Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
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Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo

Beyoncé ruled the box office this weekend.
Her concert picture, “ Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance" defied the odds. Not accounting for inflation, it's the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the US and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters, The Associated Press reported.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director."
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift's $20.78, according to data firm EntTelligence.
Critics and audiences gave "Renaissance" glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift's.
Lionsgate's “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“Godzilla Minus One " is expected to take third place on the North American charts. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho's 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."