Hollywood Studios Break Off Strike Talks with Actors

The iconic Hollywood sign is pictured on the day members of the Writers Guild of America (WGA) approved a new three-year contract with major studios, in Los Angeles, California, US, October 9, 2023. REUTERS/Mario Anzuoni
The iconic Hollywood sign is pictured on the day members of the Writers Guild of America (WGA) approved a new three-year contract with major studios, in Los Angeles, California, US, October 9, 2023. REUTERS/Mario Anzuoni
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Hollywood Studios Break Off Strike Talks with Actors

The iconic Hollywood sign is pictured on the day members of the Writers Guild of America (WGA) approved a new three-year contract with major studios, in Los Angeles, California, US, October 9, 2023. REUTERS/Mario Anzuoni
The iconic Hollywood sign is pictured on the day members of the Writers Guild of America (WGA) approved a new three-year contract with major studios, in Los Angeles, California, US, October 9, 2023. REUTERS/Mario Anzuoni

Talks bitterly broke off between Hollywood actors and studios late Wednesday, killing any hopes that the three-month strike by performers would come to an end anytime soon.
The studios announced that they had suspended contract negotiations, saying the gap between the two sides was too great to make continuing worth it, despite an offer as good as the one that recently ended the writers strike. The actors union decried their opponents' “bullying tactics” and said they were wildly mischaracterizing their offers, The Associated Press reported.
On Oct. 2, for the first time since the strike began July 14, the Screen Actors Guild-American Federation of Television and Radio Artists had resumed negotiations with the Alliance of Motion Picture and Television Producers, which represents studios, streaming services and production companies in strike talks.
When negotiations resumed with writers last month, their strike ended five days later, but similar progress was not made with the actors union.
The studios walked away from talks after seeing the actors' most recent proposal on Wednesday.
“It is clear that the gap between the AMPTP and SAG-AFTRA is too great, and conversations are no longer moving us in a productive direction,” the AMPTP said in a statement.
The SAG-AFTRA proposal would cost companies an additional $800 million a year and create “an untenable economic burden,” the statement said.
In a letter to members sent early Thursday, SAG AFTRA said that figure was overestimated by 60%. The union said its negotiators were “profoundly disappointed” the studios had broken off talks.
“We have negotiated with them in good faith,” the letter read, “despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.”
Actors have been on strike over issues including increases in pay for streaming programming and control of the use of their images generated by artificial intelligence.
The AMPTP insisted its offers had been as generous as the deals that brought an end to the writers strike and brought a new contract to the directors guild earlier this year.
But the union letter to actors said the companies “refuse to protect performers from being replaced by AI, they refuse to increase your wages to keep up with inflation, and they refuse to share a tiny portion of the immense revenue YOUR work generates for them.”
From the start, the actors talks had nothing like the momentum that spurred marathon night-and-weekend sessions in the writers strike and brought that work stoppage to an end. Actors and studios had taken several days off after resuming, and there were no reports of meaningful progress despite direct involvement from the heads of studios including Disney and Netflix as there had been in the writers strike.
The writers did have their own false start in negotiations, however. A month before the successful talks, the initial attempt to restart ended after just a few days.
Members of the Writers Guild of America voted almost unanimously to ratify their new contract on Monday.
Their leaders touted their deal as achieving most of what they had sought when they went on strike nearly five months earlier.
They declared their strike over, and sent writers back to work, on Sept. 26.
Late night talk shows returned to the air within a week, and other shows including “Saturday Night Live” will soon follow.
But with no actors, production on scripted shows and movies will stay on pause indefinitely.



'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
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'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo

James Gunn, writer and director of the off-kilter "Guardians of the Galaxy" films, tussled with various ideas on how to deliver a new take on Superman to the big screen.

Gunn said he was aware of the many ways the noble hero had been approached since his 1938 debut, initially in comic books and then radio serials, television shows and movies.

The challenge was to deliver something fresh that would appeal to a new generation of moviegoers and reinvigorate Warner Bros Discovery's DC Studios.

His vision, in the movie titled simply "Superman," starts rolling out in international theaters on Wednesday and in the United States and Canada on Friday, Reuters reported.

In the opening scene, Superman, played for the first time by David Corenswet, is seen bloodied after a fight, an unusual portrayal for the Man of Steel.

"I wanted to take the character of Superman and just focus on a piece of him that we haven't necessarily seen before," Gunn said.

Gunn surrounded Superman with elements that enthralled him from the comics as a child. Superman lives in a world, Gunn said, with "superhero friends and giant monsters and flying dogs, robots and all this magical stuff."

The new film includes Superman's four-legged sidekick, a superpowered dog named Krypto first introduced in a 1955 comic. The latest version is based on Gunn's real-life, misbehaving rescue mutt.

Warner Bros is counting on "Superman" to start a new era at DC Studios, which has failed to match the superhero success of Walt Disney-owned Marvel. Gunn, who made the "Guardians" movies for Marvel, was named co-CEO of DC Studios, alongside producer Peter Safran, in 2022.

The pair have plotted a long-term slate that features a Supergirl movie for June 2026, a film based on Swamp Thing and TV shows for HBO Max. Wonder Woman and Batman also are expected to return to cinemas.

Gunn said the aesthetic that audiences see in "Superman" will not necessarily foreshadow future DC Studios endeavors. "I want to be really certain that every project has its own unique flavor," Gunn said.

"We're doing Clayface, and that doesn't feel like this movie. It's an R-rated horror movie. We're doing 'Lanterns,' which is an HBO show, which feels very much like an HBO show, very grounded, very kind of brutal. We have 'Peacemaker,' which is an adult show with a lot of emotion and a lot of comedy."

Gunn admitted he has felt the weight of responsibility to produce a hit.
"I've felt pressure all along," Gunn said. "That's been difficult."

But as he started to see initial reaction to the film, "I'm feeling pretty good," he said. "It's pretty fun. I'm seeing the effect the movie has on people."