Oscar-Nominated Korean Diaspora Film Follows ‘Lives We Leave Behind’ 

South Korean-Canadian director, playwright, and screenwriter Celine Song walks on the stage to pose for photos after a screening of her film "Past Lives" in Seoul on February 28, 2024. (AFP)
South Korean-Canadian director, playwright, and screenwriter Celine Song walks on the stage to pose for photos after a screening of her film "Past Lives" in Seoul on February 28, 2024. (AFP)
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Oscar-Nominated Korean Diaspora Film Follows ‘Lives We Leave Behind’ 

South Korean-Canadian director, playwright, and screenwriter Celine Song walks on the stage to pose for photos after a screening of her film "Past Lives" in Seoul on February 28, 2024. (AFP)
South Korean-Canadian director, playwright, and screenwriter Celine Song walks on the stage to pose for photos after a screening of her film "Past Lives" in Seoul on February 28, 2024. (AFP)

A Korean-Canadian director's debut feature film -- a quiet romance exploring time, longing and lost chances -- has arrived in South Korea for theater release after garnering two Oscar nominations.

Ever since South Korea's "Parasite" became the first non-English language film to win a Best Picture Oscar in 2020, works by Korean diaspora filmmakers have witnessed a significant surge of global interest.

Celine Song's "Past Lives" comes alongside the critical success of other works featuring the Korean overseas experience, such as "Minari", "Pachinko" and Netflix's "Beef".

The film follows a Korean-American woman in New York who is visited by her childhood crush from Seoul more than 20 years after she abruptly left South Korea for North America.

It was a favorite at last year's Sundance, won best picture at this year's Independent Spirit Awards and has received two nominations for the upcoming Academy Awards: best picture and best original screenplay.

The project was inspired by Song's own experience – being with her husband who does not speak Korean and her childhood friend who was visiting from South Korea in New York -- where she had to act as an interpreter for the gathering.

"As I was doing the interpretation, I also realized that I was interpreting two parts of my own story, my personal history itself and my identity," Song said at a press conference in Seoul.

Her film skillfully explores what it means to live in the realm of "what ifs", and one's complex relationship with a younger self that exists solely in the past and in places they no longer inhabit.

"We are not fantasy characters nor do we traverse multiple universes or parallel dimensions," Song said in an interview with AFP and others, when asked about the film's title.

"But because we pass through so much time and space, and because we age and we relocate, I believe that there are always lives that we end up leaving behind."

Time and closure

"Past Lives" is South Korean entertainment giant CJ ENM's first joint project with Hollywood's indie film studio A24, which counts films such as the Oscar-winning Korean-American tale "Minari" and absurdist immigrant comedy-drama "Everything Everywhere All at Once" in its catalogue.

One-third of "Past Lives" was shot in South Korea, with the remaining portions filmed in the United States. Its distribution is being handled by A24 in North America and CJ in Asia.

CJ ENM -- which has backed film hits including "Parasite" and local blockbusters such as "Ode to My Father" -- said "Past Lives" is part of its strategy to diversify into the global market.

"It is difficult for us to compete in the United States with a movie that goes up against a Marvel series" with huge budgets, Jerry Kyoungboum Ko, CJ ENM's head of film business, said.

The company's strength lies in its focus on Asia, and CJ ENM aims to leverage that by collaborating with up-and-coming talents from both domestic and international backgrounds who have fresh and authentic stories linked to the region, he added.

While diasporic tales have recently garnered considerable attention in Hollywood, stories of loss and places are "no longer exclusive to immigrants themselves" in the modern world, director Song said.

"When we screened this movie in Ireland, there was an Irish person who was moved to tears because it reminded him of his girlfriend whom he had left behind in Dublin, while he's currently residing in Glasgow."

Song said her film also explores the concept of closure.

"In life, there are moments when we say goodbye to (things and people) in a proper manner. However, there are also instances where we neglect to do so because we just think it's insignificant," she said.

"We come to realize how fortunate it is to be able to say goodbyes properly, how much of a gift it is."



'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
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'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)

"Avatar: Fire and Ash" showed no signs of slowing down, topping the North American box office for the fifth consecutive week over the long holiday weekend, industry estimates showed Sunday.

The third installment in director James Cameron's blockbuster fantasy series took in another $17.2 million from Friday to Monday, when Americans mark Martin Luther King Jr Day.

That put its US and Canadian haul at $367.4 million, and its worldwide total at more than $1.3 billion, according to Exhibitor Relations.

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington as ex-Marine Jake Sully, who must battle a new foe threatening their family's life on the planet Pandora.

It is the fourth Cameron film to pass the $1 billion mark, along with the first two "Avatar" films and "Titanic."

Debuting in second place with a disappointing $15 million was "28 Years Later: The Bone Temple," the fourth installment in the zombie horror series, which comes less than a year after the last film.

"Returning after 7 months is quick -- it's too quick, and it's hurting the numbers," said analyst David A. Gross of Franchise Entertainment Research.

Disney's feel-good animated film "Zootopia 2" showed its staying power, moving up to third place at $12 million over the four-day weekend.

In fourth place at $10.2 million was "The Housemaid," an adaptation of Freida McFadden's best-selling novel about a young woman who is hired by a wealthy couple with dark secrets. Sydney Sweeney and Amanda Seyfried star in the Lionsgate release.

"Marty Supreme," starring Oscars frontrunner Timothee Chalamet as a conniving 1950s table tennis player with big dreams, finished in fifth place at $6.7 million.


Jennifer Lawrence Says She Lost Role to Margot Robbie After Critics Called Her Ugly

 American Actress Jennifer Lawrence (AFP) 
 American Actress Jennifer Lawrence (AFP) 
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Jennifer Lawrence Says She Lost Role to Margot Robbie After Critics Called Her Ugly

 American Actress Jennifer Lawrence (AFP) 
 American Actress Jennifer Lawrence (AFP) 

Jennifer Lawrence has revealed she lost an acting role to Margot Robbie after critics called her ugly.

The American actress, 35, said she was denied a part in Once Upon a Time in Hollywood because she was deemed not “pretty enough,” according to The Telegraph newspaper.

Robbie was cast in her place in the Quentin Tarantino blockbuster, which also starred Leonardo DiCaprio and Brad Pitt.

Lawrence told the Happy Sad Confused podcast that Tarantino had expressed interest in her playing Sharon Tate, the actress and wife of Roman Polanski, who was murdered by members of the Manson Family cult in 1969.
“Well, he did, and then everybody was like, ‘She’s not pretty enough to play Sharon Tate’,” she said.

“I’m pretty sure it is true, or it’s that thing where I’ve been telling the story this way for so long that I believe it. No, but I’m pretty sure that happened. Or he just was never considering me for the part, and the internet just, like, went out of their way to call me ugly,” Lawrence said.

Ahead of the 2019 film, Debra Tate, the sister of Sharon, said Robbie should take the part because Lawrence was “not pretty enough.”

“They are both extremely accomplished actresses, but I would have to say my pick would be Margot, simply because of her physical beauty and the way she carries herself – it’s similar to that of Sharon,” she said.

“I don’t think as much about Jennifer Lawrence – not that I have anything against her. She’s just, I don’t know, she’s not pretty enough to play Sharon. That’s a horrible thing to say, but I have my standards,” she added.

Tarantino said in 2021 that he had also considered Lawrence for the part of Lynette “Squeaky” Fromme, a member of the Manson Family.

“Early on, I investigated the idea of Jennifer Lawrence playing Squeaky,” he said. “So she read it, and afterward we talked about it a little bit... something didn’t work out... But she’s a very nice person, and I respect her as an actress,” he said.

Once Upon a Time in Hollywood won three Golden Globes and two Oscars after its release in 2019.

 

 

 


Green Day to Open 60th Super Bowl with Anniversary Ceremony Celebrating Generations of MVPs

Billie Joe Armstrong of Green Day performs during the first weekend of the Coachella Valley Music and Arts Festival at the Empire Polo Club on Saturday, April 12, 2025, in Indio, Calif. (AP)
Billie Joe Armstrong of Green Day performs during the first weekend of the Coachella Valley Music and Arts Festival at the Empire Polo Club on Saturday, April 12, 2025, in Indio, Calif. (AP)
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Green Day to Open 60th Super Bowl with Anniversary Ceremony Celebrating Generations of MVPs

Billie Joe Armstrong of Green Day performs during the first weekend of the Coachella Valley Music and Arts Festival at the Empire Polo Club on Saturday, April 12, 2025, in Indio, Calif. (AP)
Billie Joe Armstrong of Green Day performs during the first weekend of the Coachella Valley Music and Arts Festival at the Empire Polo Club on Saturday, April 12, 2025, in Indio, Calif. (AP)

The NFL is marking the 60th anniversary of the Super Bowl with a hometown opening act.

Green Day will kick off the big game with an opening ceremony Feb. 8 at Levi’s Stadium in Santa Clara, California, the league announced Sunday. The performance will celebrate six decades of the championship's history, with the band helping usher generations of Super Bowl MVPs onto the field.

The trio, who formed in the East Bay subregion of the San Francisco Bay Area and are made up of Billie Joe Armstrong, Mike Dirnt and Tré Cool, are expected to perform a selection of their best-known anthems as part of the tribute.

“We are super hyped to open Super Bowl 60 right in our backyard!” lead singer Armstrong said. “We are honored to welcome the MVPs who’ve shaped the game and open the night for fans all over the world. Let’s have fun! Let’s get loud!”

“Celebrating 60 years of Super Bowl history with Green Day as a hometown band, while honoring the NFL legends who’ve helped define this sport, is an incredibly powerful way to kick off Super Bowl LX,” said Tim Tubito, the league's senior director of event and game presentation. “As we work alongside NBC Sports for this opening ceremony, we look forward to creating a collective celebration for fans in the stadium and around the world.”

The opening ceremony will take place ahead of the pregame entertainment, in which Charlie Puth is to perform the national anthem, Brandi Carlile will sing “America the Beautiful” and Coco Jones will deliver “Lift Every Voice and Sing.”