France Gets Ready to Say ‘Merci’ to World War II Veterans for D-Day’s 80th Anniversary This Year 

A World War II reenactor plants roses on Omaha Beach in Saint-Laurent-sur-Mer, Normandy, France, June 6, 2023. (AP)
A World War II reenactor plants roses on Omaha Beach in Saint-Laurent-sur-Mer, Normandy, France, June 6, 2023. (AP)
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France Gets Ready to Say ‘Merci’ to World War II Veterans for D-Day’s 80th Anniversary This Year 

A World War II reenactor plants roses on Omaha Beach in Saint-Laurent-sur-Mer, Normandy, France, June 6, 2023. (AP)
A World War II reenactor plants roses on Omaha Beach in Saint-Laurent-sur-Mer, Normandy, France, June 6, 2023. (AP)

France is getting ready to show its gratitude toward World War II veterans who will return, many for the last time, to Normandy beaches this year for 80th anniversary commemorations of D-Day to mark the defeat of the Nazis.

A ceremony at Omaha Beach, with many heads of state expected to be present, will be honoring the nearly 160,000 troops from Britain, the US, Canada and other nations who landed in Normandy on June 6, 1944.

French President Emmanuel Macron said Friday that D-Day celebrations, alongside the Paris Olympics, will be "France’s rendezvous with the world."

It will be an occasion for the French to say "merci," or "thank you," to veterans, some of whom will make a long trans-Atlantic journey, despite advanced age, fatigue and physical difficulties.

"We will never forget. And we have to tell them," Philippe Étienne, chairman of the Liberation Mission, the specially created body that organizes the 80th anniversary commemorations, told The Associated Press.

As a former ambassador of France to the United States, Étienne recalled his "strong emotion" when handing veterans the Legion of Honor, France’s highest distinction.

"They were 18, 20, 22 when they liberated our country, when they gave us back our freedom," he said. "Now 80 years later, they’re 100, 98, 102. It’s really incredible. Those are really courageous, humble people. They must feel our gratitude."

The link between the last witnesses of the war and the youth will also be at the heart of the anniversary.

"What we want above all, when the last witnesses, the last fighters, the last veterans are still with us, is to give their testimonies to our young people," Étienne added.

In the past couple of years, commemorations also have taken a special meaning as war is raging again in Europe since Russia’s full-scale invasion of Ukraine on Feb. 24, 2022.

Gen. Michel Delion, director-general of the Liberation Mission, said "that the message is more for the whole population than only for soldiers. Because the price of liberty is something that any citizen of any democratic nation needs to understand."

"The civilians were part of this (World War II) conflict because they suffered and they supported fighters. And we need to have this cohesion of our nations, of our populations to be able to answer to any question ... or any danger we could face tomorrow or today," he added.

Russian President Vladimir Putin, who had been present for the 70th anniversary of D-Day, wasn't expected to be invited this year. Putin didn't attend the 75th anniversary in 2019.

Countries like France that have signed and ratified the Rome Statute that created the International Criminal Court are obligated to arrest Putin, who was indicted for war crimes connected to the deportation of children from Ukraine, if he sets foot on their soil.

Étienne said that the commemorations, including some academic events, "will surely not ignore the sacrifices of everybody who ... was involved in the liberation of Europe, including in the East, because the Nazi regime was defeated both from the West and from the East."

He stressed the fact that "populations of the former Soviet Union, Russians in particular, but also Ukrainians and others, participated in this liberation."

Other key events will include celebrations of the Allied landing in Provence, in southern France, and the liberation of Paris, both in August, as well as the liberation of Strasbourg, at the border with Germany, in November, and the commemoration in May 2025 of the surrender of Nazi Germany to Allied forces.

Ceremonies will also allow France to pay tribute to Resistance fighters, to soldiers who came from its then colonial empire in Africa and to the civilians who suffered during the war.

Already across France, "we feel that there's a very strong mobilization to remember this very important period in history," said Fabien Sudry, deputy director-general of the Liberation Mission. "We feel it in the contacts we have, in the trips we make, with many local and regional authorities involved."

French authorities are notably considering launching a nationwide operation to collect family documents, objects and audiovisual material related to World War II that would help keep the memory alive.



Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".


Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.