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Dubai Culture, UAE Falcons Federation Join Hands to Preserve Emirati Heritage

The Dubai Culture and Arts Authority
The Dubai Culture and Arts Authority
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Dubai Culture, UAE Falcons Federation Join Hands to Preserve Emirati Heritage

The Dubai Culture and Arts Authority
The Dubai Culture and Arts Authority

Dubai Culture and Arts Authority has signed a Memorandum of Understanding with the UAE Falcons Federation to strengthen collaboration in promoting awareness of Emirati heritage among the public, Emirates News Agency (WAM) reported on Thursday.

Both entities will work together to organize a series of initiatives and activities focused on preserving Emirati heritage and culture, WAM said. This partnership reflects the commitment of both parties to instill a deeper sense of national identity in society and contribute to the preservation and promotion of heritage sports, the news agency added.

The MoU defines the roles of both parties, allowing the UAE Falcons Federation to use facilities at Dubai Culture's museums to organize a range of events, workshops, and activities aimed at introducing visitors and local community members to heritage sports and falconry competitions.

Mansoor Lootah, CEO of the Operations Support Sector at Dubai Culture/Acting Director-General of Dubai Culture, affirmed the importance of partnerships formed with heritage entities in the country, strengthening the role of the authority in motivating the public to explore the elements of Emirati heritage and culture in all its beauty and authenticity.

Lootah said: "Heritage sports are an integral part of our culture and history; they are customs passed on through several generations and still maintain an important role in the Emirati society. Dubai Culture is keen to introduce them by highlighting their artistic aspects, history, and presence in the local scene, contributing to raising awareness of the importance of heritage sports that we cherish."

"Falconry, as a traditional and heritage sport, is closely tied to our culture, history, and national identity. This MoU represents an opportunity to continue introducing this sport, its details, and practices, especially in light of the increasing interest of the younger generation in various technological advancements,” said Secretary-General of the UAE Falcons Federation Rashid bin Markhan.

“This amplifies our responsibility to create innovative solutions and initiatives to instill the importance of heritage sports and their noble values in the hearts of future generations. It also aligns with our joint strategic goals to promote the culture of falconry and familiarize people with its principles."

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Culture

The Author of ‘The Help’ Wrote a Second Novel. Yes, Following Up Was Daunting.

Kathryn Stockett
Kathryn Stockett
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The Author of ‘The Help’ Wrote a Second Novel. Yes, Following Up Was Daunting.

Kathryn Stockett
Kathryn Stockett

Fifteen years after her blockbuster novel “The Help” sparked conversation and criticism for its portrayal of the lives of Black maids in the South, Kathryn Stockett is publishing a new novel.
Set in 1933 in Oxford, Miss., “The Calamity Club” centers on a group of women whose lives intersect as they struggle to get by during the Depression. It will be published in April 2026 by the independent press Spiegel & Grau.
Anticipation for a follow-up from Stockett was high. When it was released in 2009, “The Help” caused a stir with its frank depiction of racial inequality. It went on to sell some 15 million copies, spent more than two years on the New York Times best-seller list, and was adapted into an Academy Award-winning movie.
In a video interview from her home outside of Natchez, Miss., Stockett admitted that writing a second novel in the long shadow of her debut was daunting.
“The pressure was definitely on,” she said. “The fear of failure, it really weighs on a writer.”
The novel also drew sharp criticism for its portrayal of Black characters and their speech, which some readers and critics found insensitive and offensive. Viola Davis, who was nominated for an Academy Award for her role in the film, later said she regretted participating, adding that she felt the film failed to accurately capture the voices and lives of Black women.
In some ways, the debate over “The Help” foreshadowed the “own voices” movement in the literary world, which pushed for more diversity in literature from writers drawing on their own cultural backgrounds.
Stockett said that “The Help” would most likely not have found a publisher in today’s environment, but that she doesn’t regret the way she told the story.
“I doubt that ‘The Help’ would be published today, for the fact that a white woman was writing in the voice of a Black woman,” she said. “I did get a lot of criticism but it didn’t get under my skin, because it started conversations.”
“The Help” was inspired in part by Stockett’s relationship with a woman named Demetrie McLorn, who worked as a maid for her family and died when Stockett was a teenager.
The story, which takes place in Mississippi in the early 1960s, has multiple narrators: a Black woman named Aibileen who works as a nanny and housekeeper for white families, Aibileen’s outspoken friend Minny, and a young white woman, Skeeter, who is appalled by the racism she witnesses.
Stockett’s new novel, set in the segregated South, also engages with the issue of race, but not as directly, Stockett said.
“Race is always in the background,” she said. “It’s probably always going to be in the background of any book I write.”
Stockett first began working on a novel set in Depression-era Mississippi in 2013. She did extensive research into the era, learning about the Farm Act, child labor laws, the eugenics movement and the forced sterilization of women in prison, and Franklin D. Roosevelt’s economic policies.
The story is narrated by two white female characters: an 11-year-old girl who lives in an orphanage and a young woman from the Delta who has come to Oxford in hopes of helping her family through hard times.
In 2020, after writing some 800 pages, Stockett felt stuck, and almost abandoned the book. A friend who had read the manuscript connected her with Julie Grau, co-founder of Spiegel & Grau. They worked for years without a contract, and kept the project quiet. A few years later, they signed a deal. With its release next year, the book will be published simultaneously in Britain by Fig Tree and in Canada by Doubleday Canada.
“There’s something really precious about giving writers the time and the space to execute that follow up,” Grau said. “It was really remarkable and ideal to shield her from the glare.”
Stockett said she was so stunned by the success of her debut that she’s set aside any expectations about how “The Calamity Club” will be received.
“I can’t believe it happened then,” she said, “and I have no idea what's going to happen this time around either.”

 

The New York Times