theater Festival after Two-Year Postponement

view at the Royal Toone Theatre, a puppet theatre, in central
Brussels, Belgium December 19, 2019. Picture taken December 19, 2019.
REUTERS/Francois Lenoir
view at the Royal Toone Theatre, a puppet theatre, in central Brussels, Belgium December 19, 2019. Picture taken December 19, 2019. REUTERS/Francois Lenoir
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Rabat Hosts Arabic Theater Festival after Two-Year Postponement

view at the Royal Toone Theatre, a puppet theatre, in central
Brussels, Belgium December 19, 2019. Picture taken December 19, 2019.
REUTERS/Francois Lenoir
view at the Royal Toone Theatre, a puppet theatre, in central Brussels, Belgium December 19, 2019. Picture taken December 19, 2019. REUTERS/Francois Lenoir

The 13th edition of the Arabic Theater Festival is set to kick off on Tuesday at Casablanca’s Mohammed VI Theater after a two-year hiatus caused by the pandemic.

The organizers hope this year’s edition will meet the standards of the Arabic and Moroccan theaters, as the strategies and efforts of the Arab Theater Institute in growing this sector.

According to the organizers, this year’s edition is themed “The Edition of Challenges and Triumphs”, noting that the biggest challenge that faced the festival was the pandemic, which forced a two-year postponement.

The seven-day event is organized by the Ministry of Youth, culture, and Communication, and the Arab Theater Institute under the patronage of Morocco’s King Mohammed VI.

The organizers praised their Moroccan partner, the ministry of youth, culture, and communication, and the Moroccan theater figures who “joined hands with the ministry and the institute, acknowledging the significance of this event, the Moroccan theatrical presence in the former and the current editions, and the value of the Arabic presence in the Moroccan horizon. Morocco, which is advancing in all fields, has been present since the first edition of the festival with remarkable artistic and intellectual contributions.”

They also lauded the sponsorship of the King, noting that it “crowns the efforts of this theatrical community, upscales the event, and highlights the theater’s significance, which we have to emphasize and deepen to enhance the role the theater plays in the life of our people.”

In addition, the organizers highlighted a historic accomplishment that required years of work in collaboration with the Mohammed V Theater, National Syndicate of Dramatic Arts Professionals, and a number of Moroccan theater figures.

They also shed lights on the Sheikh Sultan Al Qasimi Award for the Best Arab Theatrical Work, which debuted in 2012 during the 4th edition of the Arabic Theater Festival, praising the sponsor and vision of Sultan bin Muhammad Al-Qasimi, ruler of the Emirate of Sharjah, member of the Federal Supreme Council of the UAE, and chairperson of the Arabic Theater Institute.

Since its debut, the festival adopted the “Towards a New, Innovative Theater” motto that focuses on the intellectual aspect. The program of this year’s edition features important activities including the ‘16th edition of the Arabic Theater Day’s Word’ set to be addressed by Iraqi artist Jawad al-Assadi. The festival will also honor 10 Moroccan artists who will be announced during the opening ceremony, which will represent a “Moroccan message of peace to the large Arabic world”.

The opening ceremony will also include a keynote by Ismail Abdullah, secretary-general of the Arabic Theater Institute.

The Arab Theater Institute selected a group of playwrights to make critical readings that will be presented on the night of each performance. It also organizes a special cultural program in collaboration with the Faculty of Letters and Human Sciences – Ben M’sik aimed at maintaining the national ambiance of the festival, and activating the institutions interested in theater. The program includes a seminar to announce the winners at “The Arabic Competition of Theatrical Scientific Research”; a special seminar dedicated to Jawad al-Assadi; and a third seminar about the experience of writer Izzedine al-Madani in which speaks Madani himself.

The opening ceremony will also announce the winners of the “Playwright for Children” and “Playwright for Adults” contests, and the jury members in both competitions.

Among the other activities is an exhibition displaying the publications of the Arabic Theater Institute and celebrating the release of 12 books about the Moroccan theater including “Critical Studies of Moroccan Theater” by Mohammed Farah, “Critical, Theatrical Trends from Morocco” by Mohammed Nawali, “Moroccan Theater on Iraqi Journals” by Ali al-Rabi, and “Contemporary Moroccan Theater…Readings of Show, Text, and Criticism” by Abdulrahman bin Ibrahim.



Tintin, Popeye, Hemingway Among US Copyrights Expiring in 2025

File photo: Thousands of artistic works will enter the public domain in the United States on Wednesday as copyrights expire, including Tintin. AFP
File photo: Thousands of artistic works will enter the public domain in the United States on Wednesday as copyrights expire, including Tintin. AFP
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Tintin, Popeye, Hemingway Among US Copyrights Expiring in 2025

File photo: Thousands of artistic works will enter the public domain in the United States on Wednesday as copyrights expire, including Tintin. AFP
File photo: Thousands of artistic works will enter the public domain in the United States on Wednesday as copyrights expire, including Tintin. AFP

From "A Farewell to Arms" to the cartoon character Popeye the Sailor, thousands of artistic works will enter the public domain in the United States on Wednesday.

US copyright law expires after 95 years for books, films and other works of art, while sound recordings from 1924 will also be copyright-free.

By entering the public domain, the pieces can be copied, shared, reproduced or adapted by anyone without paying the rights owner, AFP reported.

This year's crop includes internationally recognized figures such as the comic character Tintin, who made his debut in a Belgian newspaper in 1929, and Popeye the Sailor, created by cartoonist Elzie Crisler Segar.

Every December, the Center for the Study of the Public Domain publishes a list of the cultural works that lose their copyright in the new year.

The center, part of the Duke University School of Law in the southeastern US state of North Carolina, makes the list available on its website for anyone to peruse.

"In past years we have celebrated an exciting cast of public domain characters: the original Mickey Mouse and Winnie-the-Pooh, and the final iterations of Sherlock Holmes from Arthur Conan Doyle's stories," center director Jennifer Jenkins wrote on its website.

"In 2025 copyright expires over more aspects of Mickey from his 1929 incarnations, along with the initial versions of Popeye and Tintin."

Among the literary works entering the US public domain on January 1 are the novels "The Sound and the Fury" by William Faulkner, "A Farewell to Arms" by Ernest Hemingway, "A Room of One's Own" by Virginia Woolf and the first English translation of "All Quiet on the Western Front" by the German author Erich Maria Remarque.

Films that will be in the public domain include "Blackmail," directed by Alfred Hitchcock, and "The Black Watch," the first sound film by Oscar-winning director John Ford.

Musical compositions published in 1929, such as "Bolero" by French composer Maurice Ravel and "An American in Paris" by George Gershwin, will lose their copyrights, though only recordings from 1924 or earlier will be in the public domain.