Da’Vine Joy Randolph and Lily Gladstone Were among the Awards Season’s Fashion MVPs

Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
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Da’Vine Joy Randolph and Lily Gladstone Were among the Awards Season’s Fashion MVPs

Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)

This year’s red carpet season failed to disappoint, fashion-wise, with plenty of drama, personal style and new takes on Old Hollywood.

Sometimes, in the case of Margot Robbie and her all-Barbie, all-the-time looks, it was about nostalgia. For others, including Jeremy Allen White, it was a color that made the statement: white, like his name, in his case.

For Danielle Brooks, it was about the fun. Look no further than her part gown, part tuxedo and touch of purple at the Screen Actors Guild Awards, thanks to designer Christian Siriano.

While much of the fashion energy came at awards shows and related events, Zendaya headed for the desert as she promoted “Dune: Part Two” in a variety of cutting-edge designs. They included a silver cyborg suit straight from the archive of Mugler.

While Zendaya and her co-star, Timothée Chalamet, often wow on red carpets, there were other MVPs this time around. Here's a look at a few:

COLMAN DOMINGO Whether it's a textured gold coat and mustard yellow suit by Valentino Haute Couture at the Critics Choice Awards or a custom black Louis Vuitton tuxedo and man brooches at the Emmys, the star of “Rustin” has left no fashion crumbs. Domingo has offered a new vision of how a leading man can dress. He loves to play with fashion and his joy shines through. He was elegant at the Oscars in a custom Louis Vuitton double-breasted tuxedo with crystal buttons and gold-tipped cowboy boots.

LILY GLADSTONE The Indigenous actor and recent British Vogue cover star has approached her red carpet coming-out with intention, supporting Indigenous jewelry designers while promoting “Killers of the Flower Moon.” At the Golden Globes, she paired her Valentino gown and cape with beaded earrings by Lenise Omeasoo, who is Blackfeet and Cree. For the Oscars, she wore a custom Gucci gown in midnight blue that was created in collaboration with Indigenous designer Joe Big Mountain.

CILLIAN MURPHY Is the “Oppenheimer” star the anti-Ken? Look no further than his sheer shirt and black pinstripe Saint Laurent suit at the film's London premiere. More dark pinstripes from the same design house followed at the Screen Actors Guild Awards, this time with a loose bow at the neck. The man loves a pinstripe. In lots of neutrals, he's been the perfect counter to all that sugary pink over at “Barbie.” His custom black Atelier Versace tux for the Oscars was adorned with a gem brooch by Sauvereign.

AYO EDEBIRI The co-star of “The Bear” was on a red-hot fashion streak, earning official “It” girl status. There was her black 3D molded custom Louis Vuitton petal dress for the Emmys. And her smashing red custom Prada strapless gown with a floor-length train at the Golden Globes. The dress fell playfully, and youthfully, just above her ankles. Never underestimate young Hollywood.

BARRY KEOGHAN Adventurous is the “Saltburn” star's middle name when it comes to fashion. Louis Vuitton, Burberry and Givenchy were among his go-tos. He mixed patterns in a red Vuitton evening jacket and trouser set for the Golden Globes. Keoghan loves his bling, accessorizing his red-on-red moment with a golden belt chain, pearl necklace and Tiffany & Co. jewel earring. A little punk. A lot fab.

DA'VINE JOY RANDOLPH It was a draped ivory mermaid gown with 3D roses at the neck at the Screen Actors Guild Awards for this longtime lover of fashion and co-star of “The Holdovers.” It was by Valdrin Sahiti. At the British Film Academy Awards, Randolph wowed in a colorblock peach-and-black body-hugger by Robert Wun. The fashion spotlight has been soaking up Randolph and the drama she has provided. She picked up a supporting actress Oscar in a custom Louis Vuitton gown in pale blue with oversize, fringed sleeves.

PEDRO PASCAL Few could make an arm sling as sexy as “The Last of Us” star did. At the Golden Globes, his sling came with nail art that spelled “ouchy,” the best accessory of the night. He wore the sling, actually for a shoulder injury, with black trousers and a matching turtleneck that had a white yarn knot design, all by Bottega Veneta. But his big sling moment came at the Critics Choice Awards, when he wore it with a sand-color ensemble the exact shade of his fashion-forward medical device.

GRETA LEE In the color of the season, red, and with lots of help from Loewe and some from Bottega Veneta, the co-star of “Past Lives” was a fashion sensation. The latter designed her futuristic red sculptural mood for the Governors Awards. She paired the dress with silver metallic heels. Loewe's Jonathan Anderson was behind her modern classic off-white voluminous gown for the Golden Globes, her waved, cropped bob and Tiffany & Co. jewels the perfect touch. At the Oscars, it was a black-and-white velvet halter-neck gown by Loewe with white strips of fabric draped across her neck and down her back that attached at her hips.



Zara Owner Inditex Posts Record Profit in 2025

Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez
Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez
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Zara Owner Inditex Posts Record Profit in 2025

Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez
Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez

Zara owner Inditex, the world's leading low-cost fashion retailer, posted a record annual profit for the third year running on Wednesday, seeing off strong international competition.

The Spanish group, which includes top brands such as Massimo Dutti, Pull & Bear and Bershka, reported a profit of 6.22 billion euros ($7.23 billion) in the fiscal year ending January 31.

That marked a six percent rise on the 5.9 billion it raked in in 2024, which was also a group record, Inditex said.


Margot Robbie, Oprah Watch Blazy Transform Chanel with Color and Craft

Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)
Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)
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Margot Robbie, Oprah Watch Blazy Transform Chanel with Color and Craft

Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)
Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)

Chanel 's Matthieu Blazy is still building. Six months into his tenure at the Parisian stalwart, the designer staged his second ready-to-wear collection at Paris Fashion Week Monday, where brightly colored cranes rose from a holographic floor — a deliberate signal that the construction is ongoing.

For Parisians who have spent years staring at the real thing above Notre-Dame cathedral, the set was perhaps less dreamy than intended.

The audience inside the Grand Palais suggested the foundations are solid: Margot Robbie, Oprah, Jennie, Kylie Minogue, Lily-Rose Depp, Teyana Taylor and Olivia Dean all turned up to watch the next floor go on.

Blazy took his cue from a quote from Gabrielle “Coco” Chanel: “We need dresses that crawl and dresses that fly.”

The collection was structured around that tension — plain against spectacular, function against fantasy — with a discipline his sprawling debut last October sometimes lacked.

The opening looks were austere by design. Black knit zip-ups, tweed blousons and boxy overshirts arrived with little more than four gold buttons to signal they belonged to Chanel.

In the vast runway space, they could read as underwhelming. But Blazy’s point was architectural: the suit, he said, is “the first brick” — and everything else rises from it.

That logic tracks to the founder.

In her apartment on Rue Cambon, a wall is covered in gauze painted gold — something poor made precious.

Chanel built a house on that idea, borrowing from everyday dress and elevating it. Blazy is doing the same with her codes, stripping the suit to a knit shirt jacket or pressed-tweed blouson before rebuilding it in silicone-woven fabric and metallic mesh.

The collection’s most provocative move was its silhouette. Blazy pulled waistlines dramatically low — belts slung to mid-thigh, pleated skirts starting where blazers ended.

The references were retro flapper filtered through a modern lens: drop-waisted twinsets, patchwork dresses with floral embroidery, vivid patterned knits with a twenties pulse.

A furry coat in bold geometric color could have been worn in a chic part of London's Camden.

Whether the ultra-low waistlines will land with the well-heeled clients who pack Chanel’s front rows is another question. Selling a radically new proportion to women with deep loyalty to the house is a different challenge than winning critical praise.

The final stretch answered that concern with force. Sequined plaid suits arrived in dazzling color. Beaded coats glinted with star-chart embroidery. Metallic mesh was woven to mimic tweed motifs, and several models wore pastel-tinted hair to match their looks.

Fabric flowers burst from bodices. Trailing ribbons, layered ruffles, and insect-wing detailing turned the runway into something closer to spectacle than commerce.

Blazy cast wide — teens through to women in their fifties — and let the show breathe, with a runway circuit that took models the better part of five minutes. He framed it all with seven pared-back black and cream looks, as if to say: whatever else changes, the Chanel you know isn’t going anywhere.

If this second outing holds — on the penultimate day of fashion week — Blazy has found something rare at a heritage house: a way to honor the founder’s voice without simply echoing it.


Hugo Boss Posts Annual Profit Above Expectations

The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)
The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)
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Hugo Boss Posts Annual Profit Above Expectations

The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)
The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)

German fashion group Hugo Boss reported a higher than expected annual operating profit on Tuesday, despite a challenging market environment.

The company reported earnings ‌before interest ‌and taxes (EBIT) of ‌391 ⁠million euros ($455 million) ⁠for 2025, up from 361 million euros a year earlier, and above analyst's average forecast of 379 million euros in a company-provided ⁠poll.

"2025 once again highlighted ‌the ‌rapid transformation of our industry, shaped by ‌technological innovation, evolving consumer preferences ‌and ongoing macroeconomic and geopolitical uncertainty," Chief Executive Officer Daniel Grieder said in a statement.

Luxury groups ‌have been struggling with tighter consumer spending, with the ⁠sector ⁠hit by slowing demand for fashion and accessories particularly in the US and China.

The premium fashion retailer said it will propose a dividend of 0.04 euros per share for 2025, compared with 1.40 euros a year earlier.