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Australia to Host ‘Ramses and the Gold of the Pharaohs’ Exhibition

The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)
The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)
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Australia to Host ‘Ramses and the Gold of the Pharaohs’ Exhibition

The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)
The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November. (Egypt’s Ministry of Tourism and Antiquities)

The Australian Museum in Sydney is gearing up to host the exhibition “Ramses and the Gold of the Pharaohs” in November as part of its fourth international tour, following its successful stops in the French capital, Paris, and the American cities of Houston and San Francisco.

Mostafa Waziri, secretary-general of the Supreme Council of Antiquities of Egypt, inspected on Sunday the halls where the artifacts will be displayed.

In a press statement, Waziri said his visit to the Australian Museum “aims to ensure the readiness of the halls to host the exhibition, the implementation of security and precautionary measures, as well as the safety and civil protection measures in place, to guarantee the safety of the archaeological artifacts.”

The exhibition comprises 181 archaeological pieces from the collections of Cairo's Egyptian Museum dating back to the era of Pharaoh Ramses II, as well as some discoveries from the Egyptian mission in the Heliopolis area of Saqqara.

Additionally, it showcases artifacts from various Egyptian museums that highlight distinctive aspects of ancient Egyptian civilization. Among them are a collection of statues, jewelry, cosmetic tools, paintings, intricately decorated stone blocks, and colorful wooden sarcophagi.

“Organizing the exhibition in Australia is of great importance for tourism promotion, as it is a country that has rarely organized exhibitions of Egyptian artifacts,” Hussein Abdel-Basir, the Director of the Antiquities Museum at the Library of Alexandria, told Asharq Al-Awsat.

“Sydney was supposed to host an exhibition of Tutankhamun years ago, but it was canceled due to the coronavirus pandemic, and the artifacts returned from London without completing their international tour,” he added.

The Australian Museum has opened reservations for the highly anticipated exhibition.

It has invited the public to embark on a captivating journey that transports them back over 3,300 years, to delve into the pulsating heart of ancient Egypt and get acquainted with one of its most renowned pharaohs.

The all-new multisensory museum experience will provide visitors with a window into the life and accomplishments of Ramses II, more commonly known as Ramses the Great, who ruled Egypt for 67 years – the second longest reign for any pharaoh, living an astonishing 92 years.

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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”