New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'

New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'
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New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'

New Investigation Confirms '1,001 Nights' Novel was Actually '300 Nights'

Dar Al Mada Publishing released a new study on the “One Thousand and One Nights” novel by Dr. Mohsen Mahdi.

According to the publishing house, the story of the book does not actually span over 1,001 nights, and the transcribers were behind stretching the original story.

Researcher Mohsen Mahdi started his investigation on the book years ago, and studied the stories narrated in it without the additions of the transcribers.

The most famed editions of the novel are: The Bulaq print, the Moroccan popular print, the Father Salhani print published by the Catholic printing house, the Rushdie Saleh print – Dar Al Shaab in Beirut, and the Breslau print, which was investigated by Abdul Saheb al-Aqabi and published in the Iraqi “Popular Heritage” magazine in the 1980s.

The researcher investigated the nights using a scientific approach based on the oldest handwritten copy of the book (the version kept at the national library of Paris), the copy of the Vatican Library, and the copy of the John Rylands Research Institute and Library, Manchester.

The investigator wrote an introduction that discusses debunking the old printed versions of the book: The first Kolkata print; the Breslau print; the Bulaq print; and the second Kolkata print. The book also includes the findings of the investigation, and the handwritten versions of the story and their origins (the mother copy, the Damascene branch, and the Egyptian branch).

It also tackles the used language, its general characteristics, dictation, and punctuation. The writer found that the “One Thousand and One Nights” has several original handwritten editions linked by a tree comprising two main branches, the Damascene and the Egyptian.

In his investigation, Mahdi also reported that the book has a mother version that does not exist anymore and that all the following copies were derived from it. He also noted that the mother version was composed in the Mamluk Sultanate in the second half of the 7th century of Hegira (second half of the 13th century AD), and was preceded by another older mother version that was written in the 3rd century of Hegira.

Mohsen Mahdi concluded that the original version of this book didn’t make it to 1,001 night, but only to around 300 nights and stories, in addition to the frame story, suggesting that the transcribers added the additional nights for profit.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."