‘Oppenheimer’ Wins Big at Critics Choice Awards 

Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
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‘Oppenheimer’ Wins Big at Critics Choice Awards 

Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)

"Oppenheimer," Christopher Nolan's epic movie about the creation of the atomic bomb, cleaned up at the Critics Choice Awards on Sunday, winning best picture and seven other prizes over its rivals as the Oscars race heats up.

The $1 billion-grossing movie, now the clear frontrunner for the Academy Awards in March, also won for best director, supporting actor, cinematography, score, ensemble, editing, and visual effects.

Collecting his prize for directing, Nolan thanked the critics who "helped with convincing mainstream audiences that a film about quantum physics and apocalypse could be worth their time."

Robert Downey Jr. thanked his fellow "Oppenhomies'" as he followed up his Golden Globe win with another best supporting actor prize.

Despite the dominance of "Oppenheimer," the remaining acting categories rewarded other films at the gala -- one of a raft of major awards shows in the run-up to the Academy Awards, which take place this year on March 10.

Emma Stone won best actress for "Poor Things," a surreal dark comedy in which she plays a Victorian reanimated corpse with the brain of an infant, who gradually learns about the world but refuses to pander to its social mores and hierarchies.

"Playing Bella was one of the greatest joys of my life. I got to unlearn a lot of things in playing her -- unlearn parts of shame, and societal stuff that gets put on us," she said.

"I'm very grateful to the critics... but I'm just learning not to care what you think," Stone joked.

The award is her latest after she won at last weekend’s Globes -- as did Paul Giamatti, who famously celebrated his victory by taking a late-night trip with his trophy to California's popular fast-food chain In-N-Out Burger.

"I didn't think my week could get any better than going viral for eating a cheeseburger," joked Giamatti as he won the best actor trophy for 1970s-set prep school comedy "The Holdovers."

"It's a good story about people connecting in divisive times. So, thank you for helping get it out to audiences."

The win puts the veteran actor, known for hits like "Sideways," head-to-head with Cillian Murphy, who portrays J. Robert Oppenheimer in Nolan's biopic, for the Oscars race.

Fellow "Holdovers" star Da'Vine Joy Randolph consolidated her position as this year's best supporting actress with her latest win for her portrayal of the school's grieving cook.

The Critics Choice Awards -- chosen by almost 600 members of North America's largest critics organization -- laid out a red carpet and lavish gala at a former airport hangar in Los Angeles for Hollywood A-listers.

Although "Barbie" -- the other half of last summer's "Barbenheimer" box office phenomenon -- has so far failed to capture top prizes this awards season, it was showered with honors in a range of other categories.

The film won for best comedy, original screenplay, song, production design, costume, and hair and makeup.

French courtroom drama "Anatomy of a Fall" won for best foreign-language film, and "Spider-Man: Across the Spider-Verse" was named best animated movie.

"American Fiction" won best adapted screenplay, while Harrison Ford accepted a career achievement award at the gala, hosted by comedian Chelsea Handler.



US Country Music Legend Dolly Parton Dies at 80

A photo of the late US singer-songwriter Dolly Parton is displayed at the Country Music Hall of Fame and Museum in Nashville, Tennessee on August 25, 2026. (AFP)
A photo of the late US singer-songwriter Dolly Parton is displayed at the Country Music Hall of Fame and Museum in Nashville, Tennessee on August 25, 2026. (AFP)
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US Country Music Legend Dolly Parton Dies at 80

A photo of the late US singer-songwriter Dolly Parton is displayed at the Country Music Hall of Fame and Museum in Nashville, Tennessee on August 25, 2026. (AFP)
A photo of the late US singer-songwriter Dolly Parton is displayed at the Country Music Hall of Fame and Museum in Nashville, Tennessee on August 25, 2026. (AFP)

Dolly Parton, the country music star who rose from grinding poverty in Tennessee to become a rhinestone-studded cultural icon with hits like "Jolene" and "9 to 5," has died at 80, her family said Tuesday.

Parton was more than a singer -- she wrote 3,000 songs, acted in major Hollywood films and donated millions of dollars to charities in her home state and beyond.

She was also an accomplished businesswoman, with her interests spanning from her popular Dollywood theme park to cosmetics, pet apparel, baking mixes and even a truck stop.

"Dolly has lived in the light and is in the arms of Jesus," her nephew Bryan Seaver said in a video announcing her death on social media.

He said the multiple award-winning artist -- known for her glittering style, curvy figure and larger-than-life blonde wigs -- had "opened doors for generations of singers, songwriters, musicians, and dreamers from every walk of life."

Parton died after a brief battle with cancer, her third cousin Brent Allen confirmed to AFP.

"I feel like she's one of the last of the salt of the earth. She brought people together," Allen told AFP in Sevierville, Tennessee, the singer's home town.

Parton had recently spoken about unspecified health challenges. Her husband Carl Dean died last year.

A small private funeral service will be held, People magazine said, citing the singer's representatives.

President Donald Trump ordered flags lowered across the United States, and New York's Empire State Building was to be lit in pink at 9:25 pm -- a nod to Parton's hit song and movie "9 to 5".

- 'Devastated' -

The news sparked a rare moment of unity in a country often bitterly at odds over Trump's presidency, the war against Iran and cultural issues.

"May her legacy live on through her songs, the lives she touched, and the countless artists she inspired. There will never, ever be another one like her," the Grand Ole Opry, America's temple of country music, said on social media.

Her co-stars from "9 to 5," which sparked her soundtrack smash when it came out in 1980, expressed shock.

Oscar winner Jane Fonda said she was "devastated" while Lily Tomlin said only: "No words."

Trump called Parton's passing a "true loss for millions of people."

"There has never been anyone like her, and never will," he posted on his Truth Social network.

- A world 'less sparkly' -

Born in 1946 as one of 12 children in rural Tennessee, Parton headed for the country music capital Nashville right after graduating from high school.

By 1967, at age 21, she was among the most recognized figures in American music, having joined Porter Wagoner's syndicated country music television show that broadcast her voice and face into millions of US homes.

During a prolific career that spanned six decades, Parton penned some 3,000 tunes.

They included "Jolene,Coat of Many Colors" and the iconic ballad "I Will Always Love You," which became an international success for Whitney Houston.

Releasing 49 studio albums and more than 100 compilation and collaboration albums, she earned the title of "queen of country music."

Never one to downplay her striking looks, Parton essentially wrote the book on how a woman can rule the airwaves in a male-dominated industry, ultimately becoming an American treasure with songs covered by everyone from Shania Twain to Sinead O'Connor.

Pop artist Taylor Swift, who also got her start in country music, called Parton "eternally generous", while rockstar Jack White -- who covered "Jolene" with the White Stripes -- wrote on Instagram: "Instant Sainthood."

Last year, Parton postponed a series of Las Vegas concerts, citing ongoing health concerns. In May, she canceled them altogether, sparking new fears.

In videos posted to her social media accounts, she said that while treatment for an unnamed illness was going well, she was not ready to perform.

Just last week, she said in a statement to People magazine: "I still have so many things I want to achieve, so I'm gonna keep on working as long as I can to see everything come to life."

"She brought so many people together, we will all miss her so much," said Rolling Stones frontman Mick Jagger.


Australia’s Music Industry Bans AI-Generated Tracks from Official Charts

Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
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Australia’s Music Industry Bans AI-Generated Tracks from Official Charts

Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)

Australia’s recorded music industry will bar tracks wholly generated by artificial intelligence from official charts as burgeoning generative technologies threaten artists’ livelihoods, a representative said on Tuesday.

The crackdown comes as a variation of Madonna’s pop hit “Like a Prayer” created by an Australian producer using AI-generated vocals and drums has spent 16 weeks in the Australian top 20, stoking debate about generative AI’s place in music. It peaked at number two on the Australian Record Industry Association’s top 20 Australian singles chart in May and remained in fourth place on Tuesday.

Wholly AI-generated tracks will be banned from the ARIA charts from Monday next week, but some AI-assisted music will remain eligible, an ARIA statement said.

Tracks can be eligible only if “humans wrote the song and performed the lead vocal and the primary instruments,” among other requirements, the statement said.

AI-generated music would also be ineligible for the Australian industry’s prestigious ARIA awards.

ARIA chief executive Annabelle Herd said: “These changes reflect our intent to remain dynamic and promote the human nature of artistry in what is — to say the least — a rapidly developing space.”

“The ARIA Charts will always remain a transparent measurement of the music Australia consumes, but a chart that rewards unlicensed AI output would undercut the very basis of the recorded music we exist to represent,” Herd added.

Eligible music must also be produced using legal AI services. Music was appearing on streaming services that had apparently been developed with AI tools trained on artists’ music without authorization.

The Australian rules are in step with new principles released in July by the London-based International Federation of the Phonographic Industry. The federation represents the recording industry worldwide.

The international guidelines state that to qualify for official music charts, a track must be “substantially human made.”

Sydney Conservatorium of Music composer and lecturer Alexis Weaver told Australian Broadcasting Corp. the debate around AI in music was “exceptionally fraught and very emotional for a lot of musicians and so everyone will have a different opinion.”

Weaver applauded ARIA’s move as a “wonderful step forward” that sent a message ARIA wanted to “prioritize and value human creativity.”

“It can be quite hard to avoid AI tools in the current landscape,” Weaver said. “There is a way to use it while you’re still steering the ship and making the main creative choices.”


Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France
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Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company signed on Monday a Memorandum of Understanding with the French government to explore the development of a new entertainment-led, mixed-use destination in France.

The MoU was among several agreements and memoranda signed on the sidelines of the official visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The MoU marks the beginning of a phase of joint work to define the project’s scope, development model and contractual framework, in accordance with the applicable procedures and approvals in France.

The project will build on the capabilities, experience and partnerships that Qiddiya Investment Company is developing from Saudi Arabia. It reflects the Company’s evolution as a Saudi national brand contributing to the creation and development of entertainment experiences while expanding its global presence.

Qiddiya City remains the Company’s flagship project and the principal reference point for its model. The international project will provide a platform to introduce Qiddiya’s Power of Play philosophy, broaden the Company’s experience and partnerships, and strengthen the presence of the Saudi model in global markets.