Russia’s Bolshoi, Performing in China, Vows to Return to the West 

People pose for pictures in front of the National Center for the Performing Arts, before a performance by Russia's Bolshoi Ballet company in Beijing, China, July 25, 2023. (Reuters)
People pose for pictures in front of the National Center for the Performing Arts, before a performance by Russia's Bolshoi Ballet company in Beijing, China, July 25, 2023. (Reuters)
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Russia’s Bolshoi, Performing in China, Vows to Return to the West 

People pose for pictures in front of the National Center for the Performing Arts, before a performance by Russia's Bolshoi Ballet company in Beijing, China, July 25, 2023. (Reuters)
People pose for pictures in front of the National Center for the Performing Arts, before a performance by Russia's Bolshoi Ballet company in Beijing, China, July 25, 2023. (Reuters)

The artistic director of Moscow's state-owned Bolshoi Ballet has vowed that his company will eventually perform in the West again, having been subject to a cultural boycott since Russia's invasion of Ukraine.

The storied ballet company performed at Beijing's National Center for the Performing Arts on Tuesday in its first international tour since the pandemic.

Speaking in Beijing on the eve of the performance, artistic director Makhar Vaziev insisted the troupe was "not suffering" from being unable to perform in the West.

"I have no doubt that one day everything will go back to how it should be because culture is a wave that is very hard to suppress," Vaziev, 62, said in an interview.

"Many governments have banned cultural figures from Russia... but we are still talking to the same people we talked to in the past."

The Bolshoi's dancers hope their performances will herald a return to the global stage for the crown jewel of Russian culture, which toured the world even in the most tense days of the Cold War.

But the company only has two further confirmed international stops so far: the Belarusian capital Minsk in November, and Oman in January 2024.

The theater, founded in 1776 by Empress Catherine the Great, will showcase excerpts of some of its best-known ballet works in two gala performances in Beijing, followed by a three-day staging of the 19th century ballet "Don Quixote".

It still receives around 70 percent of its funding from the Russian government, according to the company's PR representative. No performers have so far publicly condemned President Vladimir Putin's war, which has caused an estimated 8,500 civilian casualties according to the UN.

Reuters was asked to avoid political questions during interviews with members of the troupe.

In February 2022, the day after Moscow sent thousands of troops into Ukraine, London's Royal Opera House called off the Bolshoi's planned post-pandemic return for a residency scheduled for that summer.

Cancellations in other Western cities soon followed, and creative collaboration with Western venues and choreographers evaporated.

Several Russian and foreign leading dancers also quit the company in opposition to the Ukraine war, including former principal ballerina Olga Smirnova.

"I would really like to visit other countries, see the world, and get to know different venues, theaters, teachers and choreographers," said principal dancer Elizaveta Kokoreva, who joined the company at the beginning of the pandemic.

"But it is what it is right now."



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.