Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
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Diriyah Contemporary Art Biennale Opens Under Theme ‘After Rain’

The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)
The Saudi Ministry of Culture inaugurated the third edition of the International Biennial of Contemporary Art of the South – Bienalsur – at Saudi Arabia Museum of Contemporary Art at Jax (SAMoCA) (Marco Cappellletti)

The Diriyah Biennale Foundation inaugurated on Monday the second edition of Diriyah Contemporary Art Biennale, held under the theme “After Rain”, showcasing the works of Saudi and international artists, SPA said.
Held until May 24 in the JAX district, in Diriyah, the exhibition is curated by Ute Meta Bauer, artistic director of the biennale. Some 100 artists, including 30 from the Gulf countries, exhibit 177 artworks in six indoor and outdoor halls and courtyards spread over 12,900 square meters.

Photo by Alessandro Brasile

 

The works are based on artistic research inspired by the curatorial team trips throughout the Kingdom of Saudi Arabia, which culminated in a creative artistic dialogue between different generations.
This edition of the biennale gathers artists from diverse backgrounds, cultures, and environments who contemplate the relationship between humans and nature, interact with the surrounding nature, and focus their works on primary human needs such as water, food, and medical care.
They also narrate history, in a country undergoing rapid developments and changes, and offer a rich multi-sensory experience.
For the second edition of the biennale, the Diriyah Biennale Foundation supported 47 new artists, including Jumana Emil Abboud, Sara Abdu, Mohammad AlFaraj, Azra Akšamija, Tarek Atoui, Rachaporn Chochoy, Vikram Divesha, Christine Fenzl, Anne Holtrop, Armin Linke and Ahmed Mater in an artistic collaboration, Njokobok, and Camille Zakharia.
Artist Tania Mouraud displays on a roundabout in the JAX district, and Mariah Lookman’s work is displayed in Shamalat Diriyah, the artistic cultural center located on the outskirts of old Diriyah.


Besides the art exhibition, there will also be a series of meetings and dialogues among artists, workshops, 10 film screenings in the Black Box Theater, an area for research-based artworks, and displays of research projects and artistic talks, which began last April, under the title Biennale Meetings Series.
These last activities will continue over the course of a full year, in conjunction with the interactive “Learning Garden” online platform, which continues to showcase the ideas presented at the biennale even after the conclusion of the Diriyah Contemporary Art Biennale.


Diriyah Biennale Foundation CEO Aya Al-Bakree said the second edition of the Diriyah Contemporary Art Biennale “synchronizes with the great renaissance and the civilizational and developmental transformation that the Kingdom is experiencing, especially in the arts sector”.
She said that this edition of the event is a cultural experience that calls for contemplation and reflection, and resonates with visitors of all cultures and ages.
The depth of research conducted by Meta Bauer adds creativity and vitality to the event, Al-Bakree said.



Egypt Unveils Ancient Rock-cut Tombs and Burial Shafts in Luxor

Egyptian archaeologists restore recently discovered artifacts by the mission of the Zahi Hawass Foundation for Antiquities & Heritage, at the causeway of Queen Hatshepsut's Funerary temple, at Deir al-Bahri on the Nile's West Bank, in Luxor, Egypt, Wednesday, Jan. 8, 2025. (AP Photo/Khaled Elfiqi)
Egyptian archaeologists restore recently discovered artifacts by the mission of the Zahi Hawass Foundation for Antiquities & Heritage, at the causeway of Queen Hatshepsut's Funerary temple, at Deir al-Bahri on the Nile's West Bank, in Luxor, Egypt, Wednesday, Jan. 8, 2025. (AP Photo/Khaled Elfiqi)
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Egypt Unveils Ancient Rock-cut Tombs and Burial Shafts in Luxor

Egyptian archaeologists restore recently discovered artifacts by the mission of the Zahi Hawass Foundation for Antiquities & Heritage, at the causeway of Queen Hatshepsut's Funerary temple, at Deir al-Bahri on the Nile's West Bank, in Luxor, Egypt, Wednesday, Jan. 8, 2025. (AP Photo/Khaled Elfiqi)
Egyptian archaeologists restore recently discovered artifacts by the mission of the Zahi Hawass Foundation for Antiquities & Heritage, at the causeway of Queen Hatshepsut's Funerary temple, at Deir al-Bahri on the Nile's West Bank, in Luxor, Egypt, Wednesday, Jan. 8, 2025. (AP Photo/Khaled Elfiqi)

Egypt unveiled several discoveries near the famed city of Luxor on Wednesday, including ancient rock-cut tombs and burial shafts dating back 3,600 years.

They were unearthed at the causeway of Queen Hatshepsut’s funerary temple at Deir al-Bahri on the Nile’s West Bank, according to a statement released by Zahi Hawass Foundation for Antiquities & Heritage. It said it worked in tandem with the Supreme Council of Antiquities on the site since September 2022.

Artifacts found at the tombs included bronze coins with the image of Alexander the Great dating to the Time of Ptolemy I (367-283), children’s toys made of clay, cartonnage and funerary masks that covered mummies, winged scarabs, beads and funerary amulets, The AP reported.

Hawass told reporters that the discoveries could “reconstruct history” and offer an understanding of the type of programs ancient Egyptians designed inside a temple.

The archaeologists also found the remains of Queen Hatshepsut’s Valley Temple, rock-cut tombs dating back to the Middle Kingdom (1938 B.C. - 1630 B.C.), burial shafts from the 17th dynasty, the tomb of Djehuti-Mes and part of the Assassif Ptolemaic Necropolis.

The rock-cut tombs had been previously robbed during the Ptolemaic period and later. Still, the Egyptian teams uncovered some artifacts such as pottery tables that were used to offer bread, wine and meat.

Inside the burial shafts dating back to 1580 B.C. - 1550 B.C., anthropoid wooden coffins were found, including one that belonged to a young child. It remained intact since its burial some 3,600 years ago. War archery bows were also found inside the burial chamber, indicating that those who owned the tombs had military backgrounds and fought to liberate Egypt from the Hyksos.

Not many artifacts from Djehuti Mes’s tomb were found, but the tomb itself reveals more about Djehuti Mes, who oversaw Queen Teti Sheri’s palace. The date engraved on the Djehuti Mes’ funerary stelae indicates that the tomb goes back to the 9th year of King Ahmose I’s reign (1550 B.C. - 1525 B.C.).

Part of the extended Ptolemaic necropolis that occupied the site of the causeway and the Valley Temple was also uncovered. The tombs in the cemetery were built of mud bricks over the remains of Queen Hatshepsut’s temple. A large part of the necropolis was unearthed earlier in the 20th century but wasn’t properly documented.

In November, Egyptian and American archaeologists excavated an ancient tomb with 11 sealed burials near Luxor. The tomb, which dates to the Middle Kingdom, was found in the South Asasif necropolis, next to the Temple of Hatshepsut.