Fears for Ancient Cyrene after Libya Floods

This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)
This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)
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Fears for Ancient Cyrene after Libya Floods

This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)
This picture released on the X platform (formerly Twitter) on September 17, 2023 shows a view of ruins at the site of the ancient Greco-Roman city of Cyrene (Shahhat) in eastern Libya, about 60 kilometers west of Derna and 226 kilometers east of Benghazi, in the aftermath of the devastation brought about the previous week by the Mediterranean Storm Daniel. (UGC / AFP)

Floods that killed thousands in the Libyan city of Derna also inundated one of the country's premier ancient sites, threatening its UNESCO-listed monuments with collapse, a recent visitor and a leading archaeologist said.

The immediate damage to the monuments of Cyrene, which include the second century AD Temple of Zeus, bigger than the Parthenon in Athens, is relatively minor but the water circulating around their foundations threatens future collapses, the head of the French archaeological mission in Libya, Vincent Michel, told AFP.

Settled from the Greek island of Santorini around 600 BC, Cyrene was one of the leading centers of the Classical world for nearly a millennium before being largely abandoned following a major earthquake in 365 AD.

Its name lives on in Cyrenaica, the historical name for eastern Libya.

UNESCO declared its surviving monuments a World Heritage Site in 1982. When the overthrow of longtime ruler Moammar al-Gaddafi in a NATO-backed uprising ushered in years of conflict and neglect, UNESCO added the site to its World Heritage in Danger list in 2016.

According to Claudia Gazzini, Libya specialist at the International Crisis Group think tank, who recently visited the site, much of it remains waterlogged days after the torrential rains triggered by Storm Daniel on September 10 to 11.

In places, ancient walls have collapsed, blocking the water courses that would normally drain the sprawling site, which also boasts a necropolis outside its walls as large as the city itself.

"There's a street lined by ancient walls that connects the upper and lower levels down which rainwater would normally escape but large boulders have fallen in, blocking the flow," Gazzini told AFP by telephone from Libya's main eastern city of Benghazi.

"On the lower level, there's also dirty water continuously bubbling out of the ground in the middle of the ruins," she said, adding that neither residents of the adjacent village of Shahat nor an official from local antiquities division that she met there, could tell her where it was coming from.

"If water continues to flow in and remains trapped in the site, the retaining wall could collapse, taking with it a large chunk of the ruins," she said.

Foundations weakened

French archaeologist Michel, who knows the site well having worked 10 years in another part of the area, said he had been able to analyze pictures of the monuments taken after the floods.

"For the moment, there's no major destruction at Cyrene -- the monuments are still standing," he said.

"But the torrents of water, earth and rock have created gullies in the ancient streets, particularly the Royal Road, and the main damage is still to come as the water has spread over a wide area and has weakened the foundations of the monuments.

"Since the stone in the region is of poor quality, the monuments risk falling apart due to lack of good foundations," he added.

The adjacent necropolis has been inundated by "hundreds of cubic meters of water which has shifted and submerged some of the tombs," he added.

Michel said he was also concerned about the risks of looting in the aftermath of the floods, which killed more than 3,000 people and left tens of thousands homeless.

The site in the Jebel al-Ahkdar mountains, inland from the Mediterranean coast, is normally popular with visitors for its panoramic views. But Libyans have more pressing worries after the deadly floods.

Michel said his concerns had been partially allayed by the rapid mobilization of Libya's antiquities department, which had already sought help from the Italian archaeological mission in protecting Cyrene and from the French mission he heads in protecting two nearby sites.

The aim is to "join forces with the local authorities in coordination with UNESCO to raise the main points of weakness in the monuments and record any deterioration," Michel said.

Actions should then be taken to repair the drainage of the site and shore up the monuments' foundations.



AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
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AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall showcased the region's rich cultural heritage by seamlessly blending traditional folk arts into a professional, contemporary symphonic performance.

The event featured renowned local folk arts integrated into an artistic tableau, demonstrating Saudi heritage's ability to thrive in modern contexts while maintaining its historical depth, the Saudi Press Agency reported.

This successful convergence of global musical standards and local tradition further establishes AlUla as a premier international hub for creative and cultural expression.


Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine
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Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

The Cultural Development Fund (CDF) successfully concluded its participation at the 2026 Annual Meeting of the World Economic Forum, held from January 19 to 23 in Davos, Switzerland, marking a historic and groundbreaking presence for Saudi culture at the world’s premier economic event.

Hosted at the Saudi House, the CDF engaged over 200 international experts, including leading economists and investors, through a series of dynamic activities such as a networking breakfast, panel discussion, and beneficiary talks on the NextOn platform. The CDF emphasized culture not only as a form of artistic and creative expression, but also as a vital economic driver and a strategic pillar for national development, SPA reported.

Reinforcing this vision, CDF CEO Majed Al-Hugail highlighted in a Davos panel Saudi Arabia's belief in culture as a pivotal force for economic diversification and quality of life. By 2030, he stated, the cultural sector is set to contribute $48 billion to GDP, create more than 346,000 jobs, and attract 22 million visitors.

The CDF also underscored the critical role of financing in empowering entrepreneurship and amplifying the economic potential of the cultural sector. Notable participants in the NextOn talk series included Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, who addressed “Culture as Economic Infrastructure: Unlocking Human Capital Through the Creative Industries.” Additionally, CEO of the Arabian Housing & Building (AHB) Company Eng. Khalid Alhenaidy contributed insights during a session titled “The Value in Cultural Assets.”

Looking ahead, the CDF organized six strategic side meetings aimed at exploring new opportunities and fostering collaborations to accelerate the development of the Saudi cultural sector and attract global investment. It also distributed 150 copies of the comprehensive investment report, Saudi Cultural Market Outlook 2025: Vision, Impact, and Opportunities, developed in partnership with the Ministry of Culture, the Ministry of Investment, and the Invest Saudi initiative.

Furthermore, the CDF showcased Saudi creativity by exporting 60 cultural products from Samuda, a fashion-sector beneficiary brand, highlighting the growing economic significance of the Saudi fashion market.

This milestone reflects the CDF’s commitment to serving as a center of excellence and financial enabler for the Kingdom’s cultural sector. It underscores ongoing efforts to elevate Saudi culture on the global stage, maximizing its economic and social impact in alignment with the ambitious objectives of Saudi Vision 2030.


Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
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Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA

The King Abdulaziz Center for World Culture (Ithra) announced the five shortlisted artists for the seventh edition of the Ithra Art Prize, which celebrates artists from or based in the 22 Arab countries.

Recognized as one of the most distinguished honors in the Middle East, the Prize is dedicated to empowering artists, fostering innovation, and deepening cultural dialogue across the Arab world.

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine), SPA reported.

Head of Ithra’s Museum Farah Abushullaih said: “The development and expansion of the Ithra Art Prize since its launch have established it as an important platform for artistic expression.

This year’s shortlist reflects the incredible diversity, creativity, and critical thought shaping contemporary art in the Arab world. The open call received more than 500 artistic submissions, which underwent an initial review process before a selected group of works was evaluated by the jury.”

She added that the award, in its current edition, is witnessing an expansion in scope compared to previous years, as the judging panel is providing production grants to the five finalists, with their works to be showcased in a dedicated exhibition at the King Abdulaziz Center for World Culture (Ithra) during the spring of 2026.