Phantom of Nuclear Disasters Hunts the World

The book cover
The book cover
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Phantom of Nuclear Disasters Hunts the World

The book cover
The book cover

“Fukushima – The Nuclear Disaster and the Other Face of Japan” is a book that explores the backgrounds of the nuclear disaster in Fukushima, and the looming phantom of such catastrophes.

Recently released by Al Arabi Publishing and Distribution, Cairo, the book is written by British researcher Andrew Letherbarrow, and translated into Arabic by Rania Sabri Ali.

On March 11, 2011, a quake hit the depth of the Pacific Ocean with a power that redistributed the land masses, and shifted the main axes of the Earth, shortening the day/night cycle. A massive, unstoppable tsunami emerged from the epicenter of the quake, 57 kilometers to the east of Japan, and reached the Japanese coastline in 40 minutes, hitting the Onagawa Nuclear Power Plant, the closest nuclear facility to the quake center, with 14-meter-high waves.

The earthquakes shook the foundations of the facility, but it managed to survive and became a refuge for those who lost their homes. After around 90 minutes, another tsunami hit another nuclear facility, the Fukushima Daiichi Nuclear Power Plant, one of the largest and most impactful worldwide. At the time, the Tokyo Electric Power Company, and owner of the Fukushima Daiichi, claimed that they took all the necessary measures to prepare for such an event. However, these measures weren’t sufficient, the weak coastal defenses of Fukushima drowned easily, which prevented the plant from cooling its six reactors, and led to the most horrifying nuclear crisis in the past 25 years.

The writer sees that the 2011 eastern Japan quake was perhaps a natural disaster, but the collapse of Fukushima Daiichi is a man-made event, and could have been prepared for and prevented.

Letherbarrow quotes the editorial of the Japan Times newspaper seven years before the catastrophe, which reads: “It is one of the places that no sane man would dare choose to build nuclear power plants, which are so many in Japan.”

The Japanese people have always rejected nuclear power, especially after the second world war, but a western campaign driven by economic and political interests managed to convince them to be more accepting in this field. However, the nuclear power industry failed to provide the safety and security measures needed to cope with a tsunami. There were also obstacles that hindered a real independent censure on such sensitive facilities. In 2018, Japanese researchers from the Kyushu and Tohoku institutes found that “the threat of nuclear power accidents in Japan has outweighed that of other countries.”

According to the writer, with time, under the public pressure and the threats caused by the nuclear leakage and pollution, some countries had to slow down the construction of further nuclear plants. However, Japan didn’t, why? It’s simple, because it consists of several islands and suffers from a serious shortage of natural energy resources, which forced it to import 96% of its fuel needs in 2011. Unlike wood and copper, coal, which is very abundant in Japan, could have been a safety net, but its impact on the environment forced the country to abandon it, which led to more crises and threatened the national security.

The Miike coal mine, the largest and oldest in the history of Japan, operated until 1997. Its closure caused a collapse in the domestic economy, and urged the country to seek a sustainable alternative, the nuclear power. One kilogram of coal generates 12 kw of electricity, while the same amount of uranium could generate 24 million kw of electricity after being processed in nuclear plants. Here, Letherbarrow acknowledges the importance of the peaceful uses of nuclear power, but warns from the lack of security and safety measures, which could be caused by administrative failure, lack of qualification, or expenditure reductions.

Andrew Letherbarrow has another book about nuclear disasters based on the Chernobyl accident. He visited the town and spent five years there for research and investigation. The book was a best seller after its release.



Saudi National Museum Celebrates World Arabic Language Day with Focus on Heritage, Crafts

The Saudi National Museum is organizing a cultural program to celebrate World Arabic Language Day 2025, which is observed annually on December 18
The Saudi National Museum is organizing a cultural program to celebrate World Arabic Language Day 2025, which is observed annually on December 18
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Saudi National Museum Celebrates World Arabic Language Day with Focus on Heritage, Crafts

The Saudi National Museum is organizing a cultural program to celebrate World Arabic Language Day 2025, which is observed annually on December 18
The Saudi National Museum is organizing a cultural program to celebrate World Arabic Language Day 2025, which is observed annually on December 18

Saudi Arabia’s National Museum is organizing a cultural program to celebrate World Arabic Language Day 2025, which is observed annually on December 18.

The program will run over three days, offering visitors a unique experience that combines heritage, arts, and the Arabic language.

The celebration will feature a series of cultural and intellectual dialogues exploring the human and cultural dimensions of the Arabic language.

A key highlight is a session titled "the aesthetics of language in Saudi folk songs," which will examine the relationship between traditional folk songs and highlight the role of language in preserving cultural heritage, connecting tools and crafts to the living heritage of Saudi societies.

The program also offers visitors a unique opportunity to explore literary and cultural works through a book signing session with a conversational style, allowing direct interaction with authors and the exploration of the aesthetics of Arabic in their texts.

The program will conclude its activities with a series of workshops, interactive activities, and artistic performances that reflect the richness and diversity of traditional crafts and arts, providing visitors with an exceptional cultural experience that blends discovery, knowledge, and celebration of living heritage.


Saudi Culture Ministry Signs Partnership with ESSEC Business School for Riyadh University of Arts

The signing ceremony was held at Fenaa Alawwal, a leading cultural hub in Riyadh’s Diplomatic Quarter. SPA
The signing ceremony was held at Fenaa Alawwal, a leading cultural hub in Riyadh’s Diplomatic Quarter. SPA
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Saudi Culture Ministry Signs Partnership with ESSEC Business School for Riyadh University of Arts

The signing ceremony was held at Fenaa Alawwal, a leading cultural hub in Riyadh’s Diplomatic Quarter. SPA
The signing ceremony was held at Fenaa Alawwal, a leading cultural hub in Riyadh’s Diplomatic Quarter. SPA

The Saudi Ministry of Culture signed on Sunday a partnership with ESSEC Business School, for Riyadh University of Arts (RUA)’s College of Cultural Management, to nurture creative talent and foster cross-cultural exchange, according to a statement issued by the ministry

The signing ceremony was held at Fenaa Alawwal, a leading cultural hub in Riyadh’s Diplomatic Quarter. Deputy Minister for National Partnerships and Talent Development at the Culture Ministry Noha Kattan signed for Riyadh University of Arts, while Dean and President of the ESSEC Business School Vincenzo Vinzi signed on behalf of ESSEC Business School.

Under this partnership, ESSEC will collaborate with RUA to co-design and deliver specialized programs for the College of Cultural Management, equipping future leaders with the skills to shape the evolving cultural landscape.

Founded in 1907, ESSEC Business School is among Europe’s most prestigious institutions, recognized for its academic excellence, global reach, and commitment to innovation and ethical leadership. Its programs emphasize experiential learning and empower students to drive meaningful impact across industries.

Riyadh University of Arts will offer a progressive educational framework spanning all levels and disciplines within the arts and culture sectors, including short courses, diplomas, bachelor’s, higher diplomas, master’s, and doctoral programs.

Further details on RUA, its academic programs, and international partnerships will be available on its official website, set to launch in the first quarter of 2026.

The statement added that the partnership with ESSEC is part of a series of partnerships and MoUs between Riyadh University of Arts and top-tier international institutions, advancing academic excellence, research collaboration, and world-class cultural education.


Hadrami Dan Added to UNESCO’s Intangible Cultural Heritage of Humanity List

The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
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Hadrami Dan Added to UNESCO’s Intangible Cultural Heritage of Humanity List

The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X
The Hadrami Dan included on the Representative List of the Intangible Cultural Heritage of Humanity following a long and diligent process. Photo: X

The Intangible Cultural Heritage Committee of UNESCO, during its ongoing 20th session in New Delhi, included the Hadrami Dan on the Representative List of the Intangible Cultural Heritage of Humanity.

Hadrami Dan is a traditional performance and community gathering that combines spontaneous poetry, music and dance, widespread practiced across Hadhramaut Governorate. A typical Hadrami Dan gathering includes at least one singer and poet, with the audience seated in rows or circles.

Yemen’s Ambassador to UNESCO Mohammed Jumaih said the Hadrami Dan deserves this recognition, following a long and diligent process to reach this goal.

Jumaih thanked the Ministry of Culture and its staff, and the National Commission for Education, Culture, and Science.

He offered special gratitude to the Hadhramaut Foundation for Culture, which undertook the preparation and financing of the nomination file.

He also expressed his appreciation to the Intangible Cultural Heritage Committee, its Chairperson (India’s Ambassador to UNESCO, Vishal Sharma), the committee members, its secretariat, and the Evaluation Body experts for their efforts.

Minister of Information, Culture, and Tourism Muammar Al-Eryani in the Yemeni government said this achievement represents “a well-deserved international recognition of one of the most important creative expressions in Hadhramaut and Yemen in general.”

The Hadrami Dan embodies the depth of Yemeni cultural identity, which successive generations have preserved despite the harsh transformations the country has undergone, he said.

Al-Eryani added that it is the result of a joint national effort involving the Ministry of Culture and the Hadhramaut Foundation for Culture, alongside the prominent role played by Jumaih in following up on the issue within UNESCO.