‘Get Ready with Me’: Video Genre That Focuses on Everyday Life Is Everywhere — And Not Slowing Down 

TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
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‘Get Ready with Me’: Video Genre That Focuses on Everyday Life Is Everywhere — And Not Slowing Down 

TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)

“Get Ready with Me” — to go on a date, go to work or ... get fired?

“Get Ready with Me” videos are everywhere these days, and they’re as straightforward as the name suggests. Social media users, often influencers, invite viewers to watch them get ready to do something or go somewhere. And embedded in the storyline are the skin care, the makeup, the hairdo and all the glam that goes into looking hot — and, of course, the personal stories about life or love that arrest your attention.

GRWM videos, as they’re also known, are part of a trend of “with me” content that has gained popularity over the past decade. Think “Clean with Me” videos where users watch people clean their homes for inspiration or pleasure. Or hours-long “Study with Me” videos for students who want buddies for intense cramming sessions but don’t have any friends nearby.

More than a decade after debuting on YouTube in the days when creator content was still relatively new, “Get Ready with Me” videos and their personal sensibilities have inundated social media thanks to a shorter iteration of the genre, which seems to have lent them a more personal and even revelatory tone.

“For creators, this is a vehicle for storytelling,” says Earnest Pettie, a trends insight lead at YouTube. “It becomes an excuse to share something about your life.”

People are watching by the billion

The videos have made everyday tasks a core staple of our online diets on platforms like YouTube by drawing in viewers who find it either informative, communal, or both.

Consumers, for the most part, seem to be really into it. In a report released in August, YouTube said there were more than 6 billion views of videos titled with variations of “grwm” at that point in the year. On TikTok, videos with the hashtag “grwm” have been viewed more than 157 billion times.

Celebrities and “it girls” have hopped on the bandwagon, often to promote their brands or as part of Vogue’s “Beauty Secrets” series, which draws from the trend. In April, model Sofia Richie Grainge joined TikTok and posted a series of Get Ready with Me videos to offer fans an inside look into her wedding.

In the initial years of the genre, Pettie says, people would simply put on makeup in front of the camera. Soon after, the videos evolved to what is seen today — content creators getting glammed up while talking to their followers about whatever’s on their minds.

It experienced another revival in recent years with the popularity of short-form video, TikTok’s bread-and-butter — which was cloned by YouTube and Instagram in the form of Shorts and Reels, respectively.

The genre is being adopted by up-and-coming creators who might be uncomfortable sharing a story in a video without doing anything else, says Nicla Bartoli, the vice president of sales at Influencer Marketing Factory. Adding activities has the tendency to make content feel less heavy and more inviting, especially to viewers who’ve never come across the creator but are interested in what they’re doing.

Because users also tend to scroll quickly on TikTok, creators must capture a viewer’s attention right away before they move on to the next thing on their “For You” page. More engagement means more popularity, which typically leads to partnerships with companies eager to pay influencers through brand deals or other means.

“The level of compelling stories has been increasing a lot,” says Bartoli, whose company connects influencers with brands who want to partner with them to promote products. “It can be because it’s more crowded. You need to step up the game, so to speak.”

Get ready for emerging personalities

One of the most-known influencers in this arena is 22-year-old Alix Earle, who shares her experiences with struggles like acne, an eating disorder and panic attacks as well as lighthearted episodes about nights out with friends. She has nearly 6 million followers on TikTok.

Alisha Rei, 18, who lives in Toronto and models, says she wants to create viral social media content to help her build her following and, in turn, her modeling career. She says her friends told her to make Get Ready with Me videos because they tend to be popular.

Because of modeling events, Rei says she’d missed some shifts at her part-time job working at a mall shoe store. So she decided to make a “get ready with me to get fired” video while doing her makeup before she went back for another shift. The video was tagged #pleasedontbelikeme.

In an interview, Rei, a college freshman, says she received a warning from her manager but didn’t get fired.

Often, behind the “getting ready” content lurk other, more commercial messages.

Bartoli notes that many of the confessional videos do more than they might first appear: They can provide more engagement from users who want to receive updates on a story that’s being shared or know more about the products creators are using. That can make the videos good for product placements and encourage brand partnerships, which, according to Goldman Sachs, is the largest source of income for creators.

The investment bank said in a report earlier this year that the creator economy is worth $250 billion today and could roughly double in size by 2027.

Allie Pribula, a 25-year-old TikToker who used to be an elementary school teacher in the Philadelphia suburbs, says she started making GRWM videos as a way to process her feelings about her old job. Pribula says some companies have since reached out to her to offer gifts and have paid her to market products on her page. She says she considers it a “side hustle.”

Camilla Ramirez Diaz, a 25-year-old optician who lives in Burlingame, California, recently bought a freckle pen that was featured on GRWM videos she watches at night to wind down her day. Diaz prefers to watch them more on TikTok, where she says the content can be a bit more personal. She cites a video she recently came across from an influencer who was getting ready while stranded in London due to an expired passport.

“It's almost like you’re watching your friend on FaceTime with you,” Diaz says. “I could sit there all day and watch Get Ready with Me videos from different creators. They’re just a mix of everything.”



Michael J. Fox Honored at Emmys for Parkinson’s Advocacy

Canadian-US actor Michael J. Fox speaks as he is honored with the Bob Hope Humanitarian award during the 78th Primetime Emmy Awards at the Peacock Theater at LA Live in Los Angeles on September 14, 2026. (AFP)
Canadian-US actor Michael J. Fox speaks as he is honored with the Bob Hope Humanitarian award during the 78th Primetime Emmy Awards at the Peacock Theater at LA Live in Los Angeles on September 14, 2026. (AFP)
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Michael J. Fox Honored at Emmys for Parkinson’s Advocacy

Canadian-US actor Michael J. Fox speaks as he is honored with the Bob Hope Humanitarian award during the 78th Primetime Emmy Awards at the Peacock Theater at LA Live in Los Angeles on September 14, 2026. (AFP)
Canadian-US actor Michael J. Fox speaks as he is honored with the Bob Hope Humanitarian award during the 78th Primetime Emmy Awards at the Peacock Theater at LA Live in Los Angeles on September 14, 2026. (AFP)

Michael J. Fox, the Canadian-American actor who turned his Parkinson's disease diagnosis into one of entertainment's most influential advocacy campaigns, received the Bob Hope Humanitarian Award at the Emmy Awards on Monday.

Fox, 65, returned from retirement to appear in Apple TV+'s "Shrinking," earning his 19th Emmy nomination this year while continuing the Parkinson's disease advocacy and research efforts that prompted the Television Academy to honor him.

The academy recognized him for “his transformative contributions to Parkinson’s disease research and advocacy.”

Before Fox took to the stage, the ceremony introduced him through a video montage that captured both his ‌on-screen career and his ‌real-life advocacy for a Parkinson's cure.

Fox was pushed ‌in ⁠a wheelchair to ⁠accept his award, which he kissed and handed back before he spoke. He was greeted with a standing ovation.

He began by reflecting on the significant impact comedian Bob Hope had on his life, being raised by parents who grew up during the Great Depression.

"Bob Hope showed up for the troops," he said, reflecting on the example the late comedian had on his life.

"I learned from his example," the actor ⁠known for his performances in TV's “Family Ties” and the “Back to ‌the Future” movies added.

He reflected on initially keeping ‌his diagnosis a secret, afraid of losing meaningful relationships. He said he eventually realized that ‌accepting it didn't mean surrendering to it.

"You stood up for me, and ‌I appreciate it," Fox told the audience. "I'm proud of the progress we've made."

FROM DIAGNOSIS TO ADVOCACY

Fox first developed early symptoms of Parkinson’s disease while working on the 1991 romantic comedy film “Doc Hollywood" at the age of 29. He publicly disclosed his diagnosis in 1998.

He ‌announced his departure from the ABC sitcom "Spin City" in 2000. That year he became an advocate for finding a ⁠cure for Parkinson's disease ⁠and founded the Michael J. Fox Foundation to help fund research.

He retired from acting in 2020, saying that the progression of the disease had made it increasingly difficult for him to speak and memorize lines.

A five-time Emmy winner, Fox ended his retirement in 2025 to play a fellow Parkinson's patient opposite Harrison Ford in TV's "Shrinking."

Established in 2002, the Bob Hope Humanitarian Award honors “a member of the telecommunications industry whose philanthropic efforts exemplify Bob Hope’s own decades-long altruism and positive impact on society.”

The Television Academy and the Bob & Dolores Hope Foundation jointly select a television industry figure whose humanitarian efforts have brought credit to the industry and whose actions have left a lasting impact on society.

Previous recipients of the Bob Hope Humanitarian Award include Danny Thomas, Oprah Winfrey, George Clooney, Sean Penn, Ted Danson and Mary Steenburgen.


Netanyahu Says Gaza Documentary ‘NAZA’ Is ‘Shocking Incitement’

 Directors Yuval Abraham, left, and Rachel Szor pose for photographers at the photo call for the film "NAZA" during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 10, 2026. (AP)
Directors Yuval Abraham, left, and Rachel Szor pose for photographers at the photo call for the film "NAZA" during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 10, 2026. (AP)
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Netanyahu Says Gaza Documentary ‘NAZA’ Is ‘Shocking Incitement’

 Directors Yuval Abraham, left, and Rachel Szor pose for photographers at the photo call for the film "NAZA" during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 10, 2026. (AP)
Directors Yuval Abraham, left, and Rachel Szor pose for photographers at the photo call for the film "NAZA" during the 83rd edition of the Venice Film Festival in Venice, Italy, on Thursday, Sept. 10, 2026. (AP)

Israeli Prime Minister Benjamin Netanyahu said ‌on Monday that a new documentary film which alleges that mass civilian deaths were routinely built into targeting decisions in Gaza was part of a wave of global incitement against Jews.

"NAZA", directed by Israeli journalists Yuval Abraham and Rachel Szor, won the Special Jury Prize at the Venice Film Festival on Saturday and received a 25-minute standing ovation when it was screened on Thursday.

The film takes its title from an Israeli military term for expected "collateral casualties" and is built around anonymous interviews with intelligence officers and soldiers involved in the war.

"It's ‌shocking. We are ‌fighting global antisemitic incitement and when it comes ‌from ⁠within us it ⁠is intolerable," Netanyahu said in a video posted on Telegram. "And now two Israeli directors portraying Israeli forces as war criminals receive applause at the Venice festival."

Netanyahu's comments followed a statement from the Israeli military chief Eyal Zamir, who said the film constituted an attack on the state of Israel.

"Based on what has been published thus ⁠far, this is not a film offering criticism ‌of the army, nor is it ‌an attempt to establish the truth. It is based on blood libels, ‌deliberate distortions of reality, and grave, false accusations against Israeli soldiers and ‌commanders," Zamir said.

The military said that Zamir has instructed the Military Advocate General, whose legal powers are confined within the military, "to examine and advance possible legal measures concerning the film and those involved in it."

The filmmakers could ‌not immediately be reached for comment.

"We believe that the denial of a crime is what ⁠helps it persist ⁠and this is why it is especially important for us that Israelis watch this film, it is our country that is doing these crimes," Abraham said in his acceptance speech on Saturday.

Gaza health authorities say more than 73,000 Palestinians, most of them civilians, have been killed in Israel's military campaign that has left much of Gaza in ruins.

The war was triggered by Hamas' October 7, 2023 attack on Israel which killed 1,200 people, most of them civilians.

Israel says it has gone to great lengths to avoid civilian casualties as it battles Hamas fighters who embed in sites, such as hospitals, schools and shelters. Hamas denies using Gaza's civilians as human shields.


Oasis Announce New 2027 World Tour

 Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the "Oasis: Don't Look Back In Anger" UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the "Oasis: Don't Look Back In Anger" UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
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Oasis Announce New 2027 World Tour

 Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the "Oasis: Don't Look Back In Anger" UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the "Oasis: Don't Look Back In Anger" UK premiere in London, England, Monday, Sept. 7, 2026. (AP)

British rockers Oasis on Monday announced a new world tour in 2027 with shows planned in Britain, Europe, and the US after the sell-out success of their surprise comeback tour last year.

The once-warring brothers Liam and Noel Gallagher are set to perform 38 shows including 11 dates in their hometown Manchester, as well as in Glasgow, Munich, Paris, Amsterdam, Boston and more.

The tour will kick off in Glasgow in May 2027 and wrap up with four shows in September in Knebworth, 30 years after the duo's legendary gigs at the venue north of London.

The band behind Britpop-era hits like "Wonderwall", "Don't Look Back in Anger" and "Supersonic" has been teasing a second iteration of their reunion tour for weeks.

On Monday, they posted the announcement on social media with the caption "start the celebrations!"

"After a period of reflection, 'The Most Damaging Pop Cultural Force In Recent British History' has declared itself fit for purpose and will once again return to lift the spirits of the people," the band wrote.

"It shall be a sight to behold."

Fans were told to sign up through a registration link for a chance to purchase the tickets when they are released between September 25 and 27.

Successful sign-ups will get a code to access a sale, according to a press release, in order to reduce queuing times and ticket touting.

The Gallagher brothers announced they had ended their infamous 15-year feud and were reuniting for a worldwide tour in August 2024, sparking a mad scramble for tickets.

More than two million people attended the 41 show dates spanning Europe, Asia, Australia and South America, bringing in some £300 million ($400 million).

Some fans had criticized sudden price hikes and eye-watering resale ticket prices that prompted a probe by the UK's competition watchdog.