'Total Frenzy': Swift Fever Grows in Latin America

Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File
Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File
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'Total Frenzy': Swift Fever Grows in Latin America

Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File
Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File

Excitement is building among Taylor Swift fans in Latin America who have endured months-long queues, expensive tickets and, in one case, assault to realize their dream of seeing the pop superstar.

The 33-year-old singer-songwriter, who holds the women's record for most number one albums, will bring her "Eras" tour to the region from Thursday starting in Mexico, followed by Argentina and Brazil, said AFP.

In Rio de Janeiro, Renan Rodrigues camped out for several nights to buy tickets for Swift's November 17-19 concerts at the Nilton Santos stadium.

The 24-year-old DJ, who performs at parties for Swifties, as the pop star's devoted fans are known, got tickets to all three performances.

But he paid a high price -- an assailant hit him on the head with a bottle for resisting an attempted robbery while he was waiting.

"They wanted to take my cell phone, and inside the case was my card from the only bank authorized for ticket sales. I just thought: they won't take my card," said Rodrigues, who suffered superficial injuries.

Tickets for Taylor Swift shows in Brazil cost between $35 and $468.

In Mexico, where young people earn an average salary of $366 a month according to official data, fans had to pay between $55 and $614.

Ingrid Cruz, founder of the official Mexican fan club, described the high cost as "abuse" and complained that VIP packages were prioritized over regular tickets.

Fans also reported problems with the platform of US retail giant Ticketmaster.

The vendor operates in Mexico as part of the powerful CIE entertainment and media group, which in turn controls around two-thirds of the local market for live shows.

Pre-sales for the four concerts in Mexico City were based on a previous registration of "verified fans" by email.

But even Joel Aguilar, creator of Taylor Swift MX, a fan site with some 20,000 followers from 20 countries, failed to qualify, he said.

Denisse Castro, 26, who has been unemployed for six months, hoped that building a credit history and obtaining a card from the bank sponsoring the concert would help her to secure good seats.

Unfortunately for her, the bank recently tightened its credit restrictions, so Castro could only afford the cheapest tickets.

In the Argentine capital Buenos Aires, a group set up camp outside the River stadium in June, five months before the concert, to ensure they have places near the stage.

"It's going to be a total frenzy," said Lara Palavencino, one of the fans, who take it in turns to reserve their spots.

Tickets sold out quickly in Argentina, despite the country's serious economic crisis.

In Chile, President Gabriel Boric, a self-proclaimed Swiftie, made an unsuccessful appeal to Swift to include his country on her tour.

And in Mexico, proving that the pop star's popularity transcends age, a 64-year-old Supreme Court judge outed himself as a Swiftie earlier this year.

"There's nothing trivial about Taylor Swift," Arturo Zaldivar wrote in a newspaper in June.



Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
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Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)

When Billy Idol first entered American consciousness in the early '80s, leather-clad and bleached hair in tow, he not only brought a punk rock sound to the mainstream. The Englishman brought a new attitude, a new, rebellious way of being.

In the time since, songs like “White Wedding,” “Rebel Yell” and “Eyes Without a Face” have become instant classics — for those who've worn a spiky jacket and those who've only imagined what it might be like.

Now, over four decades later, he's got the wisdom to reflect. It's led to a new documentary about his life, “Billy Idol Should Be Dead,” which will premiere at the Tribeca Film Festival — and a new album, the polished punk-pop of “Dream Into It.”

“It was a gradual process, really,” he said of the 11-year span between albums. “It wasn’t so much that we didn’t want to make an album, it was more like we were building up to doing this.”

Idol discussed with The Associated Press this week his new album and forthcoming documentary, his past struggles with addiction, his first-ever Rock & Roll Hall of Fame nomination and more.

Remarks have been edited for clarity and brevity.

AP: You've described “Dream Into It” as autobiographical. I thought your last album, 2014's “Kings & Queens of the Underground,” pulled from your life as well.

IDOL: Being this age, in particular, 69, when you look back, you can really see your whole life, how it plays out. And maybe it’s also having grandchildren. My children are having children.

You sort of reach this vantage point where you can really look back and see all the sort of different eras of my life. And you can sing about it. And I think I didn’t go deep enough with the songs I did on “Kings and Queens.” I thought lyrically I could go deeper. That’s one of those regrets I had about the last album. So I really went for it, and I went for more imagery, (on ‘Dream Into It,’ in the) way of talking about my life. I’m not spelling it out exactly.

AP: There are a lot of rock ‘n’ roll women on the album. Joan Jett, Avril Lavigne and The Kills' Alison Mosshart are all featured.

IDOL: (Mosshart's) voice is just incredible. And of course, Joan Jett, I’ve known since 1978 after a Germs/Dead Kennedys concert. We hung out in Los Angeles. I was on a Generation X promotion tour for the first album. And then Avril, I mean, I’ve just been watching her career forever and she’s fantastic. So, it was just great.

AP: The documentary has an evocative title, “Billy Idol Should Be Dead.” It sounds like it may dive into your past struggles with addiction.

IDOL: There was a point in my life when I was living like every day, like, “Live every day as if it’s your last.” One day, you’re going to be right.

In the '70s, in England, you know, young people, we had this feeling that we were being completely ignored. You were even being told that you had no future. And so, we just didn’t think beyond the day-to-day existence. It was probably only when I really started having children and stuff like that, I really starting to realize I (should) try start to give up drugs and things.

I’ve always flirted with death, in a way. Even riding motorcycles, you’re staring at the concrete. It’s right there, you can come off that thing and get horribly messed up. And I’ve done it. It’s horrible. You find out how human you are, how vulnerable. There’s lots of things about my life that, yeah, I did kind of call death at times. Not really mean to, but you just were living like that.

Imagine if it was today. If I was doing what I was back then today, I would be dead because I would have run into fentanyl.

AP: You're nominated for the Rock & Roll Hall of Fame for the first time. Do you think your younger punk rock self would be excited?

IDOL: I do sort of think about Bo Diddley and Chuck Berry and Little Richard. “And what? Are you going to be in something with those guys?” You know, Buddy Holly. These are some of the seminal people who turned on the people that turned me on, you know? Somewhere down the road, it led to punk rock.

Also, my motorcycle has been in the Rock & Roll of Fame for like five years. So I might as well be in it, too.