Restoration Lags for Syria's Famed Roman Ruins at Palmyra

Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
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Restoration Lags for Syria's Famed Roman Ruins at Palmyra

Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)
Tourists visit Roman ruins in Palmyra, Syria, Tuesday, May 11, 2023. (AP Photo/Omar Sanadiki)

At the height of ISIS’ rampage across Syria, the world watched in horror as the militants blew up an iconic arch and temple in the country’s famed Roman ruins in Palmyra.
Eight years later, ISIS has lost its hold but restoration work on the site has been held up by security issues, leftover ISIS land mines and lack of funding.
Other archaeological sites throughout Syria face similar problems, both in areas held by the government and by the opposition. They were damaged by the war or, more recently, by the deadly 7.8-magnitude earthquake that struck a wide area of neighboring Türkiye and also Syria in February.
Youssef Kanjou, a former director of Syria's Aleppo National Museum, said the situation of heritage sites in his country is a “disaster.”
Without a coordinated preservation and restoration effort, said Kanjou, now a researcher at Tübingen University in Germany, "We will lose what was not destroyed by the war or the earthquake."
Before the war, Palmyra — one of Syria’s six UNESCO world heritage sites — was the country’s archaeological crown jewel, a tourist attraction that drew tens of thousands of visitors each year. The ancient city was the capital of an Arab client state of the Roman Empire that briefly rebelled and carved out its own kingdom in the third century, led by Queen Zenobia.
The militants later destroyed Palmyra's historic temples of Bel and Baalshamin and the Arch of Triumph, viewing them as monuments to idolatry, and beheaded an elderly antiquities scholar who had dedicated his life to overseeing the ruins.
Today, the road through the desert from Homs to Palmyra is dotted with Syrian army checkpoints. In the town adjacent to the ancient site, some shops have reopened, but signs of war remain in the form of charred vehicles and burned-out or boarded-up stores and houses.
The Palmyra Museum is closed, and the much-loved lion statue that used to stand in front of it has been moved to Damascus for restoration and safekeeping.
In 2019, international experts convened by UNESCO, the United Nations' cultural agency, said detailed studies would need to be done before starting major restorations.
Youmna Tabet, program specialist at the Arab states unit of UNESCO's World Heritage Center, said restoration work often involves difficult choices, particularly if there isn't enough original material for rebuilding.
“Is it worth it to rebuild it with very little authenticity or should we rather focus on having 3D documentation of how it was?” she said.
Missions to the site were held up at first by security issues, including land mines that had to be cleared. ISIS cells still occasionally carry out attacks in the area.
Money is also a problem.
"There is a big lack of funding so far, for all the sites in Syria,” The Associated Press quoted Tabet as saying, noting that international donors have been wary of breaching sanctions on Syria, which have been imposed by the United States, the European Union and others.
US sanctions exempt activities related to preservation and protection of cultural heritage sites, but sanctions-related obstacles remain, such as a ban on exporting US-made items to Syria.
Russia, an ally of Syrian President Bashar Assad's government, has begun restoring Palmyra's triumphal arch, the largest-scale project underway to date at the site.
“We have some funding from some friends in some places, but it is not sufficient in relation to the disaster that occurred,” said Mohammad Nazir Awad, director general of Syria's department of Antiquities and Museums.
It doesn't have to be this way, said Maamoun Abdulkarim, who headed the antiquities department at the time of the ISIS incursion. Abdulkarim pointed to the international push to recover damaged heritage sites in the city of Mosul in neighboring Iraq, also controlled by the militants for some time, as an example of a successful restoration.
“We need to make some separation between political affairs and cultural heritage affairs,” said Abdulkarim, now a professor at the University of Sharjah. He warned that damaged structures are in danger of deteriorating further or collapsing as the rehabilitation work is delayed.
The deadly Feb. 6 earthquake caused further destruction at some sites already damaged by the war. This includes the old city of Aleppo, which is under the control of the government, and the Byzantine-era church of Saint Simeon in the Aleppo countryside, in an area controlled by Turkish-backed opposition forces.
About one-fifth of the church was damaged in the earthquake, including the basilica arch, said Hassan al-Ismail, a researcher with Syrians for Heritage a non-governmental organization. He said the earthquake compounded earlier damage caused by bombings and vandalism.
The group tried to stabilize the structure with wooden and metal supports and to preserve the stones that fell from it for later use in restoration.
Ayman al-Nabo, head of antiquities in the opposition-held city of Idlib, appealed for international assistance in stabilizing and restoring sites damaged by the earthquake.
Antiquities should be seen as “neutral to the political reality,” he said. “This is global human heritage, which belongs to the whole world, not just the Syrians."



King Salman Global Academy for Arabic Language Launches Framework on Multilingualism at UNESCO

The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
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King Salman Global Academy for Arabic Language Launches Framework on Multilingualism at UNESCO

The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)

Saudi Arabia's King Salman Global Academy for the Arabic Language (KSGAAL) launched its Framework on Multilingualism Framework at the UN Educational, Scientific, and Cultural Organization (UNESCO) headquarters in Paris, reported the Saudi Press Agency on Monday.

The launch took place during a symposium titled “Multilingualism in International Organizations.”

The event was attended by senior UNESCO officials, ambassadors of the Arab Group, experts from international organizations, participating delegations, and specialists in language policy.

The initiative is part of the academy's activities marking World Arabic Language Day.

KSGAAL Secretary-General Dr. Abdullah Al-Washmi said the launch of the framework represents a practical step reflecting the academy’s commitment to promoting multilingualism within international institutions and contributing to the development of linguistic work environments.

He expressed his gratitude for the continued support by Minister of Culture and academy Board Chairman Prince Bader bin Abdullah bin Farhan, underlining Saudi Arabia's dedication to supporting the Arabic language and its sciences and strengthening its global presence.

The framework aims to support UNESCO’s policies in empowering official languages within its institutional work in line with the objectives of the Human Capability Development Program, one of the Kingdom’s Vision 2030 programs, and within the academy's international initiatives, particularly those associated with World Arabic Language Day, he added.

It also aims to meet the linguistic needs of the Arab Group, boost institutional practices that contribute to developing the linguistic landscape, and expand Arab participation in UNESCO’s programs and activities.

The first session of the symposium was dedicated to presenting the framework, outlining its main components, and highlighting its role in supporting multilingualism and strengthening the presence of the Arabic language within the organization’s institutional and digital environments.

The framework is the result of joint efforts between the academy and the Saudi delegation to UNESCO.

The launch of the framework falls within the academy’s broader efforts to bolster the presence of the Arabic language in international organizations, support joint initiatives aimed at developing linguistic practices, and unify Arab efforts in the field of international language planning, helping consolidate the status of Arabic at both the international and institutional levels.


65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
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65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA

The Diriyah Biennale Foundation has announced the list of artists participating in the Diriyah Contemporary Art Biennale 2026, scheduled to open on January 30 in the Jax District of Diriyah.

Titled “In Interludes and Transitions,” this edition draws inspiration from themes of movement, migration, and transformation—forces that have historically shaped pathways of communication and cultural exchange between the Arab region and societies around the world, SPA reported.

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation. These original pieces, created by artists, musicians, filmmakers, architects, and writers, explore ideas of continuity, resilience, and collective imagination amid periods of profound change.

Chief Executive Officer of the Diriyah Biennale Foundation Aya Al-Bakree explained that the event brings together artists from multiple generations, regions, and disciplines, offering audiences a rich and diverse artistic experience that reflects Diriyah’s growing role as a global cultural hub.

The artistic directors noted that this edition of the Diriyah Contemporary Art Biennale emphasizes the vital role of art in interpreting contemporary transformations. Over the past year, participating artists and the curatorial team have engaged in in-depth research into the historical contexts of the Arab region, examined the rapid changes reshaping its cultural landscape, and addressed broader intellectual questions with global relevance.


Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
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Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)

Workers at the Louvre Museum voted Monday to strike over working conditions and other complaints, dealing another blow to the Paris landmark and home of the Mona Lisa after an embarrassing jewelry heist in October.

The CFDT union said the vote was taken at a meeting of 400 workers on Monday morning and that they decided to strike for the day.

The world’s most-visited museum didn’t open as scheduled and turned people away. A notice on the Louvre's website said, “the museum is closed for the moment.”

“It's really sad, because I was really looking forward to this,” said Lindsey Hall, a bitterly disappointed would-be visitor from Sacramento, California. She had been planning to enjoy the museum's huge collection of art and artifacts with a friend, describing it as “one of those life experiences you crave.”

“This is just an epic collection of art and something that every human should see,” she said. “I can see the other side of it, like if you are the person that works in the museum and how that can be, like day after day after day.”

The strike vote followed talks last week between labor unions and government officials, including Culture Minister Rachida Dati. Labor leaders said the talks had not alleviated all of their concerns about staffing and financing for the museum that welcomes millions of visitors each year.

“Visiting the museum has become an obstacle course,” said Alexis Fritche, general secretary of the culture wing of the CFDT union.

For employees, the daylight jewel heist crystallized long-standing concerns that crowding and thin staffing are undermining security and working conditions at the Louvre.

Thieves used a basket lift to reach the Louvre’s facade, forced a window, smashed display cases and fled with pieces of the French crown jewels. A Senate inquiry released last week said the thieves escaped with barely 30 seconds to spare and pointed fingers of blame at broken cameras, outdated equipment, understaffed control rooms and poor coordination that initially sent police to the wrong location.

In a statement, the CFDT said employees wants more staffing for security and to welcome visitors, improved working conditions, stable long-term budgets for the Louvre and leadership that “truly listens to staff.”

Yvan Navarro of the CGT union complained that staff numbers have continually decreased while visitor numbers have increased.

“People come to Paris to visit the museums. So the visitor numbers go up, the tariffs and the prices go up, because everything is becoming more expensive, but the salaries and the numbers of staffers don't go up so obviously you reach a point like today, a day of anger,” he said.