Taylor Swift Named Time Person of the Year

US singer-songwriter Taylor Swift arrives for the 65th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 5, 2023. (AFP)
US singer-songwriter Taylor Swift arrives for the 65th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 5, 2023. (AFP)
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Taylor Swift Named Time Person of the Year

US singer-songwriter Taylor Swift arrives for the 65th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 5, 2023. (AFP)
US singer-songwriter Taylor Swift arrives for the 65th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 5, 2023. (AFP)

Time magazine named US pop superstar Taylor Swift as its person of the year on Wednesday, calling the musical force of nature the "hero of her own story."

Swift has smashed industry records this year with both her tour and the film of the globetrotting musical cavalcade that is estimated to bring in almost $2 billion of revenue as her adoring fans flock to see her in the flesh.

"Taylor Swift found a way to transcend borders and be a source of light... Swift is the rare person who is both the writer and hero of her own story," Time editor-in-chief Sam Jacobs wrote in a statement.

"Much of what Swift accomplished in 2023 exists beyond measurement. She mapped her journey and shared the results with the world: She committed to validating the dreams, feelings, and experiences of people, especially women, who felt overlooked and regularly underestimated."

The huge $92.8 million opening earlier this year of Taylor Swift's "The Eras Tour" film set the tone for the 33-year-old "Cruel Summer" singer's 2023.

Advance ticket sales for the movie topped $100 million worldwide, theater operator AMC said, making it the best-selling feature-length concert film in history.

"(Fans) had to work really hard to get the tickets... I wanted to play a show that was longer than they ever thought it would be, because that makes me feel good leaving the stadium," Swift told Time.

This year, Swift's blossoming romance with Kansas City Chiefs player Travis Kelce has also brought the NFL a whole new wave of fans as her hundreds of millions of social media followers checked out her new squeeze.

"For building a world of her own that made a place for so many, for spinning her story into a global legend, for bringing joy to a society desperately in need of it, Taylor Swift is TIME's 2023 Person of the Year," Jacobs said.

Mainstream sensation

The "Eras" tour currently has more than 145 dates.

According to Pollstar, the industry magazine covering the performing arts, each concert generates $13 million in revenue, which would bring the tour total to around $1.9 billion.

No artist or group has previously crossed the symbolic billion-dollar threshold.

Swift's defining tool has proved to be social media, through which she regularly interacts with fans.

Born in Pennsylvania, Swift started writing country songs on guitar in her early teens.

Her father shifted his job in financial services to the country music capital of Nashville to allow her a chance in the industry.

After winning a growing mainstream audience for her introspective country songs, Swift switched to a thoroughly pop direction for her fifth studio album -- "1989," named after her year of birth.

"What makes Swift a cultural phenomenon is not only her musical prowess and versatility but the trademark authenticity she puts on each note and verse," Forbes magazine said in an article published in October.

Time first presented its Person of the Year award in 1927.

Last year's honoree was Volodymyr Zelensky as well as "the spirit of Ukraine" for the resistance the country has shown in the face of Russia's invasion.

Previous selections have included US President Joe Biden and Vice President Kamala Harris, Martin Luther King Jr., former German chancellor Angela Merkel, Pope Francis, and climate activist Greta Thunberg.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".