Phantom of Nuclear Disasters Hunts the World

The book cover
The book cover
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Phantom of Nuclear Disasters Hunts the World

The book cover
The book cover

“Fukushima – The Nuclear Disaster and the Other Face of Japan” is a book that explores the backgrounds of the nuclear disaster in Fukushima, and the looming phantom of such catastrophes.

Recently released by Al Arabi Publishing and Distribution, Cairo, the book is written by British researcher Andrew Letherbarrow, and translated into Arabic by Rania Sabri Ali.

On March 11, 2011, a quake hit the depth of the Pacific Ocean with a power that redistributed the land masses, and shifted the main axes of the Earth, shortening the day/night cycle. A massive, unstoppable tsunami emerged from the epicenter of the quake, 57 kilometers to the east of Japan, and reached the Japanese coastline in 40 minutes, hitting the Onagawa Nuclear Power Plant, the closest nuclear facility to the quake center, with 14-meter-high waves.

The earthquakes shook the foundations of the facility, but it managed to survive and became a refuge for those who lost their homes. After around 90 minutes, another tsunami hit another nuclear facility, the Fukushima Daiichi Nuclear Power Plant, one of the largest and most impactful worldwide. At the time, the Tokyo Electric Power Company, and owner of the Fukushima Daiichi, claimed that they took all the necessary measures to prepare for such an event. However, these measures weren’t sufficient, the weak coastal defenses of Fukushima drowned easily, which prevented the plant from cooling its six reactors, and led to the most horrifying nuclear crisis in the past 25 years.

The writer sees that the 2011 eastern Japan quake was perhaps a natural disaster, but the collapse of Fukushima Daiichi is a man-made event, and could have been prepared for and prevented.

Letherbarrow quotes the editorial of the Japan Times newspaper seven years before the catastrophe, which reads: “It is one of the places that no sane man would dare choose to build nuclear power plants, which are so many in Japan.”

The Japanese people have always rejected nuclear power, especially after the second world war, but a western campaign driven by economic and political interests managed to convince them to be more accepting in this field. However, the nuclear power industry failed to provide the safety and security measures needed to cope with a tsunami. There were also obstacles that hindered a real independent censure on such sensitive facilities. In 2018, Japanese researchers from the Kyushu and Tohoku institutes found that “the threat of nuclear power accidents in Japan has outweighed that of other countries.”

According to the writer, with time, under the public pressure and the threats caused by the nuclear leakage and pollution, some countries had to slow down the construction of further nuclear plants. However, Japan didn’t, why? It’s simple, because it consists of several islands and suffers from a serious shortage of natural energy resources, which forced it to import 96% of its fuel needs in 2011. Unlike wood and copper, coal, which is very abundant in Japan, could have been a safety net, but its impact on the environment forced the country to abandon it, which led to more crises and threatened the national security.

The Miike coal mine, the largest and oldest in the history of Japan, operated until 1997. Its closure caused a collapse in the domestic economy, and urged the country to seek a sustainable alternative, the nuclear power. One kilogram of coal generates 12 kw of electricity, while the same amount of uranium could generate 24 million kw of electricity after being processed in nuclear plants. Here, Letherbarrow acknowledges the importance of the peaceful uses of nuclear power, but warns from the lack of security and safety measures, which could be caused by administrative failure, lack of qualification, or expenditure reductions.

Andrew Letherbarrow has another book about nuclear disasters based on the Chernobyl accident. He visited the town and spent five years there for research and investigation. The book was a best seller after its release.



Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
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Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)

Tourists crowded beneath the Door of No Return, an arch built by the beach at Ouidah in southern Benin in memory of those crammed onto slave ships bound for the New World.

Benin, which holds a presidential election on Sunday, has in recent years leaned into its painful past to encourage tourism.

Once a key departure point in the transatlantic slave trade, the coastal town of Ouidah lies at the heart of the push to reclaim the country's history, culture and heritage.

Standing nearly 17 meters (56 feet) tall on the seafront, the Door of No Return has been fully restored, now a must-see landmark for visitors.

Its ochre-and-gold facade is carved with figures of chained slaves, frozen mid-stride towards the ocean.

Nearby, a life-size replica of L'Aurore -- one of the last three-masted ships to leave Ouidah for Cuba around 1860 -- is set to open soon as an immersive museum of the slave trade.

"It reminds us of where we come from. It's important to develop tourism around our history because it's very rich, little known, and we want to showcase it," said Arsene Ahounou, an engineer from the commercial capital Cotonou visiting for the day.

"For us natives, understanding our history matters," he added.

Pausing for selfies with friends visiting from Nigeria, Onyinye Anumba said that seeing the site with her own eyes was "awesome".

"As an African, I've read many things about this place... so just being here makes me proud about what Africa has," she said.

- 'Demystify Vodun' -

Elsewhere, tourists explored the 13th-century Python Temple to learn about Voodoo culture -- the popular animist religion rooted in Ouidah.

As many posed for photos with snakes draped around their shoulders, guides explained the reptile's spiritual significance in Voodoo (Vodun in the local Fon language) beliefs.

Having worked in Beninese tourism for more than 35 years, Modeste Zinsou, the temple's head guide, said the sector had evolved.

"This isn't mass tourism, it's cultural tourism. The sacred element remains. We're reconstructing our own history, in which we completely demystify Vodun and the cliches around it," he said.

Benin is the birthplace of Voodoo, which now has its own international festival, the Vodun Days.

The three days of dancing, mask parades and traditional ceremonies have become a major tourist attraction.

This year it drew around two million visitors, most of them Beninese.

"The government has worked to encourage domestic tourism, meaning Beninese people going out and reclaiming their identity," added Zinsou.

- 'Our Eiffel Tower' -

To boost tourism, Benin has launched major infrastructure projects, including road and hotel renovations.

A Club Med resort is planned for 2027 and visa procedures have been eased for many nationalities.

"We're not a country with mineral wealth, so we had to identify where our wealth lies," said Alain Godonou, an adviser to the president on heritage and museums.

"History shows that Benin is a land of great cultures and traditions, and a witness to a pivotal moment in human history -- the slave trade," he said.

Godonou hopes tourism will account for 10 to 15 percent of GDP within a decade, up from about six percent today.

Sunday's election in the west African country is to replace the architect of this tourism drive, outgoing president Patrice Talon, who is stepping down after two five-year terms.

The frontrunner to succeed him, Romuald Wadagni, the finance minister from the ruling party, has pledged to carry the projects forward.

Since 2024, Benin has allowed anyone with an African ancestor who was enslaved and shipped to the Americas to acquire Beninese nationality.

"It was important for Benin to do justice to this diaspora by granting the nationality that should have been theirs," Godonou said.

In the heart of Cotonou, the country's largest city, the Amazon Monument is now a major attraction.

The towering 30-meter metal statue depicts a warrior of the Dahomey kingdom, rifle at her side and dagger in hand.

On Easter Monday, a public holiday, crowds of Beninese visitors strolled through the plaza, snapping pictures of the statue.

"It's a source of pride! We don't have the money to go on holiday in France or elsewhere," said vendor Geraldine Sedami Yagbo.

"This statue is our Eiffel Tower."


Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
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Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café, where scholars, writers, and language enthusiasts gathered to discuss the importance of the Arabic language. the Saudi Press Agency reported.

The event highlighted Arabic not only as a means of communication, but as a fundamental pillar of cultural identity and a vital source of knowledge, deeply connected to history, heritage, and intellectual traditions.

Discussions highlighted the necessity of preserving linguistic integrity against contemporary challenges and the responsibility of cultural institutions in promoting standard Arabic.

Participants emphasized that language remains a fundamental element in building national identity and consolidating cultural values.

This symposium is part of a broader series of initiatives by the Hira Cultural District to enrich Makkah’s cultural and intellectual landscape.


Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)
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Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)

The Saudi Ministry of Culture unveiled the “Cultural Experiences” program to raise awareness of local culture and arts through interactive public experiences.

The initiative targets all segments of society and offers activities that enable participants to explore Saudi heritage and traditional arts in engaging ways, the Saudi Press Agency said on Thursday.

In its first phase, the program will feature two main trails.

The first, “Cooking Experiences,” will be held in April at the Hotel and Tourism Management Institute (HTMi Saudi Arabia) in Riyadh, Al-Baha, and Jazan.

It showcases Saudi cuisine through hands-on sessions where participants learn to prepare traditional dishes under the guidance of professional chefs.

Participants will explore the stories, ingredients, and cultural significance of these dishes, strengthening their connection to local culinary heritage.

The second trail focuses on handicraft experiences. It highlights traditional crafts through interactive workshops led by skilled artisans.

Participants will learn various handicraft techniques and create artistic pieces, promoting appreciation of crafts, and their role in preserving cultural identity.

The program will be rolled out in multiple phases. Experiences will be announced through the ministry’s official platforms and the hosting platform “Webook,” where participants can view schedules and register.

Registered participants will receive confirmation messages with details of the experience, including location, timing, and attendance requirements.