David McCallum, Star of Hit TV Series ‘The Man From U.N.C.L.E.’ and ‘NCIS,’ Dies at 90 

US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)
US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)
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David McCallum, Star of Hit TV Series ‘The Man From U.N.C.L.E.’ and ‘NCIS,’ Dies at 90 

US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)
US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)

Actor David McCallum, who became a teen heartthrob in the hit series "The Man From U.N.C.L.E." in the 1960s and was the eccentric medical examiner in the popular "NCIS" 40 years later, has died. He was 90.

McCallum died Monday of natural causes surrounded by family at New York Presbyterian Hospital, CBS said in a statement.

"David was a gifted actor and author, and beloved by many around the world. He led an incredible life, and his legacy will forever live on through his family and the countless hours on film and television that will never go away," said a statement from CBS.

Scottish-born McCallum had been doing well appearing in such films "A Night to Remember" (about the Titanic), "The Great Escape" and "The Greatest Story Ever Told" (as Judas). But it was "The Man From U.N.C.L.E." that made the blond actor with the Beatlesque haircut a household name in the mid-'60s.

The success of the James Bond books and films had set off a chain reaction, with secret agents proliferating on both large and small screens. Indeed, Bond creator Ian Fleming contributed some ideas as "The Man From U.N.C.L.E." was being developed, according to Jon Heitland's "The Man From U.N.C.L.E. Book."

The show, which debuted in 1964, starred Robert Vaughn as Napoleon Solo, an agent in a secretive, high-tech squad of crime fighters whose initials stood for United Network Command for Law and Enforcement. Despite the Cold War, the agency had an international staff, with McCallum as Illya Kuryakin, Solo’s Russian sidekick.

The role was relatively small at first, McCallum recalled, adding in a 1998 interview that "I’d never heard of the word ‘sidekick’ before."

The show drew mixed reviews but eventually caught on, particularly with teenage girls attracted by McCallum’s good looks and enigmatic, intellectual character. By 1965, Illya was a full partner to Vaughn’s character and both stars were mobbed during personal appearances.

The series lasted until 1968. Vaughn and McCallum reunited in 1983 for a nostalgic TV movie, "The Return of the Man From U.N.C.L.E.," in which the agents were lured out of retirement to save the world once more.

McCallum returned to television in 2003 in another series with an agency known by its initials — CBS’ "NCIS." He played Dr. Donald "Ducky" Mallard, a bookish pathologist for the Naval Criminal Investigation Service, an agency handling crimes involving the Navy or the Marines. Mark Harmon played the NCIS boss.

Co-star Lauren Holly took to X, formerly Twitter, to mourn: "You were the kindest man. Thank you for being you." The previously announced 20th anniversary "NCIS" marathon on Monday night will now include an "in memoriam" card in remembrance of McCallum.

The series built an audience gradually, eventually reaching the roster of top 10 shows. McCallum, who lived in New York, stayed in a one-bedroom apartment in Santa Monica when "NCIS" was in production.

"He was a scholar and a gentleman, always gracious, a consummate professional, and never one to pass up a joke. From day one, it was an honor to work with him and he never let us down. He was, quite simply, a legend," said a statement from "NCIS" Executive Producers Steven D. Binder and David North.

McCallum’s work with "U.N.C.L.E." brought him two Emmy nominations, and he got a third as an educator struggling with alcoholism in a 1969 Hallmark Hall of Fame drama called "Teacher, Teacher."

In 1975, he had the title role in a short-lived science fiction series, "The Invisible Man," and from 1979 to 1982 he played Steel in a British science fiction series, "Sapphire and Steel." Over the years, he also appeared in guest shots in many TV shows, including "Murder, She Wrote" and "Sex and the City."

He appeared on Broadway in a 1968 comedy, "The Flip Side," and in a 1999 revival of "Amadeus" starring Michael Sheen and David Suchet. He also was in several off-Broadway productions.

Largely based in the US from the 1960s onward, McCallum was a longtime American citizen, telling The Associated Press in 2003 that "I have always loved the freedom of this country and everything it stands for. And I live here, and I like to vote here."

David Keith McCallum was born in Glasgow in 1933. His parents were musicians; his father, also named David, played violin, his mother played cello. When David was 3, the family moved to London, where David Sr. played with the London Philharmonic and Royal Philharmonic.

Young David attended the Royal Academy of Music where he learned the oboe. He decided he wasn’t good enough, so he turned to theater, studying briefly at the Royal Academy of Dramatic Art. But "I was a small, emaciated blond with a caved chest, so there weren’t an awful lot of parts for me," he commented in a Los Angeles Times interview in 2009.

After time out for military service, he returned to London and began getting work on live television and movies. In 1957 he appeared in "Robbery Under Arms," an adventure set in early Australia, with a rising actress, Jill Ireland. The couple married that same year.

In 1963, McCallum was part of the large cast of "The Great Escape" and he and his wife became friendly with Charles Bronson, also in the film. Ireland eventually fell in love with Bronson and she and McCallum divorced in 1967. She married Bronson in 1968.

"It all worked out fine," McCallum said in 2009, "because soon after that I got together with Katherine (Carpenter, a former model) and we’ve been very happily married for 42 years."

McCallum had three sons from his first marriage, Paul, Jason and Valentine, and a son and daughter from his second, Peter and Sophie. Jason died of an overdose.

"He was a true Renaissance man — he was fascinated by science and culture and would turn those passions into knowledge. For example, he was capable of conducting a symphony orchestra and (if needed) could actually perform an autopsy, based on his decades-long studies for his role on NCIS," Peter McCallum said in a statement.

In 2007, when he was working on "NCIS," McCallum told a reporter: "I’ve always felt the harder I work, the luckier I get. I believe in serendipitous things happening, but at the same time, dedicating yourself to what you do is the best way to get along in this life."



Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.


Norway-Set Drama About Political Polarization ‘Fjord’ Wins Palme ’Or at Cannes

Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)
Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)
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Norway-Set Drama About Political Polarization ‘Fjord’ Wins Palme ’Or at Cannes

Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)
Director Cristian Mungiu poses after receiving the Palme d'Or award for "Fjord" during the winners photocall at the closing and awards ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 23 May 2026. (EPA)

Cristian Mungiu’s Norway-set drama about political polarization, "Fjord," has won the Palme d’Or, handing the Cannes Film Festival ’s top honor for the second time to Mungiu, the Romanian director of "4 Months, 3 Weeks and 2 Days."

At a 79th Cannes Film Festival that saw few films cause a stir, "Fjord" found wide admiration for its engrossing tale of what Mungiu called "left-wing fundamentalism." It stars Sebastian Stan and Renate Reinsve as Romanian Evangelicals who move to Norway, but soon after have their children taken from them by child services for spanking them.

"Today the society is split. It’s divided. It’s radicalized," said Mungiu. "This film is a pledge against any type of fundamentalism. It's a pledge for these things we quote very often, like trauma and inclusion and empathy. These are lovely words but we need to apply them more often."

Mungiu becomes just the 10th filmmaker to win the Palme d’Or twice. His "4 Months, 3 Weeks and 2 Days," a Romanian abortion drama, won the award in 2007.

The win for "Fjord" extends one of the movies’ most extraordinary streaks. Neon, the specialty label, has now taken seven Palme d’Or winners in a row. "Fjord" adds to its unparalleled run, including last year’s champion, Jafar Panahi’s "It Was Just an Accident," and the 2024 winner, "Anora." The latter went on to win best picture at the Oscars.

‘Minotaur’ wins Grand Prix

The Grand Prix, or second prize, went to "Minotaur," Andrey Zvyagintsev’s domestic thriller set against Russia’s war with Ukraine. Loosely based on Claude Chabrol’s 1969 film "The Unfaithful Wife,Minotaur" is about a Russian businessman suspicious of his wife’s indiscretions. At the same time, he’s tasked with conscripting 150 of his workers for Vladimir Putin’s war machine.

"The only person who can stop this butchery is you, Mr. President of the Russian Federation," Zvyagintsev said, accepting his award. "Put an end to this slaughter. The whole world is waiting for this."

By wide consensus, it wasn’t a banner festival. Hollywood largely sat out this year’s edition. Many of the selections struggled to bowl over critics. The global buzz that Cannes typically generates was fitful at best.

But the awards handed out Saturday as the 79th Cannes drew to a close will significantly raise the international profiles of the winners. Last year's Cannes produced a long string of Oscar nominees, including "Sentimental Value" and "The Secret Agent."

The nine-member jury that decided the awards was headed by Korean filmmaker Park Chan-wook. Demi Moore, Chloé Zhao and Stellan Skarsgård were also jurors. Chan-wook, a Cannes regular including last year with his satirical thriller "No Other Choice," joked that he preferred not to give away the Palme.

"To be honest, I didn’t want to award the Palme d’Or to any of the films, because it’s an award I myself have never gotten," Chan-wook told reporters after the ceremony. "But I had no other choice."

Awards are split and shared

Virginie Efira and Tao Okamoto, the two stars of Ryusuke Hamaguchi’s "All of a Sudden" shared the best actress award. In the elegantly empathetic drama, the two play women brought together in friendship out of their mutual sense of care for others.

The jury also split the best actor prize. They chose Emmanuel Macchia and Valentin Campagne, the two stars of "Coward," Lukas Dhont’s drama about young Belgian men sent to the front lines of World War II.

The prize for best screenplay was awarded to Emmanuel Marre for "A Man of His Time," a French drama about a Nazi collaborator in Vichy France. Marre based it on the experiences of his own great-grandfather.

The jury prize, or third place, went to German filmmaker Valeska Grisebach’s "The Dreamed Adventure," a crime drama set in a Bulgarian border town.

Saturday’s ceremony was missing its tribute honoree. Barbra Streisand was to receive an honorary Palme d’Or, but a knee injury prevented her from attending. Isabelle Huppert nevertheless celebrated Streisand during the ceremony, and Streisand appeared in a taped video message.

The Camera d’Or, Cannes’ award for best first film, went to Marie Clémentine Dusabejambo’s post-genocide drama "Ben’Imana," the first Rwandan film to be officially selected for the festival.


Rescue Dog Yuri Steals Cannes Spotlight with Palm Dog’s Top Prize

Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
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Rescue Dog Yuri Steals Cannes Spotlight with Palm Dog’s Top Prize

Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)

Cannes may be best known for its A-list stars, but Yuri the rescue dog stole the spotlight on Friday, winning the most anticipated unofficial award of the festival, the Palm Dog, for her performance in Chilean drama "La Perra."

Judges praised Yuri's naturalistic performance and her central contribution to the plot when picking the pooch, whose prize was a red collar emblazoned with "Palm Dog" on it.

Director Dominga Sotomayor Castillo took to the stage overlooking the clear blue waters of ‌the French Riviera ‌with another rescue dog named Apocalypse, who humbly ‌accepted ⁠the prize on Yuri's ⁠behalf, to claps and barks of approval.

The Palm Dog, a play on the festival's top prize, the Palme d'Or, has evolved from a cheeky sideshow event to a genuinely coveted prize since film journalist Toby Rose started it in 2001.

NATURALISTIC PERFORMANCE

"La Perra," which premiered in the Directors' Fortnight independent sidebar, revolves around a woman living on a remote Chilean island who impulsively ⁠adopts a puppy named Yuri.

"It's not a dog ‌doing lots of tricks. But it (the ‌film) really shows the bond and how this woman's life improves once Yuri, the ‌dog, comes into it," judge and film journalist Wendy Mitchell, wearing a ‌hat decorated with small plush dogs, told Reuters.

Another judge, Anna Smith, film critic, broadcaster and host of "Girls On Film" podcast, said the depiction of Yuri in the film was also key in their decision.

"As a jury member, I'm always ‌looking for a story where the dog is absolutely essential to the narrative," said Smith, who was similarly decked ⁠out in ⁠a dog-themed outfit.

Yuri beat six other competitors to take the top prize.

Another rescue dog, Lola, took the Grand Jury Prize for her role in the Birmingham-set drama about the lives of five friends, "I See Buildings Fall Like Lightning," that also premiered in the Directors' Fortnight sidebar.

"We are very strict in our criteria and what is a Palm Dog winning performance. The dogs over the years have been unbelievable," organizer Rose told Reuters after the award.

Past winners include Messi, the Border collie from Justine Triet's "Anatomy of a Fall," who converted his star power into a French TV show, as well as Uggie, a Jack Russell who helped launch a wider craze for the breed with "The Artist" in 2011.