Singapore Says Taylor Swift Gig Grant Not as High as Speculated 

Filipino fan of US singer Taylor Swift, Aliza Ponciano, wears friendship bracelets as she queues to enter the National Stadium on the first day of her concert in Singapore, 02 March 2024. (EPA)
Filipino fan of US singer Taylor Swift, Aliza Ponciano, wears friendship bracelets as she queues to enter the National Stadium on the first day of her concert in Singapore, 02 March 2024. (EPA)
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Singapore Says Taylor Swift Gig Grant Not as High as Speculated 

Filipino fan of US singer Taylor Swift, Aliza Ponciano, wears friendship bracelets as she queues to enter the National Stadium on the first day of her concert in Singapore, 02 March 2024. (EPA)
Filipino fan of US singer Taylor Swift, Aliza Ponciano, wears friendship bracelets as she queues to enter the National Stadium on the first day of her concert in Singapore, 02 March 2024. (EPA)

Singapore said Monday its grant to Taylor Swift for her concerts in the city was nowhere near as high as speculated, following media reports that the superstar was offered millions of dollars per gig.

Around 300,000 people from Singapore and around the region are expected to attend the six sold-out shows that began March 2 -- but some neighbors were not happy about being left off The Eras Tour.

Some, including reportedly the Thai prime minister, have said that Swift was paid millions to keep her from performing anywhere else in the region.

"There has been some online speculation as to the size of the grant. I can say that it is not accurate and not anywhere as high as speculated," Singapore's culture minister Edwin Tong told parliament.

"Due to business confidentiality reasons, we cannot reveal the specific size of the grant or the conditions of the grant."

Tong added that the "economic benefits to Singapore are assessed to be significant and outweigh the size of the grant".

Thailand's Prime Minister Srettha Thavisin had reportedly said, citing a concert promoter, that Singapore offered Swift up to US$3 million per concert if she did not play anywhere else in Southeast Asia.

A lawmaker in the Philippines also criticized Singapore, reportedly saying this was not "what good neighbors do".

Tong played down the role the grant may have played in convincing Swift to perform only in Singapore.

"Promoters of top artists will do their own calculation and assess where they want to perform and for how long," he said, citing Singapore's location and infrastructure as key factors.

Since the end of pandemic curbs, a number of top artists have performed in Singapore, including Ed Sheeran, Coldplay, Blackpink and Harry Styles.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".