Movie Review: St4llone, St4tham Are Back in ‘Expend4bles,’ Yet Another Expend4ble Sequel

 This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)
This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)
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Movie Review: St4llone, St4tham Are Back in ‘Expend4bles,’ Yet Another Expend4ble Sequel

 This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)
This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)

It’s a throwaway line, but maybe a bit too meaningful, under the circumstances. “Gravity is setting in,” says Barney, Sylvester Stallone’s aging character in “Expend4bles,” when someone asks how he’s doing.

Indeed. Gravity is setting in throughout “Expend4bles,” a movie whose most enticing mystery is not the secret identity of its shadowy villain, but how you pronounce the film’s title. Are we supposed to enunciate the mid-word numeral, or is it merely visual? Is this what stands for a smart new spin on a tired franchise? Will we soon have “My Big F4t Greek Wedding”? Are these questions supposed to distract us from how stunningly mediocre the film is?

Perhaps we digress. This is, obviously, the fourth “Expendables” film, but our considered scientific opinion is that you needn’t see the first three to catch up. True, there’s no explanatory intro, but if you’ve seen earlier “Expendables” films, you’ll know there’s not much to know. These guys are the indestructible mercenaries who swoop in – literally, on Barney’s turboprop plane – to do dirty work in miserable places. The body count is head-spinningly high (this film, directed by Scott Waugh, returns to an R rating after a switch to PG-13 for the last installment). The dialogue is head-spinningly mundane. The flow of testosterone is, well, head-spinning.

Leading the pack, as ever, is Stallone’s Barney Ross and his expert knife-wielding best bud, Lee Christmas — Jason Statham, reveling in his Cockney charm and smiling more than usual. (This is not a bad thing. Statham has a nice smile. This may be the only good thing.) Also back are Dolph Lundgren’s Gunner and Randy Couture’s Toll Road.

And now, perhaps in a nod to the previously unrecognized fact that half the human race is female, we have Megan Fox as mercenary leader Gina. More on her in a bit. Also providing new blood is Andy Garcia as a prickly CIA handler, Curtis “50 Cent” Jackson as an ex-Marine and new team member, and two martial arts stars: Iko Uwais as ruthless arms dealer Rahmat, and Tony Jaa as quiet warrior Decha. Other additions: Jacob Scipio is the son of Antonio Banderas’ character from the last film, and Levy Tran is a new female teammate, adept with a whip chain.

Got all that? In a prelude scene in New Orleans, we reconnect with Barney, who now has salt-and-pepper hair, and a bad back — so bad, he enlists Christmas to help him recover his prized skeleton ring at a biker bar, which he’s lost in a thumb-wrestling contest. The thugs dispatched and the ring collected, it’s time to get back to work.

This means a trip to Libya, where aforementioned arms dealer Rahmat (Uwais) is securing detonators for a nuclear weapon. CIA handler Marsh (Garcia) needs the Expendables to stop him. The other thing you should know is that Barney is determined to unmask a shadowy figure codenamed Ocelot who’s maybe pulling all the strings.

Not surprisingly, the Expendables run into resistance. The body count mounts, and then something happens that will change the trajectory of the film. We can’t give it away, but let’s just say it brings Statham’s Christmas to the forefront for much of the film.

But he makes an early error that sidelines him for a bit. Leading the next stage of the mission will be Gina (Fox), his ex (or maybe current?) girlfriend. Gina is introduced to us the only way a woman in a testosterone-dripping franchise like this can be: Sexy AND crazy, yelling like the dickens in a hot little dress. She also wears an absurd amount of makeup, including on the mission. Apparently, there’s a brand of matte lipstick that holds up very well through mortal combat. Which is convenient if your ex-boyfriend may or may not be showing up.

All this action takes place on a freighter where the aforementioned nuclear bomb is being stored. It includes countless killings and also a motorcycle chase (on a freighter!) It all gets very tiresome.

It doesn’t help that the special effects sometimes seem thrown together with about as much care as the script. Some of the most obvious green screens provide inadvertent comedy. As for intended comedy, the only truly funny scene is when Christmas, sidelined, tries out a job as security detail for an obnoxious social media influencer.

The likable British action star is having a busy year. In “Expend4bles,” as mentioned, they let him smile a lot, and it’s a nice touch. Still, if there’s an “Expend5bles,” they’re gonna need more than a Statham smile and another mid-word numeral in the title.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".