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Ramadan Traditions in Northern Saudi Arabia Reflect a Time of Community, Sharing, and Faith

Saleh Al-Mutlaq, an 82-year-old resident of Hail, paints a vivid picture of Ramadan in his youth. (SPA)
Saleh Al-Mutlaq, an 82-year-old resident of Hail, paints a vivid picture of Ramadan in his youth. (SPA)
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Ramadan Traditions in Northern Saudi Arabia Reflect a Time of Community, Sharing, and Faith

Saleh Al-Mutlaq, an 82-year-old resident of Hail, paints a vivid picture of Ramadan in his youth. (SPA)
Saleh Al-Mutlaq, an 82-year-old resident of Hail, paints a vivid picture of Ramadan in his youth. (SPA)

Saleh Al-Mutlaq, an 82-year-old resident of Hail, paints a vivid picture of Ramadan in his youth. His memories highlight the importance of community, sharing, and faith that permeated the holy month, the Saudi Press Agency said on Thursday.
One tradition involved gathering near the neighborhood mosque every Friday night for a potluck meal. This custom, fostering a spirit of togetherness, ensured that everyone shared in the bounty of Ramadan.
The "dinner of the parents," held on the 27th night of Ramadan, exemplifies the emphasis placed on family bonds. This tradition, passed down from Al-Mutlaq's father, highlights the importance of strengthening connections within the community.
Checking on neighbors, especially those in need, was another custom. People readily offered food and financial assistance, reinforcing a sense of mutual support and compassion.
Before the advent of radio, the booming cannon from A'arif Fort announced the start of Ramadan with nine shots. This unique tradition added a special touch to the beginning and end of the holy month, with nine shots marking Eid al-Fitr as well.
Religious practices were central to the Ramadan experience. People gathered at mosques for Quran recitation, lectures, and night prayers.
Mornings were spent working on farms or at the markets, showcasing the dedication to faith alongside daily routines.
Al-Mutlaq's memories serve as a valuable reminder of the rich tapestry of traditions that once defined Ramadan in Hail. These cherished practices are a vital part of the country's heritage, to be passed onto future generations.

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Culture

Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."