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Saudi Red Sea Authority, Heritage Commission Sign MoU to Cooperate in Areas of Common Jurisdiction

Saudi Red Sea Authority, Heritage Commission Sign MoU to Cooperate in Areas of Common Jurisdiction
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Saudi Red Sea Authority, Heritage Commission Sign MoU to Cooperate in Areas of Common Jurisdiction

Saudi Red Sea Authority, Heritage Commission Sign MoU to Cooperate in Areas of Common Jurisdiction

The Saudi Red Sea Authority (SRSA), the key enabler and official regulator of coastal tourism in the Kingdom’s Red Sea, signed a Memorandum of Understanding (MoU) with the Heritage Commission, the entity responsible for regulating and developing the heritage sector in the Kingdom, with the aim of defining general frameworks for cooperation in areas of common jurisdiction.

The MoU aligns with the Authority’s mission, which aims to issue licenses and permits as it regulates navigational and marine activities. Additionally, it seeks to cooperate and exchange experiences with regional and international bodies and organizations and promote navigational and marine tourism activities in the Red Sea to attract targeted practitioners.

SRSA was represented in the signing by Acting CEO Mohammed Al-Asiri, while the Heritage Commission was represented by CEO Dr. Jasser bin Suleiman Al-Harbash.

The MoU includes items related to the exchange of experiences within the scope of work of the two parties, including the underwater cultural heritage of the Red Sea.

The memorandum furthermore focuses on working together in proposing regulations related to common goals, following up on requirements for issuing marine and underwater heritage surveys and excavation permits, enacting measures to preserve marine heritage, providing support for documenting marine and submerged heritage in the Red Sea, and ensuring technical cooperation to achieve mutual goals.

The MoU also includes cooperation in intangible cultural heritage, by providing support for registering sites within the Authority’s domain on the UNESCO World Heritage List, exchanging data and information on such sites, coordinating community awareness programs, and launching initiatives to promote cultural heritage assets and marine heritage as intangible cultural heritage, in addition to marine tourism and recreational activities.

The memorandum is part of SRSA’s efforts to expand its strategic partnerships, exchange expertise and learn about best practices to promote coastal tourism, enable sustainable development, and highlight the Red Sea’s potential as a global tourist destination while preserving and protecting the natural environment, aside from consolidating the Kingdom’s pivotal position and role as a key cultural hub, in line with Saudi Vision 2030 goals.

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Culture

Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."