Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
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Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)

The Diriyah Biennale Foundation inaugurated on Monday the second edition of Diriyah Contemporary Art Biennale, held under the theme “After Rain”, showcasing the works of Saudi and international artists, SPA said.
Held until May 24 in the JAX district, in Diriyah, the exhibition is curated by Ute Meta Bauer, artistic director of the biennale. Some 100 artists, including 30 from the Gulf countries, exhibit 177 artworks in six indoor and outdoor halls and courtyards spread over 12,900 square meters.

Photo by Alessandro Brasile

 

The works are based on artistic research inspired by the curatorial team trips throughout the Kingdom of Saudi Arabia, which culminated in a creative artistic dialogue between different generations.
This edition of the biennale gathers artists from diverse backgrounds, cultures, and environments who contemplate the relationship between humans and nature, interact with the surrounding nature, and focus their works on primary human needs such as water, food, and medical care.
They also narrate history, in a country undergoing rapid developments and changes, and offer a rich multi-sensory experience.
For the second edition of the biennale, the Diriyah Biennale Foundation supported 47 new artists, including Jumana Emil Abboud, Sara Abdu, Mohammad AlFaraj, Azra Akšamija, Tarek Atoui, Rachaporn Chochoy, Vikram Divesha, Christine Fenzl, Anne Holtrop, Armin Linke and Ahmed Mater in an artistic collaboration, Njokobok, and Camille Zakharia.
Artist Tania Mouraud displays on a roundabout in the JAX district, and Mariah Lookman’s work is displayed in Shamalat Diriyah, the artistic cultural center located on the outskirts of old Diriyah.


Besides the art exhibition, there will also be a series of meetings and dialogues among artists, workshops, 10 film screenings in the Black Box Theater, an area for research-based artworks, and displays of research projects and artistic talks, which began last April, under the title Biennale Meetings Series.
These last activities will continue over the course of a full year, in conjunction with the interactive “Learning Garden” online platform, which continues to showcase the ideas presented at the biennale even after the conclusion of the Diriyah Contemporary Art Biennale.


Diriyah Biennale Foundation CEO Aya Al-Bakree said the second edition of the Diriyah Contemporary Art Biennale “synchronizes with the great renaissance and the civilizational and developmental transformation that the Kingdom is experiencing, especially in the arts sector”.
She said that this edition of the event is a cultural experience that calls for contemplation and reflection, and resonates with visitors of all cultures and ages.
The depth of research conducted by Meta Bauer adds creativity and vitality to the event, Al-Bakree said.



Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA
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Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA

Al-Nasb Heritage District in Abha is one of the most prominent living examples of traditional architecture in Aseer Region, preserving its long history and architectural details that embody people’s connection to their local environment and document the social and cultural patterns that have shaped the identity of the place across generations.

The district’s significance lies in its unique architectural composition, where mud and stone buildings stand side by side in visual harmony. They were built using local materials such as stone, clay, and juniper trunks, while the narrow alleyways and closely set buildings give the district a cohesive social character that reflects the spirit of past communities in the region and the close relationship between people and place.

The Heritage Commission has revived the district through an integrated restoration and rehabilitation project aimed at preserving its original elements and enhancing its sustainability, as part of national efforts to protect urban heritage and highlight it as a cultural and tourism asset, SPA reported.

The site is also distinguished by its natural setting, as the district overlooks the banks of Abha Valley and surrounding farms, giving it a distinctive visual and aesthetic dimension. Its narrow passageways and closely set buildings illustrate a traditional urban pattern that strengthens ties among residents and captures the nature of social life in that era.

The district is now a growing destination for culture and tourism in Abha, attracting visitors and heritage enthusiasts who come to explore the details of authentic architecture and learn about the traditional ways of life that have shaped Aseer Region’s identity across generations. The project helps raise awareness of the importance of preserving archaeological sites as a key pillar in forming national memory.

The project is part of the Kingdom’s efforts to protect and effectively manage cultural heritage, in line with the targets of Saudi Vision 2030, which gives special attention to the cultural sector. It seeks to turn heritage sites into vibrant spaces that support cultural tourism and sustainable development while reconnecting society with its historical roots.


Saudi Heritage Commission Enforces Strict Penalties Against Antiquities Violators

The fines varied according to the nature and circumstances of each violation
The fines varied according to the nature and circumstances of each violation
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Saudi Heritage Commission Enforces Strict Penalties Against Antiquities Violators

The fines varied according to the nature and circumstances of each violation
The fines varied according to the nature and circumstances of each violation

The Saudi Heritage Commission announced financial fines against 11 violators for dealing in portable antiquities without obtaining the required regulatory licenses, as part of its ongoing efforts to protect cultural heritage in the Kingdom and enhance compliance with regulations governing the sector.

The commission clarified that the violations involved displaying and selling antiquities on online platforms without registering or documenting them with the Heritage Commission or obtaining the necessary licenses, in explicit violation of the provisions of the Law of Antiquities, Museums and Urban Heritage.

The fines varied according to the nature and circumstances of each violation, reaching up to SAR15,000 in some cases.

The commission reaffirmed its commitment to monitoring violations related to heritage sites and collections across the Kingdom and taking the necessary legal and regulatory actions against all those proven to have contravened the regulations.

The Heritage Commission called on all citizens and residents to report any violations or non-compliant practices related to heritage sites or collections through its social media channels, by visiting its branches across the Kingdom, through the Archaeological Site Reporting platform, or by contacting the unified security operations center at 911.


Holy Quran Museum Showcases Rare 18th-Century Brass-Engraved Copy of the Quran

Among the museum’s distinctive exhibits is a copy of the Quran engraved on brass plates dating back to the 12th century AH - SPA
Among the museum’s distinctive exhibits is a copy of the Quran engraved on brass plates dating back to the 12th century AH - SPA
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Holy Quran Museum Showcases Rare 18th-Century Brass-Engraved Copy of the Quran

Among the museum’s distinctive exhibits is a copy of the Quran engraved on brass plates dating back to the 12th century AH - SPA
Among the museum’s distinctive exhibits is a copy of the Quran engraved on brass plates dating back to the 12th century AH - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah offers a rich cultural and knowledge experience, enabling visitors to explore the history of the Holy Quran and its sciences, and view rare manuscripts and artifacts documenting the journey of its transcription through the ages, reflecting the care Muslims have given to the Holy Quran since the dawn of Islam to the present day, SPA reported.

Among the museum’s distinctive exhibits is a copy of the Quran engraved on brass plates dating back to the 12th century AH (18th century CE), showcasing the precision and mastery achieved in Islamic arts and the special attention given to Quranic transcription, combining beauty and scholarly accuracy.

This artwork embodies a continuation of deep-rooted traditions in Islamic calligraphy and decorative arts, utilizing various materials and techniques from parchment and paper to metals, highlighting Muslims’ profound connection to the Holy Quran and their commitment to preserving it in artistic forms that combine creativity and reverence.