From Piñata to Postage Stamp, US Celebrates Centuries-Old Hispanic Tradition

Arica Reed, owner of Big Daddy Pinatas, assembles a piñata at her home, Friday, Sept. 8, 2023, in Mesa, Ariz. (AP)
Arica Reed, owner of Big Daddy Pinatas, assembles a piñata at her home, Friday, Sept. 8, 2023, in Mesa, Ariz. (AP)
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From Piñata to Postage Stamp, US Celebrates Centuries-Old Hispanic Tradition

Arica Reed, owner of Big Daddy Pinatas, assembles a piñata at her home, Friday, Sept. 8, 2023, in Mesa, Ariz. (AP)
Arica Reed, owner of Big Daddy Pinatas, assembles a piñata at her home, Friday, Sept. 8, 2023, in Mesa, Ariz. (AP)

The US Postal Service on Friday rolled out its latest special edition postage stamps, paying homage to a tradition with global roots that has evolved over centuries to become a universal symbol of celebration.

The release of four new stamps featuring colorful piñatas coincides with a monthlong recognition of Hispanic heritage in the US and the start of an annual festival in New Mexico where the handmade party favorites are cracked open hourly and children can learn the art of pasting together their own creations.

Piñatas are synonymous with parties, although their history is layered and can be traced to 16th century trade routes between Latin America and Asia and the efforts of Spanish missionaries to convert Indigenous communities to Christianity. It was through dance, music and the arts — including the making of piñatas — that biblical stories were spread throughout the New World.

Piñatas became a key part of celebrating Las Posadas — the festivities held each December in Mexico and other Latin American countries to mark the birth of Christ. The religious origins are evident in the classic piñata designs of the seven-point star and the burro, or donkey, said Cesáreo Moreno, chief curator at the National Museum of Mexican Art in Chicago.

“Those early missionaries really were creative in the ways in which they wanted to teach the biblical stories to the Indigenous people,” Moreno said. “Nativity scenes, piñatas, posadas — all those things really worked well. They worked so well that they became a part of the popular culture of Mexico.”

And they still are part of the Mexican and larger Hispanic communities, whether it's in Chicago, San Antonio or Los Angeles, he said.

“Culture has no borders. Wherever community gathers, they have their culture with them. They bring it with them and so the piñata is no different,” he said.

Piñatas imported from Mexico line parts of Olympic Boulevard in Los Angeles. In Nevada, Arizona and New Mexico, people have turned their kitchen tables and garages into makeshift piñata factories, turning out custom shapes for birthday parties and special events.

Inside Casa de Piñatas in Albuquerque, giant characters hang from the ceiling and crowd the walls. For more than half his life, shop owner Francisco Rodríguez has been bringing to life super heroes, dinosaurs, sea creatures and other animals with strips of old newspaper and a simple paste of flour and water.

Some customers come from El Paso, Texas, and others from as far away as Michigan.

Rodríguez stared out the window, watching traffic zip by as he waited for his work to dry. With residue still on his apron and the fans blowing, he contemplated the future of the industry, hoping the next generation will take an interest in the craft.

He said many older piñata artists have retired or closed up their shops and he’s concerned the materials needed — like newspapers — will be harder to get as more things go digital.

It's likely piñatas will keep evolving as they have over the centuries. No longer are they made from clay ollas — used for hauling water or storing food — that would make a loud pop when cracked. Gone are the shards that would litter the ground as children scrambled for the tangerines, pieces of sugar cane and candy that poured out.

The stamps were inspired by the childhood memories of graphic designer Victor Meléndez, who grew up in Mexico City and remembers spending days with cousins and other relatives making piñatas to celebrate Las Posadas. His mother also would make piñatas for birthdays.

“That’s a dear, dear memory of just fun and happiness,” he told The Associated Press as he took a break from painting a mural in Seattle. “And I wanted to show a little bit of that and pay homage to some of those traditions.”

Meléndez's artwork also is influenced by the colors of homes in Mexico — bright pinks and deep blues, yellows and oranges.

This marks the third consecutive year the US Postal Service has issued a collection of stamps dedicated to Hispanic culture. Previous collections highlighted mariachi music and Day of the Dead.

Designing the stamps was certainly a dream project for Meléndez, who is known for his murals and design work for Starbucks. He's been a longtime fan of stamp work, having collected what he described as a ton of little bits of paper just because he likes the art.

Meléndez hopes the new stamps will ignite conversations and encourage people to learn about other cultures. They might discover they have more in common, he said.

“In the end, I feel that there must be a connection and there must be some sort of mutual understanding,” he said. “That eventually leads to better relations and more people being happy without fighting.”



Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
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Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)

French investigators remain determined to find the imperial jewels stolen from the Louvre in October, a prosecutor has told AFP.

Police believe they have arrested all four thieves who carried out the brazen October 19 robbery, making off with jewelry worth an estimated $102 million from the world-famous museum.

"The interrogations have not produced any new investigative elements," top Paris prosecutor Laure Beccuau said this week, three months after the broad-daylight heist.

But the case remains a top priority, she underlined.

"Our main objective is still to recover the jewelry," she said.

That Sunday morning in October, thieves parked a mover's truck with an extendable ladder below the Louvre's Apollo Gallery housing the French crown jewels.

Two of the thieves climbed up the ladder, broke a window and used angle grinders to cut glass display booths containing the treasures, while the other two waited below, investigators say.

The four then fled on high-powered motor scooters, dropping a diamond-and-emerald crown in their hurry.

But eight other items of jewelry -- including an emerald-and-diamond necklace that Napoleon I gave his second wife, Empress Marie-Louise -- remain at large.

Beccuau said investigators were keeping an open mind as to where the loot might be.

"We don't have any signals indicating that the jewelry is likely to have crossed the border," she said, though she added: "Anything is possible."

Detectives benefitted from contacts with "intermediaries in the art world, including internationally" as they pursued their probe.

"They have ways of receiving warning signals about networks of receivers of stolen goods, including abroad," Beccuau said.

As for anyone coming forward to hand over the jewels, that would be considered to be "active repentance, which could be taken into consideration" later during a trial, she said.

A fifth suspect, a 38-year-old woman who is the partner of one of the men, has been charged with being an accomplice but was released under judicial supervision pending a trial.

Investigators still had no idea if someone had ordered the theft.

"We refuse to have any preconceived notions about what might have led the individuals concerned to commit this theft," the prosecutor said.

But she said detectives and investigating magistrates were resolute.

"We haven't said our last word. It will take as long as it takes," she said.


Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.