Saudi Orchestra…Artistic Experience Raising National Music to International Horizons

Since February 2020, the Music Commission has worked to develop
the infrastructure for musical culture in the Kingdom (SPA).
Since February 2020, the Music Commission has worked to develop the infrastructure for musical culture in the Kingdom (SPA).
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Saudi Orchestra…Artistic Experience Raising National Music to International Horizons

Since February 2020, the Music Commission has worked to develop
the infrastructure for musical culture in the Kingdom (SPA).
Since February 2020, the Music Commission has worked to develop the infrastructure for musical culture in the Kingdom (SPA).

When a group of international musicians stood on the sidelines of the G20’s ministers of culture’s meeting in India to perform “Sur Vasudha”, celebrating the musical heritage of these countries, the head of the Saudi Orchestra appeared in their national garment and Arabic accent to partake in the song, which described the whole world as one family. From India, to France, Mexico, Jordan, and many other countries, the Saudi National Orchestra has played a universal musical language that connects people from around the world, and reminds them of what they have in common.

In every international event, with the participation of around 70 Saudi performers and instrument players, the National Saudi Orchestra and Choir perform a bouquet of folkloric, patriotic, and modern songs that highlight the Saudi musical culture, and the special products of the national music library.

The Saudi Orchestra led unprecedented international events in which it blended the diverse and rich Saudi musical folklore with the music of the hosting countries. On social media, fans shared some of the exceptional pieces the Saudi National Orchestra and Choir performed with other international groups, including the Carlos Chávez Orchestra at Mexico’s National Theater, where the audience genuinely applauded in appreciation of the great performance blending the two musical experiences.

An 80-year-old experience

The Saudi National Orchestra and Choir debuted as an early experience, in 1942, when Saudi Defense Minister, Prince Mansour bin Abdulaziz named renowned artist and one of the first Saudi composers, Tariq Abdul-Hakim to form a military music band, which became the core of an artistic journey that grew with time and helped create a unique Saudi musical identity.

Abdul-Hakim traveled to Egypt in 1952, to start the preparations for a Saudi orchestra. During his trip, he met with esteemed Arabic and Egyptian musicians, who helped shape his musical taste and journey. Back from his trip, which also included Lebanon, he started founding the first military music institute in the kingdom, and a musical group that paved the road for a prospering artistic era.

New phase and promising start

In 2019, in light of a rising momentum in the culture sector, the Saudi Culture Ministry announced the formation of the Saudi National Music Band, and the development of a professional team that represents the kingdom internationally, and promotes the Saudi music and musical heritage around the globe. The ministry chose the Saudi esteemed crooner, Abdel Rab Idris, who convoyed the Saudi music experience since its early days, to build the national team and teach different types of Arabic and international music, as well as supporting and promoting the music industry in Saudi Arabia, and spreading the national musical folklore around the world.

Following the revelation of a new cultural network in the kingdom led by the ministry of culture, which distributed the sector’s missions on 11 specialized commissions, the Saudi Music Commission launched in 2021 its own strategy to develop and support music in the kingdom in accordance with the Vision 2030. As part of its strategy, the commission has supported the outlets that facilitate access to the Saudi music product, enhanced the presence of the Saudi National Orchestra and Choir, an upgraded version of the Saudi National Music Band born in 2019.

Symbolic power and cultural identity

Maestro Imad Zaree said the National Orchestra and Choir represent the Saudi musical heritage on the international level, and provides a support system for the Saudi artists and musician in different fields. He also noted that the national band supports the local artistic movement with the discovery of talents and their qualification through specially-curated programs, as well as supporting the different art fields, promoting the Saudi heritage internationally, and boosting the goals of the Vision 2030, which defines culture, in its different categories, as a symbolic power, cultural identity, and economic addition.

Zaree, who led the National Orchestra and Choir in several international events, hailed the efforts of the ministry in setting plans that resulted in early accomplishments in international events. “We have seen the efforts of Culture Minister, Prince Badr bin Abdullah and their remarkable interest in supporting the foundation of the group and the development of its work. These efforts are manifested in the level of professionalism among the group’s members performing local and Arabic arts,” he added. This serves the interest of the Saudi art and artists, and helps spread the Saudi music experience to the world.

Thriving Saudi music and arts

Music has flourished in Saudi Arabia with many new experiences and entities created to develop the music sector and nurture promising talents. The sector has witnessed new initiatives and the opening of new music institutes for those wishing to develop their potential and engage in the new artistic phase.

Since February 2020, the Music Commission has been working on developing the infrastructure for a musical culture in the Kingdom, offering everyone the opportunity to learn music, as well as discovering, developing and empowering musical talents, spreading awareness of music culture, and establishing a sector that contributes to the domestic economy by creating jobs for both genders, live cultural performances, music recordings and amateur music education centers. The commission has also focused on reviving and documenting Saudi folklore and music performances to grow the national and social sense, developing the musical cultural identity of Saudi Arabia and promoting it regionally and globally, and emphasizing the kingdom’s leading position in the Arab and Islamic world.



From the Louvre to AlUla: How Culture Built a Strategic Bridge Between Riyadh and Paris

Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)
Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)
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From the Louvre to AlUla: How Culture Built a Strategic Bridge Between Riyadh and Paris

Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)
Saudi Arabia and France boosted their culture cooperation through nine executive programs signed during President Emmanuel Macron’s visit to the Kingdom in December 2024. (SPA)

When Saudi artifacts were exhibited at the Louvre Museum, the Saudi-French relationship had not yet reached its current breadth. At the time, culture was a window through which the French could discover the Kingdom's history, while Riyadh was testing a new avenue to introduce its heritage beyond its borders.

More than a decade and a half later, the landscape has changed. Culture has become one of the foundational components of the Saudi-French relationship, and AlUla has turned into one of the clearest examples of this cooperation.

Meanwhile, cinema, museums, heritage, tourism, sports, and major events have entered the network of interests linking the two nations.

The visit by Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, to France comes at a time when these fields have become part of the Kingdom's new economy, rather than merely a cultural activity running parallel to political relations.

AlUla: When culture becomes an economic project

In AlUla, antiquities intersect with tourism, engineering with the environment, and arts with the economy. The Saudi-French partnership in the governorate has expanded the scope of cooperation to encompass urban planning, heritage, tourism, culture, education, training, and the arts, presenting a model that differs from the traditional relationship between an investing nation and foreign companies.

The project is not limited to developing a historical site, but is rather based on building a global destination that rests on local identity and benefits from international expertise.

This type of cooperation aligns directly with the goals of Saudi Vision 2030 to transform culture, tourism, and entertainment into active components of the economy.

A journey that began at the Louvre

AlUla was not the beginning; in 2010, the Louvre Museum hosted the "Roads of Arabia. Archaeology and History of the Kingdom of Saudi Arabia" exhibition, marking a milestone that reflected growing French interest in Saudi history. This was preceded by another exhibition in Paris in 1986, while the UNESCO headquarters in Paris hosted the Saudi Cultural Days events in 2012.

These milestones reveal a long trajectory in which the cultural relationship has shifted from introducing Saudi Arabia abroad to building joint projects within the Kingdom itself.

Culture and the economy come together

The most significant change is that culture is no longer a sector isolated from the economy. Tourism requires transport, hospitality, and technology; museums require engineering, operation, and education; and major events require sports, media, and digital services. Consequently, culture has become part of an interconnected economic system.

This is evident in the expanding scope of potential cooperation between the two countries to include tourism, hospitality, the creative economy, electronic gaming, and sports - sectors that align with the Kingdom’s direction toward building a more diversified economy.

Sports: A new opportunity for partnership

Sports give the relationship an added dimension. France's hosting of events related to the Esports World Cup, coinciding with the Crown Prince's visit, offers an example of the shift of sports from a space of competition to a space for economic and cultural rapprochement.

Saudi sports itself has become a global industry attracting investments, talents, and events, while France possesses extensive experience in organizing tournaments and major events.

Interests intersect here just as they do in culture and tourism: Saudi Arabia provides a growing market, projects, and capital, while France provides long-standing industrial, organizational, and cultural expertise.

Education: The least visible, longest-lasting investment

The exchange is not limited to projects; cooperation between universities, research centers, and educational institutions in both countries opens a different path for knowledge transfer and human capital development.

The importance of this track is evident in the sectors where the Kingdom aims to expand, particularly science, technology, innovation, health, and engineering.

While projects can be built within a few years, the talent that manages them can create an impact that lasts for decades.

Partnership and different experiences

The Saudi experience differs from the French one in many details, but this very difference creates space for cooperation.

France possesses a long history in culture, museums, arts, and creative industries, while Saudi Arabia is experiencing a vast transformation which it is reshaping its culture, tourism, entertainment, and sports sectors.

Therefore, the new partnership is not based on transferring a ready-made model from Paris to Riyadh, but rather on blending French expertise with the new Saudi project. This is what makes culture in the relations between the two countries more than a "soft file"; it is one of the tools through which to build a new economy, introduce peoples to one another, and forge shared interests that are not easily affected by changing political files.

Past to future

For nearly a century, Saudi-French relations have progressed through multiple stages: from the initial diplomatic representation to the historic meeting between King Faisal and de Gaulle, followed by expansion into the economy and defense, culminating in a new vision for partnership during the reign of Custodian of the Two Holy Mosques King Salman bin Abdulaziz.

Today, Riyadh does not go to Paris merely to speak of the past, but rather of a future city, a new museum, a tourist destination, an advanced creative and technological industry, an energy project, and a long-term investment.

Within this transformation lies one of the clearest characteristics of the Saudi-French relationship: the bridge that began with culture now carries the economy, politics, and technology along with it.


Saudi Heritage Commission, University of Vienna Study Reveals Pottery Production Identity in Arabia 3,600 Years Ago

Saudi Heritage Commission, University of Vienna Study Reveals Pottery Production Identity in Arabia 3,600 Years Ago
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Saudi Heritage Commission, University of Vienna Study Reveals Pottery Production Identity in Arabia 3,600 Years Ago

Saudi Heritage Commission, University of Vienna Study Reveals Pottery Production Identity in Arabia 3,600 Years Ago

The Saudi Heritage Commission, in collaboration with the University of Vienna, has conducted a new international scientific study revealing evidence that specialized production systems emerged in the oases of northwestern Arabia during the Bronze Age.

The findings point to an early form of production identity, offering new insights into the history of trade and innovation in the Arabian Peninsula more than 3,500 years ago, the Saudi Press Agency said on Thursday.

Published in PLOS One, the study drew on archaeological excavations at the oasis of Qurayyah in Tabuk Region.

It found that the two-color pottery discovered at the site was produced through a consistent manufacturing tradition characterized by stable features. These characteristics helped the products spread widely, reflecting a clear production identity associated with both product quality and origin.

The study involved an international team of researchers from the Massachusetts Institute of Technology, Harvard Museum of the Ancient Near East, the Austrian Archaeological Institute, the Austrian Academy of Sciences, TU Wien, and the University of Sydney.

The research partnership sought to employ advanced technologies to study and analyze archaeological finds.

The researchers conducted advanced archaeological and laboratory analyses of a collection of pottery vessels unearthed at the oasis of Qurayyah. The findings helped revise earlier assumptions about what was known as “Midianite Pottery,” suggesting that this pottery type may have originated in the oasis in northwestern Arabia.

The results showed that the earliest painted pottery at Qurayyah dates to around 3,600 years ago, with production peaking around 3,200 years ago.

The pottery spread across areas extending north to the southern Levant and Egypt and south to northern Arabia. Production continued until the end of the Iron Age in the mid-first millennium BCE.

The study underscores the historical importance of the oasis of Qurayyah as a major production center in northwestern Arabia during ancient times.

It also highlights the Heritage Commission’s role in supporting archaeological research, strengthening international scientific partnerships, and using research to deepen knowledge of Saudi Arabia’s history and showcase its cultural heritage globally.


Saudi Culture Ministry Relocates to New Headquarters in Diriyah

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
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Saudi Culture Ministry Relocates to New Headquarters in Diriyah

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities

Diriyah Company has announced the completion of the relocation of the Ministry of Culture to its new headquarters in Diriyah’s Northern District, developed as part of the company’s integrated urban masterplan. The move underscores the growing presence of national cultural institutions within Diriyah, reinforcing its role as a fully integrated destination for culture, governance, and contemporary living.

The relocation follows the memorandum of understanding signed between the Ministry of Culture and the Diriyah Gate Development Authority in mid-2022. The agreement laid the foundation for collaboration between the Diriyah Project and the Ministry of Culture to encourage coordination, development, and the delivery of cultural projects, initiatives, and events in line with Diriyah’s master plan.

Commenting on the occasion, Group CEO of Diriyah Company Jerry Inzerillo said: “We are pleased that the Ministry of Culture has chosen Diriyah as its headquarters, and we are proud of our partnership with the Ministry in developing its new headquarters. This milestone reflects the pace at which we are advancing Diriyah as a fully integrated urban destination for living, working, and visiting. The relocation of the ministry marks an important step in delivering world-class work environments and office spaces, aligned with our vision to position Diriyah as a vibrant global urban hub.”

Ministry of Culture spokesperson Abdulrahman Al-Mutawa affirmed that the ministry’s relocation to its new headquarters in Diriyah embodies the connection of Saudi culture to its deep historical roots. He noted that “this relocation is an extension of the ministry’s vision to entrench Saudi culture as a pillar of national development, and to strengthen its integration with historical sites of civilizational value, contributing to highlighting the Kingdom’s cultural depth and enhancing Diriyah’s standing as a global cultural and historical center.”

The new headquarters is the largest standalone office building in Diriyah to date, with a total built-up area of 33,168 square meters. It has been designed to accommodate the ministry’s teams and operational requirements, offering an integrated work environment supported by advanced digital infrastructure, tailored office layouts, and high-quality facilities.

The project has been awarded by LEED, the world's widely recognized green building rating system obtaining LEED Gold–certified under LEED v4 for Building Design and Construction: Core and Shell Development and a Gold Commercial certification under the national green building rating system, Mostadam, reflecting its sustainable approach across energy efficiency, water conservation, waste management, and health and wellbeing, in line with Saudi Vision 2030 objectives.

The development also reflects Diriyah Company’s broader commitment to thoughtful urban planning and its long-term vision to establish Diriyah as a leading center for culture, education, arts, and entertainment, anchored by its unique setting that includes the UNESCO World Heritage Site of At-Turaif and a growing collection of cultural and historical destinations

As part of its wider development program, Diriyah Company is delivering a $63 billion integrated urban project that has attracted more than five million. Several key destinations opened in 2024, including Bab Samhan, a Luxury Collection Hotel and Zallal, a vibrant mixed-use district combining dining, retail, and office spaces in a traditional setting.

Development works are continuing, with the project targeting more than 50 million visitors annually by 2030, the creation of 180,000 jobs, and accommodation for around 100,000 residents.